Artist Hollis Callas, Part 2 (S8E9)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1. The “bootcamp” post-college and early career experience Hollis had at Creative Circus was interesting—she found herself seemingly taking it more seriously than many who’d come right out of a four-year program. She also balanced getting engaged and married in this time. Every year, Hollis’s grad school organized portfolio reviews with advertising agencies in either New York or San Francisco. Luckily for all of us, the year it was her turn, Creative Circus took students to The City. Once here, they met folks from big firms, including...
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Artist Hollis Callas, Part 1 (S8E9)
Storied: San Francisco
We’re baaaaaaack! Happy New Year, y’all! In this first episode of 2026, meet and get to know San Francisco artist . Hollis first came across my radar a few years ago when she won a contest to design our city’s new “I voted” stickers. I soon learned that she’s something of an artistic fixture in one of my adopted neighborhoods—The Inner Richmond. So I sat down with her one afternoon in November to learn more about her life. In Part 1, Hollis, an artist, illustrator, and designer, begins sharing her life story, which started in Atlanta. She grew up in the same Georgia house where...
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A Year-End Chat with Friend-of-the-Show Vandor Hill of Whack Donuts (S8 bonus)
Storied: San Francisco
Listen in as my friend Vandor Hill and I wrap up his second year of Whack Donuts’ brick-and-mortar location. This is Vandor’s third appearance on Storied: SF. Here are the other two episode’s we’ve done with him: We recorded this podcast at in Embarcadero 4 in December 2025. Photo by Jeff Hunt
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 2 (S8E8)
Storied: San Francisco
In Part 2, we pick up right where we left off in Part 1. Continuing her history of 3117 16th Street, Lex notes that “The Roxie has lived many lifetimes.” She describes the Eighties and Nineties as busy times for the theater. They ran a series of Werner Hertzog films in that era. Akira Kurisawa visited for some of his movies. Many local films and film festivals took place at The Roxie. Frameline was set there. San Francisco and the greater Bay Area were becoming something of a cinema mecca. The aforementioned Roxie Releasing ended up helping the business in times when ticket sales weren’t...
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 1 (S8E8)
Storied: San Francisco
When you tell friends you’re going to see a movie at The Roxie, there’s an almost palpable envy that sets in for them. In this episode, meet Lex Sloan and Henry S. Rosenthal. Lex is ’s executive director and Henry is on its Board of Directors and the chair of the theater’s capital campaign, which we’ll get to. In the meantime, if you’d like to help keep a bona fide San Francisco landmark in its rightful home until the end of time (they’d sure love you to, and so would I), donate to the Forever Roxie fund . We start with Henry, who lets us know that the “S” in his name stands...
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Neighborhood Basic Bitch: The Mission District, w/H.P. Mendoza and Bitch Talk (S8 bonus)
Storied: San Francisco
Listen in as I join and of to chat with about all things Mission District. We wax poetic about H.P.’s home hood, spinning yarns about the infamous neighborhoo'd’s past, present, and future. We recorded this podcast at in (duh) The Mission in November 2025. Photo by
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Randall Ann Homan and Al Barna of SF Neon, Part 2 (S8E7)
Storied: San Francisco
In Part 2, we pick up more or less where we left off in Part 1, hearing the story of how Randall and Al came to love all things neon. Their enthusiasm kicked into high gear when they started noticing neon signs coming down, and they decided to try to do something about it. That something started with documenting the signs. And with that came a bit of a learning curve, especially around photographing artificial lights at night. Over the next five years, they captured and captured and captured, getting as many extant signs as they could find. Randall had some book design experience under her...
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Randall Ann Homan and Al Barna of SF Neon, Part 1 (S8E7)
Storied: San Francisco
The story of how Randall Ann Homan got her name is a unique one. In this episode, meet and get to know Randall and her partner, in life and in neon, Al Barna. Today, the couple are all about all things . But we’ll get to that. When Randall’s dad was a teenager, he saved a young girl named Randall from drowning. After saving the little girl, he taught her to swim. Years later, when he had his own daughter, he carried the name forward. Randall Homan grew up in Goodyear, Arizona, just outside of Phoenix. The town was named for the tire company, and it was where, back in the day, the eponymous...
