Epis. 351- veteran co-host Deb Klowden Mann joins to discuss Money on the Wall, an epic profile of dealer Larry Gagosian
Release Date: 09/02/2023
Epis. 367: Lisa Schiff’s bankruptcy, trashing Paul McCarthy’s WS/White Snow, painting underground, and pairing smells with artworks-- OLD NEWS continues with co-host Emily Colucci.
The Conversation Art Podcast
In our continued dissection of the OLD NEWS, and I discuss: Indicted former art advisor Lisa Schiff and her upcoming bankruptcy auction, to be conducted by Phillips; how Paul McCarthy is slowly throwing out his immense artwork, WS (White Snow), because he can’t store the work any longer, and how he failed to get any museums to buy the work, ultimately deciding to throw the work out piece by piece, which is, of course, logistically challenging (it takes up 4000 sq. ft of space and contains some very challenging- (read: yucky) ephemera); the art of Operation Under, a collective of artists...
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366: Cancel Culture, an art/fireworks performance gone wrong, the art market, and strategic gallery going- Emily Colucci of Filthy Dreams co-hosts the OLD NEWS
The Conversation Art Podcast
In the latest round of OLD NEWS with former guest Emily Colucci (creator of the art & culture website ), we cover: cancel culture through the lens of James Franco (who was part of our original recording back in 2016) and Louis C.K.; Cai Guo-Qiang’s botched fireworks performance at the Los Angeles Memorial Coliseum as part of PST Art’s ‘Science and Art’-themed mega-art event, including injured spectators; our own thoughts and feelings about fireworks, particularly of the neighborhood kind, and how Emily kind of loves the tacky spectacle of them; how California College of the Arts...
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Epis. 365: Brooklyn artist Liz Ainslie: a coveted artist loft, scream-core singing, and artists who stay with the community even after success
The Conversation Art Podcast
The Conversation is doing an for future guests of the show (thru Oct. 10th)- if you’re interested in being a guest, please submit here: Brooklyn artist, former hardcore-band singer, and recurring figure in Bianca Bosker’s ‘Get the Picture’), talks about: singing in the scream-core band while she was in college, including how she was able to maintain her vocal cords, and eventually crossing the divide in choosing between music and art; how she moved to Williamsburg, Brooklyn 20 years ago (eventually taking over the master lease of an artist loft after initially having several...
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Episode 364: Turner Prize-winner Jesse Darling may or may not keep making art; new OLD NEWS with co-host Dr. Maiza Hixson
The Conversation Art Podcast
In this New OLD NEWS episode, and I talk about in the New York Times-- We discuss Darling’s persona as portrayed in the article, his anti-capitalist leanings; what his future as an artist looks like, reading beyond what he says in the article towards his immediate future, having accepted an Oxford professorship; the public notoriety of the Turner Prize as compared with relative accolades in the U.S. (I claim that the Turner is much more public-facing than anything the U.S. offers, though Maiza claims that there are comparable points of recognition here in the States); and how Darling...
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Epis. 363- Friendship and Fraud in the Art World, with author and former art dealer Orlando Whitfield
The Conversation Art Podcast
Writer, former art dealer, and author of , talks about: His interest in street photography, and how philosophy and critical thinking led him to apply and then attend Goldsmith’s College; a quick update on his former friend, co-worker, collaborator and employer Inigo Philbrick, who in the book was sentenced to seven years in prison but has since been released, and how he sent a heckler to one of Orlando’s book readings; how and why Orlando feels Philbrick has changed since the time of their friendship and working relationship, particularly in the last 7 years, about the time that he...
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Art protests, artist ruptures and Miranda July: the latest OLD NEWS w/special guest Maiza Hixson
The Conversation Art Podcast
In Episode 362, artist, curator and recent PhD (from U.C. Santa Barbara) co-hosts this episode’s OLD NEWS, featuring updates on: protests, including the case of #metoo being spray-painted onto Gustave Courbet’s painting ‘Origin de monde,’ and how the article had a correction stating that the image was of a vulva, rather than a vagina; the sentencing of a woman who was involved in the vandalism of a Degas sculpture in Washington, D.C.; the vandalism on the façade of the home of Brooklyn Museum director Ann Pasternak, and how these protesters are attempting to draw attention to the...
