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Shogun

The Rough Cut

Release Date: 04/29/2024

Wicked: Part One show art Wicked: Part One

The Rough Cut

Editor, Myron Kerstein ACE WICKED: PART ONE editor, Myron Kerstein ACE finds himself in the familiar positions of both cutting a musical and also collaborating with director Jon M. Chu.  This is Myron's third musical in a row, following Lin-Manuel Miranda's tick, tick Boom! (2021) and Chu's IN THE HEIGHTS (2021).  Prior to IN THE HEIGHTS, Myron first cut for Chu on his film, CRAZY RICH ASIANS (2018). Adapted from the venerable Broadway smash, WICKED: PART ONE follows the journey of a young woman named Elphaba. Misunderstood and often outcast because of her green skin, Elphaba forges...

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Emilia Pérez show art Emilia Pérez

The Rough Cut

Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job.  For better or worse, neither did writer/director Jacques Audiard, himself new to the world of making a musical.  It turns out, experience might be overrated, as the Netflix Oscar-hopeful has won over critics since its premiere at the 2024 Cannes Film Festival. Written and directed by Jacques Audiard, EMILIA PÉREZ is based on Audiard's opera libretto of the same name.  Audiard's opera was...

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A Real Pain show art A Real Pain

The Rough Cut

Editor - Robert Nassau A REAL PAIN editor Robert Nassau might be Brooklyn's secret cinematic weapon when it comes to finding an editor who knows how to cut not-too-dark dramedies.   And the seems to be what writer/director/actor Jesse Eisenberg was looking for when it came time to turn over the cutting room keys to his latest project.  Premiering to much fanfare at Sundance 2024, A Real Pain is now delighting critics and audiences alike in its theatrical run. A REAL PAIN follows mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin) as they reunite for a tour...

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Super/Man: The Christopher Reeve Story show art Super/Man: The Christopher Reeve Story

The Rough Cut

Editor - Otto Burnham Editor Otto Burnham took on the job for SUPER/MAN: THE CHRISTOPHER REEVE STORY knowing that he wouldn't be lacking for source material on his subject.  Rather, the challenge would lie in processing the countless hours of material from Reeve's work and his life to find the real superhero within. Directed by Ian Bonhôte and Peter Ettedgui, who co-wrote the script with Otto, SUPER/MAN: THE CHRISTOPHER REEVE STORY is an intimate view into the life of actor Christopher Reeve.  The film chronicles his rise to stardom upon landing the role of Superman in the 1970's,...

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Joker: Folie à Deux show art Joker: Folie à Deux

The Rough Cut

Editor, Jeff Groth ACE JOKER: FOLIE À DEUX editor, Jeff Groth ACE had a tough act of his own to follow, coming off of his ACE Eddie and Oscar nominated work on Todd Phillips' JOKER (2019), but follow it he did. Directed by Todd Phillips from a screenplay he co-wrote with Scott Silver, the sequel follows failed comedian Arthur Fleck as he struggles with his dual identity.  While incarcerated at Arkham State Hospital as he awaits his trial, Arthur meets the love of his life, Harley Quinn. JEFF GROTH, ACE Having worked previously with Phillips on such films as THE HANGOVER III...

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Challengers show art Challengers

The Rough Cut

Editor - Marco Costa CHALLENGERS editor Marco Costa knew one thing going into Luca Guadagnino's recent tennis movie, and that's that Luca didn't know anything about tennis.  Luca would explain to Marco that this film isn't about tennis.  The incredibly kinetic action in the tennis sequences that Marco cut say otherwise. CHALLNEGERS stars ZENDAYA as Tashi Duncan, a former tennis prodigy turned coach and a force of nature who makes no apologies for her game on and off the court. Tashi is married to Art, a champion on a losing streak. Tashi’s strategy for her husband’s redemption...

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Saturday Night show art Saturday Night

The Rough Cut

Editors Nathan Orloff and Shane Reid SATURDAY NIGHT editors Nathan Orloff and Shane Reid team up for the second time in 2024 with their latest Jason Reitman / Gil Keenan project about NBC's long-running sketch comedy show.  Having previously cut GHOSTBUSTERS: FROZEN EMPIRE together, the pair developed a strong working relationship that certainly came in handy when Shane had to do double duty between this project and DEADPOOL & WOLVERINE (2024). SATURDAY NIGHT is a frenetic dramatization of what happened behind the scenes during the ninety minutes leading up to the first broadcast of...

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Megalopolis show art Megalopolis

The Rough Cut

Editor - Cam McLauchlin MEGALOPOLIS editor Cam McLauchlin had no idea what was waiting for him on the other side when he knocked on Francis Ford Coppola's door.  Now that Coppola's decades-in-the-making passion project has become a "surreality", McLauchlin still can't quite explain everything that took place in the making of this film.  One thing is clear to Cam however, this was Francis's vision and Francis IS "Cesar Catalina". MEGALOPOLIS takes place in a somewhat alternate universe, where New York City is New Rome, and stars Adam Driver as Caesar Catalina, a brilliant artist, who...

