Bri Chesler and Liquid Lush Studio: Exploring Ideas of Intimacy and Desire
Talking Out Your Glass podcast
Release Date: 04/14/2023
Talking Out Your Glass podcast
One of the most followed stained glass artists on social media, Meggy Wilm of Colorado Glass Works, Boulder, Colorado, shares her creations with nearly 275K (and growing) followers on Instagram – attracting a new audience of young enthusiasts to the medieval craft. Wilm and her husband Dustin Mayfield also recently purchased Boulder-based D&L Art Glass Supply from Leslie Silverman, who dedicated 50 years to the company she founded. Experienced entrepreneurs, Wilm and Mayfield have a deep appreciation for the art glass industry and a forward-thinking vision for...
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Working with abrasive spinning wheels, the Ferro brothers cold work glass vessels in brilliant colors. Their dramatic cuts are sometimes five layers deep, and they cradle each piece for hours, days, and often weeks, painstakingly grinding away to reveal what lies underneath. There is always the danger that the piece will shatter, so it is a painstaking process. The finished vessel is a passionate work of art in vibrant translucent colors and energetic textures. Pietro and Riccardo Ferro were born in 1975 and 1980, respectively. Under the guidance of their father, cold-working Maestro Paolo...
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Stephanie Trenchard’s multi-disciplinary creative process includes painting and poetry along with cast glass. With a focus on biographical stories of how women artists have navigated careers and partnerships, motherhood and making a living while still focusing on their creative practice, the work also discusses the price the art has to pay in this grand juggling act. The artist prioritizes the actual experience of the work, making and seeing it, over the classification of genre or ownership of an idea. Says Trenchard: “I create my own visual vocabulary in storytelling. Using...
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For more than three decades, trailblazing artist and activist Joyce J. Scott has elevated the creative potential of beadwork as a relevant contemporary art form. Scott uses off-loom, hand-threaded glass beads to create striking figurative sculptures, wall hangings, and jewelry informed by her African American ancestry, the craft traditions of her family (including her mother, renowned quilter Elizabeth T. Scott), and traditional Native American techniques, such as the peyote stitch. Each object that Scott creates is a unique, vibrant, and challenging work of art developed with imagination,...
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self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman’s Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an...
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Perceiving her role as a record keeper, artist Jen Blazina captures the essence of lost memories and forgotten voices. Through her work, she holds onto fragments of personal history, transforming common objects into poignant relics of the past. Her visual narratives express universal concepts of memory, inviting audiences to connect with the stories she preserves. Blazina states: “Memory is embodied in everything around us: in our culture, beliefs, objects, and ourselves. Discarded objects and those passed down to me become personal keepsakes and icons of the past, rather than...
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Nothing short of inspirational, Martin Gerdin’s journey through crafting wild fish in hot glass is inextricably tangled with his evolution to mental health and sobriety. Beginning during the pandemic, the artist has hand-blown dozens of meticulously detailed trout, salmon, redfish, and other revered gamefish from his glassblowing studio, Gerdin Glass in Crawford, Colorado. The dangers, volatility, and physical labor of blowing glass are symbolic of the challenges he faced and conquered on his pathway to sober living. For some, fly fishing is a pastime, something fun to pursue...
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The raw brilliance and color of glass are primary inspirations in Rita Shimelfarb’s work. The deeper she explores the technical side of working with glass, the more it leaves her in awe at the range of possibilities for something new and beautiful to emerge. Building upon the millennia-long tradition of stained glass art, Shimelfarb pushes her material beyond traditional imagery and conventional construction methods by utilizing both time-proven as well as innovative contemporary glass forming and painting techniques. By combining modern and traditional, play and purpose, she makes the...
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Combining technical skill with a strong aesthetic, flameworking pioneer Sally Prasch is known for her work that places other-worldly figures in glowing globes filled with rare gasses. She has also constructed portraits from broken shards of glass and is well known for her goblets made with coiled stems that allow them to bounce when handled. Her latest work incorporates cast bronze with glass. But perhaps Prasch’s greatest fulfillment has come from teaching. She has taught flameworking workshops at UrbanGlass, Brooklyn; the famous Niijima Glass School, Japan; Pilchuck Glass School, Stanwood,...