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Saikat Chakrabarti, Part 2 (S8E6)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1, with that fateful visit Saikat took to The Mission. He and friends worked a lot, but didn’t have a lot of money (sound familiar?). To learn The City and have some fun, they signed up for as many walking tours as they could find. After a few months living in Park Merced, Saikat relocated to The Mission—16th and Hoff, specifically. Esta Noche was nearby, and it’s where he saw his first drag show. A buddy worked with Saikat to build a web wireframing tool (think the basics of web design, the skeleton of sites, so to speak). They knew some...
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Saikat Chakrabarti, Part 1 (S8E6)
Storied: San Francisco
The story of begins in a time when his parents’ and ancestors’ country was being torn apart, almost literally. In this episode, meet and get to know Saikat. These days, he’s busy knocking on doors and otherwise hitting the ground in a bid to represent San Francisco in the US Congress. As I write this, just last week, Speaker Emerita Nancy Pelosi announced that she would not run for a 20th term. Timing! Let’s go back to mid-Nineteenth Century India. Because his dad’s family is Hindu, they were forced to relocate after Indian/Pakistani partition, fleeing their home country of...
info_outlineOne set of Barbara Gratta's grandparents came to the US from Calabria, the toe of the boot of Italy. The other grandparents came from across the Italian peninsula—Bari.
In this episode, meet Barbara. Today, she owns, operates, and makes wine at Gratta Wines in the Bayview. But her journey began in White Plains, NY. All four grandparents came to Brooklyn in the 1920s. They all eventually moved north to raise families away from the bustle of New York City. Barbara's grandparents were a big part of her early life, the extended families getting together often for "big Italian Sunday dinners" (yum!). These involved aunts, uncles, and cousins as well as the older generation.
Barbara and her immediate family lived upstairs from her aunt, uncle, and cousins. Because of this set-up, she says it was more like one big family. And every week culminated on Sundays, with as many as 30 people coming in and out of these get-togethers. The sauce was on the stove starting early in the morning. And if more people came, it simply meant more pasta. If, like me, you're thinking of the "Fishes" episode of The Bear, you're not far off.
Saturdays were spent going "up the street," which meant shopping at places like Sears or Macy's. Maybe they'd stop at White Plains Diner for lunch. But they always ended up back at her grandmother's house for cake and coffee.
Her mom's youngest brother went to school with Barbara's dad's youngest sister. They came from different towns, but all ran in the same circles. And thanks to this, as well as a tight-knit Italian-American community in the area, her parents met. They got married in 1958 and had their first kid, a son, in 1959. Then Barbara was born in 1960.
The family is Catholic, but that manifested more in traditions than any religious sense. They went to church on big holidays, and Barbara shares a story about her grandmother giving her money for the Easter Sunday collection. But she and her cousins pocketed the money and spent the service on the church roof. After she was confirmed, around eighth grade, her parents gave her the choice whether to keep going or not. Barbara chose to hang up her career with Catholicism at that point.
By the time Barbara was in high school, her immediate family moved to Florida, in the Sarasota area. She says it was a hard time for her, being torn from all the people and places she knew. There wasn't a lot of Italian culture in her new home. Her mom searched for ingredients to make the food she was accustomed to. She spotted a sausage truck one day and followed it. Only through this was she able to maintain some semblance of her cultural past.
Barbara stuck around after high school down in Florida. She got a degree in physical therapy and worked for about 10 years on the west coast of the state. Still, neither she nor her two brothers (one older, one younger) loved it there. Barbara left Florida around 1989 or 1990 for California.
Her first visit, before she moved to San Francisco, was a vacation with a coworker in the mid-Eighties. They stayed in a hotel on Van Ness near The Bay. They did what tourists do—Fisherman's Wharf, drive over the Golden Gate Bridge, that sort of thing—and didn't travel to any SF neighborhoods. The visit involved a quick drive down to Monterey to see a former coworker of theirs. The entire trip left her wanting to visit again someday.
When the time came to move here, her job set her up with a place to live for a few months. Barbara kept renewing these contracts every three months. She started in the southwest corner of The City, within walking distance of Joe's of Westlake in Daly City.
We end Part 1 with stories of Barbara's early friends in SF showing her around The City.
Check back next week for Part 2 and the conclusion of my episode with Barbara Gratta.
We recorded this podcast at Gratta Wines in the Bayview in December 2024.
Photography by Dan Hernandez