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Industry show art Industry

The Rough Cut

Editor - Kyle Traynor Although INDUSTRY editor Kyle Traynor joined the series already in progress in its sophomore season, by season three he would be given the cutting room keys to half of the season's episodes, including both the series premiere and its finale. Created by Mickey Down and Konrad Kay, INDUSTRY follows a group of young graduates competing for a limited number of available full-time employment opportunities at Pierpoint, a top investment bank in London.  The graduates include Harper Stern, a Black upstate New York native who uproots her life in pursuit of success despite...

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Rez Ball show art Rez Ball

The Rough Cut

Editor - Jessica Baclesse REZ BALL editor, Jessica Baclesse says she got the job for the film through a chance encounter with a not-so-stranger across a crowded room.  Random or not, Jess already had plenty of editing experience under her belt, including time logged cutting a big sports movie with Michael B. Jordan's directorial debut, CREED III (2023). REZ BALL was directed by Sydney Freeland and co-written by Freeland and Sterlin Harjo (RESERVATION DOGS).  It tells the story of the Chuska Warriors, a Native American high school basketball team from New Mexico who, after losing...

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Editors Maria Gonzales and Aika Miyake

The work of SHOGUN editors, Maria Gonzales and Aika Miyake played a crucial role in the success of this adaptation of James Clavell's novel, as Maria and Aika created a fast-paced story, shifting the conflicts away from battlefields and into political intrigues by highlighting interpersonal dynamics, intense dialogue scenes, and the crucial role of female characters.  While editing, they were also often challenged with condensing the run times of episodes down from close to one hundred minutes to one hour each, while still fleshing out the complex tapestry and culture clashes of XVII century Japan and overcoming language barriers themselves.

SHOGUN follows the collision of two ambitious men from different worlds; John Blackthorne, a risk-taking English sailor who ends up shipwrecked in Japan and in a country whose unfamiliar culture will ultimately redefine him, and Lord Toranaga, a shrewd and powerful daimyo at odds with his own dangerous political rivals.  Entangled with the pair is Lady Mariko, a woman with invaluable skills but dishonorable family ties, who must prove her value and allegiance.

MARIA GONZALES

With over twenty years of experience in the industry, Maria's previous television work includes many award-winning shows, including The Old Man, See, and Counterpart, as well as fan-favorite shows, like The Walking Dead and its spin-off show, The Walking Dead: The Ones Who Live. Outside of her episodic work, Maria served as an editor on two horror features: A24’s fantasy horror The Monster and Blumhouse’s horror thriller Mockingbird. She also previously worked as an assistant editor on the Academy Award-winning film The Bourne Ultimatum and Academy Award-nominated Up in the Air along with working on a long list of features beloved by audiences, including Jon Favreau’s Chef and Barry Sonnenfeld’s Men in Black II.  Maria sees editing as the subtle hand that guides narratives into seamless coherence, and she continually seeks the delicate equilibrium between creativity and technical mastery while fostering a creative environment that uplifts those around her.  Currently living in Los Angeles with her family, Maria was born in the United States but spent her formative years in modern-day Serbia before returning to LA to study at the USC School of Cinematic Arts, where she graduated with a BA in Cinema Studies.

AIKA MIYAKE

Aika's sixteen years of film/tv work spans across all styles and genres, covering short-form branded content, documentaries, narrative TV, and feature films. Her television work includes Netflix's Emmy-winning documentary mini-series Chef's Table: BBQ, and Beyonce's Emmy-winning and Grammy-nominated visual album Black Is King. Aika also worked on a diverse range of films, including the "nominated at SXSW Film Festival" short documentary film Coming Home, and Best Documentary Feature winner at the Philadelphia Asian American Film Festival, Hafu: The Mixed-Race Experience in Japan. She started her career working on commercials and music videos with clients such as Nike, Pampers, IKEA, and Spotify to name a few.  Growing up in Japan, Aika enjoyed playing drums and making hundreds of mixtapes for her sisters, and after discovering her passion for photography, she opened her heart to the potential of filmmaking and how images paired with music could create emotional experiences.  She currently lives in Los Angeles.  Outside of her work in editing, Aika is passionate about food, travel, reggae music, and her two cats, Oreo and Millie.

Editing SHOGUN

In our discussion with SHOGUN editors, Maria Gonzales and Aika Miyake, we talk about:

  • Starting off with subtitling
  • The Red Hot Ronin Peppers
  • Commercial breaking into the business
  • Filling out the story with flashbacks
  • "Feudal" gestures

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