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Childhood experiences of life on a sailboat in the Bahamas and Caribbean left a profound mark on Kait Rhoads. The experience of growing up on the water has provided great inspiration for her artwork. The artist’s Sea Stones series hints at its watery origins. Each sculpture is a small world in itself, an intimate object you can hold in your hand. A talisman, the work looks almost molecular, like plankton carapaces as observed under a microscope. Rhoads states: “My work is inspired by nature and informed by memory. And, three oceans—the Caribbean, the Indian and the...
info_outlineDrawing from the wild and erotic character of the natural environment, Bri Chesler’s work reflects on cultural obsessions of beauty and their relationships to internal anatomies. By fusing similar elements found in biology and botany she creates forms that flirt with the audience, exploring ideas of intimacy and desire. Known for its nontraditional approach, her work combines a variety of glass techniques with other media.
Says Chesler: “Over the last few years glass has become the focus of my material exploration. The process revolves around using your body, the momentum of its movements, and your breath to shape a form. You have to allow yourself to be vulnerable. A dance between artist and medium, each movement carefully caressing, convincing the glass to become something new. The reality and illusion of its fragility, its weightless transparent quality, feed into the idea of being exposed, a material, a skin, that has the ability to be both vacant and full of depth.”
She continues: “I like to maintain a glass focus while using a multidisciplinary approach, emphasizing qualities found in both materials that translate a similar idea or aesthetic. Manipulating surfaces and materials in a way that plays with the audiences’ perception allows me to develop a surreal dialog by diminishing the limitations of material identity. The cohesion of different glass techniques and other media has become something innate to my making; it’s what defines me as a glass artist. It not only allows me to explore the material in untraditional ways, but it also demonstrates and highlights the multidimensional nature of glass itself.”
Though she now lives in Seattle, Chesler credits her Palm Beach upbringing as a major influence. While Florida’s landscapes inspired the foundation for her conceptual ideas, the cultural environment informed the themes of superficial beauty, intimacy, and empathy. A product of BAK MSOA and Dreyfoos High School of the Arts, the former alum always knew her calling was a visual one. She discovered her passion for glass while studying metal and foundry processes at the Kansas City Art Institute during her undergraduate studies. The sensual and organic aesthetic of glass resonated with Chesler in a way that metal did not.
Chesler has received accolades such as the 2019 Pilchuck Emerging Artist-in-Residence award, the 2020 Hauberg Fellowship, the 2021 Glass Art Society’s Saxe Emerging Artist Award, and a Chihuly Gardens and Glass Anniversary Scholarship. In 2022, she taught as an instructor at Pilchuck Glass School and was featured in a solo exhibition, titled Untamed: The Anatomy of Desire, at the Center on Contemporary Arts in Seattle. Her works have also been exhibited at the Bellevue Arts Museum in Washington State and Habatat Gallery in Michigan.
DELECTABLE, a collaborative installation, is on view now through April 15 at Method Gallery. Chesler and MinHi England (Blown Away 3 finalist) bonded after learning about shared traumatic life experiences, only to realize the conceptual parallels in their artistic practice. In 2017, they founded a collaborative brand called Liquid Lush Studio and have since been collaborating artistically. Throughout that time, they have continued a partnership not only creatively but in a familial friendship. The two describe themselves as “widow wives” after caring for and witnessing cancer take the life of Jesse England. After surviving this new shared traumatic life experience, their connection grew stronger and motivated the two to continue a collaborative partnership.
Museum of Glass (MOG), Tacoma, presents a concert in the Hot Shop on April 20, featuring local music group Mirrorgloss alongside live glassblowing demonstrations led by Chesler and England. The artists will act as lead gaffers for the evening, guiding Museum of Glass Hot Shop Starter Sarah Gilbert and students from the Hilltop Artists program in creating works inspired by the music. The event is inspired by the themes of feminism and the work of powerful women-identifying and gender-expansive artists in MOG’s current exhibition She Bends: Redefining Neon Legacy.
Chesler and England will also demonstrate at the Glass Art Society Conference in Detroit, Michigan, in June 2023 as well as co-teach at OxBow School of Art, Saugatuck, Michigan, in July 2023.