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Art, Culture, & AI

Creative Next: AI Automation at Work

Release Date: 01/14/2020

#332 Listener Questions with Ellie Dix Show show art #332 Listener Questions with Ellie Dix Show

Creative Next: AI Automation at Work

The Game Design Round Table rounds out its best year yet with another set of Listener Questions! Dirk and David are joined by Ellie Dix once more to answer your questions about hidden information, designing for different group sizes, and exploring a world in which you only played board games once.

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AI & The Art of Music show art AI & The Art of Music

Creative Next: AI Automation at Work

AI is being used by music groups, such as our guest this episode Claire Evans, a member of the band YACHT. Their latest album, Chain Tripping, leveraged machine learning solutions for the music, lyrics, and more.

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AI Composed Music show art AI Composed Music

Creative Next: AI Automation at Work

Musical composition is one of the earliest examples of human art and creativity. Today, new and original music is increasingly being composed by AI. Drew Silverstein, Co-Founder and CEO of Amper Music, joins the show.

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AI & Audio Engineering show art AI & Audio Engineering

Creative Next: AI Automation at Work

AI is driving innovation in the field of audio production. Jonathan Bailey, the Chief Technology Officer of iZotope, a company pioneering advances with these technologies, talks about the state-of-the-art in audio software.

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Art & Technology show art Art & Technology

Creative Next: AI Automation at Work

AI is the latest technology to spark innovation in the art world. Artist Mario Klingemann, creator of “Memories of Passersby 1” which was auctioned by Sotheby’s in 2019, talks about his work and the future of art.

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Art, Culture, & AI show art Art, Culture, & AI

Creative Next: AI Automation at Work

The impact of AI and other emerging technologies is of great interest to artists, who translate that interest into insights about where the world is heading. Transmedia artist Stephanie Dinkins shares her work and insights.

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Evolving Digital Design show art Evolving Digital Design

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The digital design profession has undergone tumultuous change over the last decades, lessons from which inform the future of AI-driven computational design. Daniel Harvey, Head of Product Design & Brand at The Dots Global, is our guest.

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Architecture & Generative Design show art Architecture & Generative Design

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What is the role and future of generative design and machine learning in the field of architecture? Lilli Smith, Senior Product Manager AEC Generative Design at Autodesk, joins us to discuss these emerging technologies.

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Computational Filmmaking show art Computational Filmmaking

Creative Next: AI Automation at Work

How are computational tools changing filmmaking, and how will it change the video content of the future? To explore these topics we welcome Genevieve Patterson, Chief Scientist and Co-Founder of TRASH, to the show.

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AI Design for the Enterprise show art AI Design for the Enterprise

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Amy Yoshitsu, a Founder and the Head of Design for Kleeen software, joins us to talk about their vision for using machine learning to automate a variety of design and engineering tasks for enterprise software.

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The impact of AI and other emerging technologies is of great interest to artists, who translate that interest into insights about where the world is heading. Transmedia artist Stephanie Dinkins shares her work and insights.

We go through our lives, ubiquitously using technologies like Alexa and Netflix, without critically thinking about the impacts that machine learning and other emerging technologies have on today and tomorrow. Stephanie’s art, as well as live event projects that create dialog and participation from experts and every citizens alike, strive to make us aware of and active in how we think about and engage with our technology - being particularly mindful about issues of representation, bias, and empowerment.

Memorable Quotes

“Not The Only One is talking a lot about ‘the would be’. So if you ask it a question it will say, ‘Take it to the would be.’ And I always marvel at that, because it seems to be offering this idea that you take it to this thing that I'm not quite sure what it's talking about, but the advice feels sound, and also feels in line with the way that my family and ancestors might answer that question.”

 

“If this is one example of this technology, are there others that represent people of color in a way? Are there others that represent different cultures and attitudes in different ways? How are they programmed, and what does this mean for the world?”

“She is a system that is representationally one thing, but perhaps is informed by coders who are not completely in line what her representation might be.”

“I've been able to step into this arena, learn by doing, and then have a voice in terms of trying to get people to think about ideas of bias and equity and ethical thinking and inclusion in the AI sphere.”

 “And long run, really being involved in the making of the systems so that at least there are a multitude of different ways of being and ways of existing in the world, to start questioning how the system are working, what data they're based on, and bringing up why that might be a problem.”

“Not The Only One is my attempt at making a memoir of my family through artificial intelligence. And the original idea was to take three generations of women from the family, have us all talk to each other, do oral histories, transcribe that information, feed it into a recursive neural network, or a chat bot system, and allow others to question it so that they get to know us and our values and ideas.”

“I also think that there's a space where we get to interrogate and question the systems and think a little deeper about not only using those systems, but changing them.”

“We need to find ways to make technologies that seem really inaccessible and perhaps not for certain communities feel like they are accessible, and find ways then to use them.”

“I've come to the conclusion that in the short run specifically, the data is going to be the thing that we need to be conscious of.”

“I feel like the story of my family is a very specific one that has some specificities that we would like to share in a certain way, and that I don't want to be lost even to a next generation. And a way to hold onto that is to build it into a system that will be going on and engaging other systems. And so I do this work hoping that will hang around, and hoping that we don't just get overrun by whatever it is makes it most expedient to get to the information or ideas that are out there.”

“We seem to be creating a world through algorithms and artificially intelligent systems that - it's gonna really form and inform the way the world functions going forward.”

“I was talking to this robot and questioning her and we were having conversations, and it became clear to me that some of the things I was looking for were not in her.”

“I happen to think that we're entering a time where artists and everyone else are going to have to be learning all the time.”

 

Who You'll Hear

Dirk Knemeyer, Social Futurist and Producer of Creative Next (@dknemeyer)

Jonathan Follett, Writer, Electronic Musician, Emerging Tech Researcher and Producer of Creative Next (@jonfollett)

Stephanie Dinkins, Artist & Associate Professor, Stony Brook University (@StephDink)

 

Join The Conversation

Website & Newsletter: www.creativenext.org

Twitter: @GoCreativeNext

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Instagram: @GoCreativeNext

 

Sponsors

GoInvo, A design practice dedicated to innovation in healthcare whose clients are as varied as AstraZeneca, 3M Health Information Services, and the U.S. Department of Health and Human Services. www.goinvo.com 

Design Museum Foundation, A new kind of museum, they believe design can change the world. They’re online, nomadic, and focused on making design accessible to everyone. Their mission: bring the transformative power of design everywhere. You can learn about their exhibitions, events, magazine, and more. www.designmuseumfoundation.org

BIF, As a purpose-driven firm, BIF is committed to bringing design strategy where it is needed most - health care, education, and public service to create value for our most vulnerable populations. www.bif.is