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Epis. 361- Adam Henry on what makes a successful show, and navigating the fluctuations of the art market
The Conversation Art Podcast
To listen to the complete episode with Adam Henry as well as all past Bonus episodes, please become a Patreon supporter of the podcast here: New York-based artist talks about: His recently ended show at Candice Madey gallery, and how he defines a ‘successful show’ (a mix of sales, critical dialogue generated, and future opportunities); the advantages of having a fellow artist as a partner, but how it’s also necessary to get alone time when you need it, including time for processing after you’ve had a show, which has included the fact that this is the first time he’s...
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Epis. 360- How to Navigate Downward Mobility as an Art Worker- Valerie Werder, Part 2
The Conversation Art Podcast
In the 2nd conversation with author, recovering art worker and academic , she talks about: the travails of clothes shopping for her job in the blue-chip gallery, not only how fraught it was but how much it brought up class issues as she moved through the sartorial gauntlet, where her appearance as a frosty, inaccessible object was part of her role; the complicated variations of class when it comes to precarity and poverty, including a culture where those who are cultivating an aesthetic of bohemianism or even poverty are existing alongside those who are actually financially poor, the latter...
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Journalist Bianca Bosker: a ‘normie Philistine’ dives into the art world working for artists, dealers and as a museum security guard in attempt to unravel its mysteries
The Conversation Art Podcast
, journalist and author of , talks about: The genesis of her deep dive into the art world - working with gallerists and artists, doing art fairs and galleries with collectors, and doing a stint as a security guard at the Guggenheim Museum – which largely came out of her need to learn whether she could learn to ‘see’ like an artist, as opposed to a ‘normie Philistine,’ as she was called by many (she was also, as a journalist, called “the enemy”); the elitism, opacity and various exclusionary art world rules she discovered from dealers and artists she encountered through her...
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Valerie Werder turns her intense years working for a blue-chip gallery into an inspired novel, Thieves
The Conversation Art Podcast
This episode features the 1st half of the full episode. To get the full version, please visit: Patreon.com/theconversationpod Recovering art worker and author of the novel , talks about: Her entrance into the art world via her demanding position at a fancy gallery in her attempt, as a newbie, to get access and proximity to the art world; her ability to conform and comply under pressure (in the gallery environment), and the what the flip side of that looks like; what the coercion, that came thru various forms of care and the engendering of a ‘family’ dynamic...
info_outlineThis special episode features return-guest-but-more-co-host Deb Klowden Mann to discuss the recent New Yorker profile of mega-dealer Larry Gagosian. Deb starts us off by updating us on her closing of her eponymous gallery due to multiple health issues, which made the work unsustainable. We follow that update with our discussion of the article, including:
Our respective histories with Gagosian and/or his collectors mentioned in the article; how Gagosian’s decision to allow the profile may be because it humanizes him to the audience, but also, as Deb proposes, to make him and the gallery more appealing to younger artists they could possibly take on; Deb sites a book from the early ‘80s, “The Art Dealers: The Powers Behind the Scene Tell How the Art World Really Works,” which illustrates how when it comes to collectors treating art as investments, it’s been happening for nearly 200 years; how the funding that goes to high-priced artworks sometimes comes from the same people who fund grants/grant foundations, Deb suggests, and she advocates for a more transparent, as well as more evenly distributed financial model for the art world(s); Gagosian’s gallery courtship of the English artist Issy Wood, and what that scenario points to as far as his courtship process, the future of the gallery and his legacy plans, and the vulnerability apparent in that dynamic; Deb’s desire for more really well researched and written pieces (like this one by Patrick Radden Keefe) about how everything works in the art world; and finally, Deb brings up the book The Art of Death as a counterpoint to one’s amassing of power and wealth to stave off mortality, because in many cultures up until the 1800’s, one of the main functions of art was in fact to help people understand death as part of life and prepare them for it.