A Year-End Chat with Friend-of-the-Show Vandor Hill of Whack Donuts (S8 bonus)
Storied: San Francisco
Listen in as my friend Vandor Hill and I wrap up his second year of Whack Donuts’ brick-and-mortar location. This is Vandor’s third appearance on Storied: SF. Here are the other two episode’s we’ve done with him: We recorded this podcast at in Embarcadero 4 in December 2025. Photo by Jeff Hunt
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 2 (S8E8)
Storied: San Francisco
In Part 2, we pick up right where we left off in Part 1. Continuing her history of 3117 16th Street, Lex notes that “The Roxie has lived many lifetimes.” She describes the Eighties and Nineties as busy times for the theater. They ran a series of Werner Hertzog films in that era. Akira Kurisawa visited for some of his movies. Many local films and film festivals took place at The Roxie. Frameline was set there. San Francisco and the greater Bay Area were becoming something of a cinema mecca. The aforementioned Roxie Releasing ended up helping the business in times when ticket sales weren’t...
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 1 (S8E8)
Storied: San Francisco
When you tell friends you’re going to see a movie at The Roxie, there’s an almost palpable envy that sets in for them. In this episode, meet Lex Sloan and Henry S. Rosenthal. Lex is ’s executive director and Henry is on its Board of Directors and the chair of the theater’s capital campaign, which we’ll get to. In the meantime, if you’d like to help keep a bona fide San Francisco landmark in its rightful home until the end of time (they’d sure love you to, and so would I), donate to the Forever Roxie fund . We start with Henry, who lets us know that the “S” in his name stands...
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Neighborhood Basic Bitch: The Mission District, w/H.P. Mendoza and Bitch Talk (S8 bonus)
Storied: San Francisco
Listen in as I join and of to chat with about all things Mission District. We wax poetic about H.P.’s home hood, spinning yarns about the infamous neighborhoo'd’s past, present, and future. We recorded this podcast at in (duh) The Mission in November 2025. Photo by
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Randall Ann Homan and Al Barna of SF Neon, Part 2 (S8E7)
Storied: San Francisco
In Part 2, we pick up more or less where we left off in Part 1, hearing the story of how Randall and Al came to love all things neon. Their enthusiasm kicked into high gear when they started noticing neon signs coming down, and they decided to try to do something about it. That something started with documenting the signs. And with that came a bit of a learning curve, especially around photographing artificial lights at night. Over the next five years, they captured and captured and captured, getting as many extant signs as they could find. Randall had some book design experience under her...
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Randall Ann Homan and Al Barna of SF Neon, Part 1 (S8E7)
Storied: San Francisco
The story of how Randall Ann Homan got her name is a unique one. In this episode, meet and get to know Randall and her partner, in life and in neon, Al Barna. Today, the couple are all about all things . But we’ll get to that. When Randall’s dad was a teenager, he saved a young girl named Randall from drowning. After saving the little girl, he taught her to swim. Years later, when he had his own daughter, he carried the name forward. Randall Homan grew up in Goodyear, Arizona, just outside of Phoenix. The town was named for the tire company, and it was where, back in the day, the eponymous...
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Saikat Chakrabarti, Part 2 (S8E6)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1, with that fateful visit Saikat took to The Mission. He and friends worked a lot, but didn’t have a lot of money (sound familiar?). To learn The City and have some fun, they signed up for as many walking tours as they could find. After a few months living in Park Merced, Saikat relocated to The Mission—16th and Hoff, specifically. Esta Noche was nearby, and it’s where he saw his first drag show. A buddy worked with Saikat to build a web wireframing tool (think the basics of web design, the skeleton of sites, so to speak). They knew some...
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Saikat Chakrabarti, Part 1 (S8E6)
Storied: San Francisco
The story of begins in a time when his parents’ and ancestors’ country was being torn apart, almost literally. In this episode, meet and get to know Saikat. These days, he’s busy knocking on doors and otherwise hitting the ground in a bid to represent San Francisco in the US Congress. As I write this, just last week, Speaker Emerita Nancy Pelosi announced that she would not run for a 20th term. Timing! Let’s go back to mid-Nineteenth Century India. Because his dad’s family is Hindu, they were forced to relocate after Indian/Pakistani partition, fleeing their home country of...
