Carry Somers on her new book "The Nature Of Fashion" and the importance of both restoring fashion's connection with nature and repositioning fashion in the broader narrative of ecology as a mirror of who we are
Release Date: 11/04/2025
Conscious Chatter
In Episode 342, Kestrel welcomes Olivia Cueva, a radical dreamer, designer, technologist, and researcher, to the show. bridges creative technology, fashion, biomaterials, and storytelling to explore transformation, regeneration, and collective care. Her practice moves fluidly between community-centered education, speculative design, and research into sustainable and bio-based materials—always with the aim of sparking dialogue, nurturing resilience, and envisioning more just futures. “A lot of the research that I do now is focused on natural dyes and working with plants and seeing how the...
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In Episode 340, Kestrel welcomes Constanza Gomez, the cofounder and CEO of Sortile, to the show. is a company focused on empowering the textile recycling industry with technology that enables the identification, sorting and traceability of textiles. “I was a much more hopeful person when I started this company and I've slowly become more of a skeptic. But that means I've leaned more heavily on the need for regulation versus people acting of their own free and good hearts. And so I think the opportunity is great. You can redefine and set real incentives to manage end of life better.”...
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In Episode 339, Kestrel welcomes Beth Jensen, the Chief Impact Officer at Textile Exchange, to the show. Leading the organization’s efforts to achieve beneficial climate and nature impacts, Beth oversees key functions at including impact data and Life Cycle Assessment studies; impact tools and reporting mechanisms; reports and research; fundraising; and public affairs/policy. “A big part of vulnerability is really admitting that you don't have all the answers. So in sustainability, in fashion, apparel, and textile space, this is just the way we have...
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In Episode 338, Kestrel welcomes Miranda Green, an investigative journalist focused on politics and climate change, to the show. As the author of Atmos Magazine’s weekly newsletter, , Miranda takes a weekly look behind the climate headlines to question how decisions are made, why they matter, and what they reveal about this moment. “I think data to me is, they’re facts. It's hard facts. It's looking at points that have been, you know, they're determined by scientists. They've been measured. They are proven points that then, I can use as building blocks to tell my story.” -Miranda THEME...
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In Episode 337, Kestrel welcomes Gail Gallie, the founder of THE NAT, to the show. A new convening force for Nature, is primarily focused on galvanizing the private capital needed to close the nature finance gap; they just held their inaugural NAT Gala “Night For Nature” in September 2025. From working in advertising to co-leading the creation of the UN Global Goals Campaign, Gail has an extensive background in global advocacy and campaigning. “I was pretty blown away that you could quantify the amount of money that was needed to fix where we are now to where we need to get to in...
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In Episode 336, Kestrel welcomes author and visionary changemaker, Carry Somers, to the show. Co-founder of , the world’s largest fashion activism movement, and the author of a new book – , Carry has worked across the fashion space in various capacities, advocating for a shift towards transparency, fairness, and sustainability in supply chains. “Textiles reflect our connection with the natural world, but they're not just about utility. They're definitely about beauty as well. But they're also really an echo of our disconnection from it. And I realized during my research that that rift...
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In Episode 335, Kestrel welcomes Lisa Kibutu, the founder of Regenerative Fashion Collaborative Exchange (REFACE) and Regenerative Textile Development Institute (RTDI), to the show. A tech-led social enterprise, was created to holistically address the negative impact of the global fashion industry on climate change, biodiversity, and the environment in Africa. With , she is building a pioneering research and development institution that leverages blockchain technology, zero waste operations, and regenerative agriculture to transform agricultural waste from Indigenous grain crops into...
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In Episode 334, Kestrel welcomes Emily Mikhaiel, the cofounder and creative director of Nazeerah, to the show. A clothing brand inspired by the legacy of her grandmother, supports organic and regenerative farming practices to honor Egyptian cotton, and produces locally in Egypt to maintain direct relationships with their suppliers and reduce their carbon footprint. “There really wasn't waste while my father was growing up. Everything was either composted or if it was metal, it was recycled or reused or repurposed. If a garment was no longer wearable, they'd cut it up into strips and weave...
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In Episode 333, Kestrel welcomes Cate Havstad-Casad, a designer, entrepreneur, and first-generation regenerative rancher, to the show. Cate’s work as a designer and land steward has evolved a great deal since she founded Havstad Hat Company in 2014. Today she manages Casad Family Farms with her husband, while building , a luxury leather goods brand focused on using 100% American, regeneratively sourced hides. “I love the idea of having things forever. I love the idea of a great leather boot being resoled again and again. My work in hats, I'm like the anti-growth capitalist. I'm like, you...
info_outlineIn Episode 336, Kestrel welcomes author and visionary changemaker, Carry Somers, to the show. Co-founder of Fashion Revolution, the world’s largest fashion activism movement, and the author of a new book – The Nature Of Fashion: A Botanical Story Of Our Material Lives, Carry has worked across the fashion space in various capacities, advocating for a shift towards transparency, fairness, and sustainability in supply chains.
“Textiles reflect our connection with the natural world, but they're not just about utility. They're definitely about beauty as well. But they're also really an echo of our disconnection from it. And I realized during my research that that rift actually started far earlier than I'd ever realized.” -Carry
THEME —BRINGING NATURE BACK INTO THE FASHION FOLD
There are various theories on what has led to the so-called disconnect between humans and nature – not only physically, but also ideologically. Amidst the fashion conversation, it’s not necessarily prioritized. We may hear environmental advocates pushing for an expansion in the narrative to ensure humans are included as an integral part of nature. Or we may hear discussions about why we must reconnect with nature in order to better care for it.
As this week’s guest, Carry, teaches us – textiles are an integral part of this story – and they can tell us far more about our relationship with nature than we ever imagined – from both a historical and future-oriented lens.
This two-part focus of the podcast is inspired by her new book – The Nature Of Fashion: A Botanical Story Of Our Materials Lives. The theme is: BRINGING NATURE BACK INTO THE FASHION FOLD.
If you know me, you know I get very nerdy about words and their layered meanings. Which is why reading this segment from Carry’s pulled me deep into the pages that followed –
“The Latin verb texere, meaning to weave or construct with elaborate care, reminds us that both textiles and texts stem from acts of creation. Textiles and texts, born of the same etymological thread, are entwined with our histories, our cultures, our lives.”
The beautiful thing is that these overlaps between textiles and texts – materials and stories – goes far beyond just Latin. As our guest shares, they both evoke texture and encode memory, and through her research, she discovered that across various cultures around the world, there are parallels in both language and meanings, connecting textiles with texts.
So, it becomes more and more clear that textiles have something significant to teach us about our collective history and future. At the same time, as my guest reminds us, the inequity of the archives became glaringly obvious the deeper she got into her research.
So, in her book, *data collection* meant something more expansive than what we might be used to. For her, it was rooted in research, while also welcoming imagination and prioritizing oral traditions.
As she poses in the book – “what if the story of humanity could be told through a single thread?”
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“Balance is not a place to reach, but a rhythm to feel.” -Carry in her book