Team Deakins
SEASON 2 - EPISODE 183 - Hlynur Pálmason - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Hlynur Pálmason (THE LOVE THAT REMAINS, GODLAND, A WHITE, WHITE DAY). Throughout the episode, we get into the weeds of Hlynur’s unique filmmaking process, and we learn what his strategy has been to allow himself to fund and shoot the movies he wants to make. Hlynur describes his extensive writing process, and we learn about the importance of finding his locations while in the early development stages of his scripts. Later, we discuss Hlynur’s tactics...
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SEASON 2 - EPISODE 182 - Martin Campbell - Director In this episode of the Team Deakins Podcast, we speak with director Martin Campbell (CASINO ROYALE, GOLDENEYE, EDGE OF DARKNESS). Faced with limited options for a career as a cameraman in New Zealand, Martin sailed to England, and five years in TV and 51 Tom Jones shows later, Martin transitioned into directing full time. As big fans of Martin’s EDGE OF DARKNESS (1985), we didn’t miss the opportunity to ask him about the making of the six-part BBC limited series, and we extensively discuss his choices and the challenges he faced. Martin...
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SEASON 2 - EPISODE 181 - Jack Fisk - Production Designer In this extended episode of the Team Deakins Podcast, we speak with production designer Jack Fisk (MARTY SUPREME, THERE WILL BE BLOOD, MULHOLLAND DRIVE). Spanning the worlds’ jungles, mountains, and open plains, Jack’s work as a designer brings the real world to the audience on the big screen. Throughout our conversation, Jack discusses his views on designing, and he recalls numerous stories detailing the exhaustive work behind his contributions to films such as DAYS OF HEAVEN, THE THIN RED LINE, and THE REVENANT. Later, Jack reveals...
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SEASON 2 - EPISODE 180 - Nicholas Britell - Composer In this episode of the Team Deakins Podcast, we speak with composer Nicholas Britell (JAY KELLY, DON’T LOOK UP, MOONLIGHT). “How can a score function within a film?" is the question driving most of our conversation with Nicholas, and throughout the episode he generously provides insight into his process and recalls several examples from his own work to demonstrate how he and his directors arrived at specific pieces of music. We also reflect on the varying natures of scores across film history, and Nicholas shares the challenges of...
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SEASON 2 - EPISODE 179 - Kelly Reichardt & Christopher Blauvelt - Director & Cinematographer In this episode of the Team Deakins Podcast, we speak with director Kelly Reichardt and cinematographer Christopher Blauvelt. Kelly and Christopher started working together on MEEK’S CUTOFF, and they’ve continued their partnership through films such as FIRST COW, SHOWING UP, and THE MASTERMIND. During the conversation, Kelly (from Miami) shares how she made it out of Florida to join the film community in New York City, and Chris (from Los Angeles) reveals how he found himself following his...
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SEASON 2 - EPISODE 178 - Fatih Akin - Writer / Director In this extended episode of the Team Deakins Podcast, we speak with writer and director Fatih Akin (AMRUM, IN THE FADE, HEAD-ON). Born in Hamburg, Fatih wrote his first script at 18 during religion lessons, and after selling the screenplay a year later, he’s been writing, directing, and producing films ever since. In addition to discussing his process as a filmmaker, we also learn what it’s like to make movies within the German system. During our conversation about THE EDGE OF HEAVEN, Fatih reveals the extensive restructuring of the...
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SEASON 2 - EPISODE 177 - James Slattery - Colourist In this extended episode of the Team Deakins Podcast, we speak with colourist James Slattery (THE LOST BUS, EMPIRE OF LIGHT, 1917). How does someone become a colourist? What do they really do? What is a CDL? DI? QC? DIT? P3? HDR? James, with whom we’ve worked with several times, graciously explains what all these acronyms (and more) mean, how a colourist generally goes about their work nowadays on any given project, and what he’s able to do to help filmmakers solve problems and help realize their visions in the final stages of...
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SEASON 2 - EPISODE 176 - Chris Lowe - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Chris Lowe (BOB MARLEY: ONE LOVE, THE LAST JEDI, IN BRUGES). We worked with Chris on SKYFALL, and we had a great time catching up with him. In addition to production design, Chris has had a long career as an art director, and he helps us understand how the two positions work together on any given project and what each one’s responsibilities are. Throughout the episode, Chris also shares his strategies for communicating with directors and producers,...
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SEASON 2 - EPISODE 175 - Embeth Davidtz - Actor / Director In this episode, of the Team Deakins Podcast, we speak with actor and director Embeth Davidtz (DON’T LETS GO TO THE DOGS TONIGHT, MAD MEN, SCHINDLER’S LIST). Embeth’s directorial debut, DON’T LETS GO TO THE DOGS TONIGHT (an adaptation of the book of the same name written by Alexandra Fuller), is one of our favourite films from this past year, and we spend most of our conversation learning how Embeth pulled it off. The film is centered around the experiences of a young white child living in Zimbabwe at the end of the Rhodesian...
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SEASON 2 - EPISODE 174 - César Charlone - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer César Charlone (PARTIDO, BLINDNESS, CITY OF GOD). Born in Uruguay, César found filmmaking after interrupting his veterinarian studies to hitchhike across Brazil. Throughout our conversation, we discuss César’s general approach to cinematography, the degree of work he does in post, the amount of prep he performs before every film, and his long-time professional partnership with director Fernando Meirelles. César also reveals how he first met Fernando and...
info_outlineSEASON 2 - EPISODE 118 - Mark Bridges - Costume Designer
In his podcast debut, costume designer Mark Bridges (THE FABELMANS, JOKER, PHANTOM THREAD) speaks with us on this episode of the Team Deakins Podcast. Mark was once a costume assistant on BARTON FINK and HUDSUCKER PROXY alongside Mary Zophres (Season 1, Episode 80), and he shares how he made the jump to being a costume designer in his own right after meeting director Paul Thomas Anderson to work on his debut feature, HARD EIGHT. Throughout the episode, we discuss Mark’s approach to his work, and he shares how he builds out a character’s closet through diligent research and frequent testing. We also discuss how Mark communicates with the hair and makeup department, and he describes the types of conversations he has with the actors embodying a film’s characters. Later, Mark discusses how he designs costumes in black-and-white, and he reflects on the extra legwork done to get ahead of any potential problems while shooting on location. And, while sharing advice at the end of the episode, Mark cautions young designers against making it about the money.
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This episode is sponsored by Aputure