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Schools at Doc Stories 2025 (S8 Bonus)
Storied: San Francisco
Listen in as I chat with SFFILM’s Soph Schultz Rocha and Keith Zwolfer all about this year’s Schools at Doc Stories program, which runs Nov. 6–10. Learn more about this year’s film festival at . We recorded this podcast at SFFILM’s Filmhouse in South of Market in October 2025.
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Artist Ian Paratore/Break Fake Rules, Part 2 (S8E5)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1. Ian and I talk about how big baseball was in his life in his high school and early college years. He was a left-handed pitcher, which made him attractive to coaches. By the time he transferred to UC Berkeley, though, sports receded and academics took over. He played what’s called club ball, which Ian explains is something between varsity high school-level and community college. At Berkeley, Ian majored in renewable energy, a topic that shows up in the art he does today. He minored in education, something that shows up in his coaching of kids...
info_outlineRisa Iwasaki Culbertson was born in Japan.
In this episode, meet and get to know Risa, one of the 12 artists in Every Kinda People, our group show at Mini Bar. Please join us this Sunday, Oct. 19, from 4–7 p.m. at Mini Bar for our Closing Party happy hour. Some of the artists will be on hand, as will friendly bartenders and me (Jeff).
Back to Risa, though. Her mom is Japanese and her dad is from Ventura County in Southern California. Risa spent her first five or six years in Japan before her parents moved to California. She has memories of life in Japan before they moved. And after the move, Risa often went back to visit her grandmother. Risa says that, as a kid, she loved going back and forth between two very different cultures
Her dad was in the military, which is what brought him to Japan, where he met his wife. Risa is their only child, something she and I go on a bit of a sidebar about. I’m not an only child, but I’ve met and befriended my fair share of well-adjusted only children. Hell, I married one.
Risa found creativity early, and ran with it. Her parents were older, and being half-American, half-Japanese, she didn’t feel like she fully belonged in either culture. Risa might’ve gotten her creativity from her mom, who did pottery, quilting, and other artistic things. Her dad was “a mad scientist of sorts,” she says. He was into taking things apart and repurposing found objects.
In Southern California, Risa spent time with other Hapa kids. Her mom was part of a large Japanese community, and there were plenty of mixed-race kids among that group.
She’s very much a product of the Eighties and Nineties and Southern California. She remembers the beginning of grunge and flannels. Risa remembers vividly when Kurt Cobain died (1994). Middle school for her happened in Orange County.
Risa did hula dancing and tap dancing for many years, always while also painting and drawing. In high school, her art teacher was switched out and replaced with a nun who told the kids they couldn’t use black inks. It felt to young Risa like too religious of a message, and it instilled in her an attitude of not wanting anyone to tell her what she can and cannot do with her art. She never took another art class.
She was also something of a social butterfly in her high school years. Risa had different friend groups and in hindsight, feels like they were constantly getting together and doing things.
Then we turn to what got Risa out of Southern California. One friend she met in college moved back to San Francisco, and another friend from down south wanted to move here. She visited The City and remembers sitting in a cafe talking to strangers. She felt then and there that the friendliness was right for her, and something she wasn’t getting in Orange County.
I share a quick story of being in Orange County and getting phone directions to a bar. Unbeknownst to me and my friends that night, the map put us on a highway … on foot. Yep.
We rewind a little to chat about Risa’s time in college. She always wanted to be at least art-adjacent, and so she took classes on manufacturing and even calculus. Thing is, she ended up liking calculus.
Earlier in life, she sold stuff she made through catalogs she also created. That early entrepreneurship informed some business classes she later took in college, including business law. It all lead to Risa’s getting a business degree. Right away, she started recognizing a disconnect between art and business.
Back to her first impression of San Francisco, that day in that Haight Street cafe made The City feel like a place where she could get to know people. Risa shares a story that happened right before her move here. It involves a man boarding a BART train she and her friends were on. He had a broken guitar. They’d made googly eyes at each other, but she and her friends were too scared to talk with him. When he got off the train, he looked back and waved. Risa figured she’d never see this guy again.
Three months later, she was back to visit her friend who lived here. She’d thought about him, but figured there was no way to actually find him. Then, as you can guess, it happened. Risa says she’s still friends with that guy to this day.
Check back Thursday for Part 2 with Risa, which includes the story of her move to San Francisco.
We recorded this podcast at Risa’s studio in the Inner Richmond in August 2025.
Photography by Jeff Hunt