loader from loading.io

The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958

Every Single Sci-Fi Film Ever*

Release Date: 04/26/2025

On the Beach: Atomic Apocalypse in 1959 show art On the Beach: Atomic Apocalypse in 1959

Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at  You can follow the podcast on ,  and . If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can’t believe I am almost done and dusted with this...

info_outline
The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse show art The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead!

 

You can follow the podcast on social media: Instagram, Threads and BlueSky.


You can support the podcast and get ad-free episodes on info_outline The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958 show art The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958

Every Single Sci-Fi Film Ever*

If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm

 

You can follow the podcast on Threads, Instagram and <

info_outline The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan show art The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

Every Single Sci-Fi Film Ever*

You can find the podcast on ThreadsInstagram and Bluesky


In 1992 Ishiro Honda sat down for his info_outline I Married a Monster from Outer Space: Gender expectations in 1958 show art I Married a Monster from Outer Space: Gender expectations in 1958

Every Single Sci-Fi Film Ever*

You can find the podcast on Threads, Instagram and Bluesky

I Married a Monster from Outer Space was released as part of a double bill (with The Blob) in 1958. The story focuses on newlywed couple Marge and Bill Farrell but unbeknownst to his new bride and the whole town Bill has been replaced by an alien on the eve of th

info_outline The Blob, Steve McQueen and the Rising Teen show art The Blob, Steve McQueen and the Rising Teen

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 

Somewhere in the late 1950s society began to come to terms with the idea of the teenager. Teens were heading to the cinema leaving younger siblings and parents at home. The Blob (1958) isn‘t a tale of rebellion or film warning about teenage delinquency but a thoroughly enjoyable time with a catchy theme tune. 

I have two wonderful guests to help us unravel this classic 1950s sci-fi. 

The Experts 

Roger Luckhurst is a Professor at Bi

info_outline
McCarthyism vs Ed Murrow: History Daily show art McCarthyism vs Ed Murrow: History Daily

Every Single Sci-Fi Film Ever*

For this bonus episode I’ve teamed up with the excellent History Daily podcast. 

Very exciting! 

History Daily tells fascinating stories of what happened “on this day” in history with a new episode every weekday.

The early 1950s in the USA stand out as not just a time of economic prosperity but also one of paranoia. The country faced the fear of the atomic bomb, the Red Scare and a moral panic around juvenile delinquency. (Teenagers were new and unpredictable!)

During this

info_outline
Ed Wood's Plan 9 from Outer Space: The Worst Movie Ever? show art Ed Wood's Plan 9 from Outer Space: The Worst Movie Ever?

Every Single Sci-Fi Film Ever*

You can find the podcast on Threads, Instagram and Bluesky

The Worst Film of All Time by The Worst Director of All Time. So claimed the 1980 book The Golden Turkey Awards by Michael and Harry Medved regarding the film Plan 9 from Outer Space and director Edward Wood Jr AKA Ed Wood. 

But this very title is one of the

info_outline The Incredible Shrinking Man: 1950s Masculinity in Crisis show art The Incredible Shrinking Man: 1950s Masculinity in Crisis

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 


I would love to know what you make of the ending of this film if you watched it. Best place to do that is on social media. Threads, Instagram and Bluesky.&nb

info_outline How Forbidden Planet Shaped Sci-Fi Cinema show art How Forbidden Planet Shaped Sci-Fi Cinema

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 


Forbidden Planet (1956) is a somewhat overlooked 50s classic. Although it often fails to make lists of the greatest sci-fi films of all time it has come across often in my written research and when

info_outline
 
More Episodes

If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm

 

You can follow the podcast on Threads, Instagram and Bluesky.

 

Although science fiction cinema did not begin in the USA it seems that by the 1950s Hollywood had tapped into the ravenous appetite the public had for the genre.

 

The period is now known as the Golden Age of Science Fiction with an array of films ranging in style, topic and quality. Themes of space travel, alien invasion, nuclear fears and cold war paranoia are strewn across the decade.

 

Meanwhile in Czechoslovakia Karel Zeman was working on making some cinematic masterpieces made for children based on the works of Jules Verne and other late 19th century authors. In 1958 he made the film Invention for Destruction based on Verne’s novel Facing the Flag. In 1961 this was dubbed in English and retitled The Fabulous World of Jules Verne and distributed by Warner Bros.

 

The visual style is based on late 19th century etchings and illustrations of Verne’s novels which you can take a look at on this Instagram post.

 

The film went on not only to inspire many prominent filmmakers like Hayao Miyazaki, Tim Burton and Terry Gilliam but also a cohort of writers who cite his film as being the origin for the style of steampunk science fiction.

 

I spoke to two wonderful guests to understand the historical context and ongoing influence of the film.

 

Thomas Lamarre is a Professor of Film, Media, and East Asian Languages and Civilisations at the University of Chicago. He is also the author of the Steam Punk cinema chapter in the Oxford Handbook of New Science Fiction Cinemas.

 

Mary Heimann is Professor of Modern History at Cardiff University. She is also the author of the book Czechoslovakia: The State that Failed.

 

Chapters

00:00 Introduction to the show and Karel Zeman

03:51 Post War Czechoslovakia

06:52 A Christmas Dream and Hermina Týrlová

07:25 Global animation after World War 2

10:48 Journey to the Beginning of Time

12:47 Why haven’t I heard of this film*?

15:37 Science Fiction in Czechoslovakia

18:27 Steampunk!

23:08 Thomas’ experience of the film

24:58 The Czech perspective

26:12 The Czech New Wave and the Prague Spring

30:58 Milos Forman and filmmakers in exile

32:19 The messaging and nature of the film

35:56 Legacy

41:41 Recommendations for the listener

44:44 Ads and subscription details

 

 

NEXT EPISODE!

Next episode we will be speaking about another lesser known science fiction film: The World, the Flesh and the Devil from 1959. You can find out where the film is streaming in your region on the Just Watch website and an internet search brings a few leads for the full film online.

 

*Possibly because I am stupid.


Hosted on Acast. See acast.com/privacy for more information.