The Pitt
The Rough Cut
Editors - Mark Strand ACE, Joey Reinisch, Lauren Pendergrass and Annie Eifrig In this episode, we explore how THE PITT editing team of Mark, Annie, Joey, and Lauren navigated the unique challenges of cutting this intense medical drama. From their experiences working with producer John Wells to dealing with emotionally charged scenes, they reveal their techniques for maintaining authenticity and managing the show's fast-paced environment. They also share their personal connections to the material and how they balance relentless action with powerful storytelling. Created by R. Scott...
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Severance
The Rough Cut
Editors - Geoff Richman ACE, Joe Landauer, Keith Fraase ACE The Severance editing team of Geoff Richman, Joe Landauer and Keith Fraase discuss their experiences and creative processes for the hit show's second season. They talk about their initial impressions of the project, preparation to join the show, and specific challenges in editing various episodes. Highlights include creating complex montages, handling visual effects, maintaining geographic and narrative coherence, and managing ambitious scenes like Mark's dual-dialogue via a DV camera. They also discuss the excitement of...
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Suits LA
The Rough Cut
Editor - Dan Rovetto, ACE SUITS LA editor Dan Rovetto's career path was far from straightforward. Reflecting on his early days, he shares how intern experiences at MTV laid the foundation for his editing career. Our conversation covers his transition from reality TV editing to scripted television, plus the impact of streaming, social media and Meghan Markle on the resurgence of the original 'Suits' series. We also talk about the influence of music choices and the role of assistants in the editing process. Dan further discusses the unique pressure of editing a pilot episode,...
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Senna
The Rough Cut
Editors - Federico Brioni, Diana Vasconcellos, Vicente Kubrusly and Guilherme Porto A big series, about a bigger than life racing icon, takes a big team of talented editors and assistant editors to tell the story right. And that is just what Federico, Diana, Gui and Vicente have to say about their experience on the series - that they were part of highly tuned, highly collaborative team of professionals, all working diligently to honor the life of a racing legend and national hero of their home country of Brazil. Created by Vicente Amorim and directed by Amorim and Júlia Rezende,...
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Companion
The Rough Cut
Editors - Brett W. Bachman, ACE and Josh Ethier, ACE Long time friends, but first time co-editors, Brett and Josh are no strangers to working in the horror/thriller genre. The same can't be said for COMPANION director Drew Hancock. Not only was this film Hancock's first feature as a director, but it was also his first real foray into genre filmmaking. But that didn't stop either Brett or Josh from seeing how good this film was going to be right from the script. What they couldn't predict, was how great a working experience the whole thing would be. Written and directed by...
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Skeleton Crew
The Rough Cut
Editors - Andrew S. Eisen ACE, Terel Gibson ACE and Katheryn Naranjo Hiring editors for SKELETON CREW was akin to casting actors, considering how essential each editor's background and style would be in shaping the series. Kat, for instance, found her mark through her work on STRANGER THINGS which resonated with the show's tone of adventure. Meanwhile, Terrell's experience with Marvel projects like HAWKEYE proved that he would be up to the demands and rigors of a VFX heavy tv series. Finally, Andrew's extensive Star Wars history positioned him as invaluable in guiding the new team....
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Bad Sisters
The Rough Cut
Editor - Derek Holland In the ever-evolving landscape of television, few series manage to capture the complexities of human emotions while maintaining an appealing balance between humor and gravity. "Bad Sisters," an Irish dramedy, is one such show. Its unique ability to engage audiences with its attention to detail and complex character narratives is a testament to the creative minds behind it. In this episode of The Rough Cut, editor Derek Holland delves into the creative process behind the show. He discusses the unique elements that made the first season a hit, such as the character of JP...
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Disclaimer
The Rough Cut
DISCLAIMER editor, Adam Gough ACE, BFE began his journey with director Alfonso Cuarón over eighteen years ago as an editorial trainee on Cuarón's CHILDREN OF MEN (2006). In 2018, Adam would co-edit Cuarón's ROMA, alongside the writer/director. This long-standing collaboration has evolved over time, reflecting the trust and synergy they've built together, leading to Adam working as the sole editor on Cuaron's first TV series, DISCLAIMER. For a project that would end up spanning two years, assembling a reliable and passionate editorial team was crucial to Gough. Aiming to bring on...
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Dune - Prophecy
The Rough Cut
Editors - Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE, Sarah C. Reeves ACE DUNE: PROPHECY editors Anna Hauger ACE, Mark Hartzell ACE, Amelia Allwarden ACE and Sarah C. Reeves ACE joined the new HBO Original Series having plenty of experience with big "IP" shows like WESTWORLD and LOST IN SPACE, but with the recent success of Denis Villeneueve's films, the expectations for their DUNE prequel series would be bigger than anything they've experienced before. DUNE: PROPHECY is a six-part series that just wrapped its first season on MAX and is a prequel to the Dune films. Taking...
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Nosferatu
The Rough Cut
Editor - Louise Ford, ACE NOSFERATU editor Louise Ford, ACE and writer/director Robert Eggers have reunited once again to take on the not-so-simple task of remaking FW Murnau's horror classic. Considering "Lou's" disdain for cover songs, it was important that this film could stand on its own merits and add something new to the world of cinema. And although she has a few supernatural/horror films to her credit, "Lou" insists she doesn't seek them out. She's just looking for great stories to tell. With NOSFERATU, she told one. NOSFERATU - In the 1830s, estate...
info_outlineEditor - Robert Nassau
A REAL PAIN editor Robert Nassau might be Brooklyn's secret cinematic weapon when it comes to finding an editor who knows how to cut not-too-dark dramedies. And the seems to be what writer/director/actor Jesse Eisenberg was looking for when it came time to turn over the cutting room keys to his latest project. Premiering to much fanfare at Sundance 2024, A Real Pain is now delighting critics and audiences alike in its theatrical run.
A REAL PAIN follows mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin) as they reunite for a tour through Poland to honor their beloved grandmother. The adventure takes a turn when the odd-couple's old tensions resurface against the backdrop of their family history.
Robert Nassau
Robert Nassau edited the films The Big Sick (directed by Michael Showalter), A Futile and Stupid Gesture (David Wain), Hello, My Name is Doris (Showalter), Juliet, Naked (Jesse Peretz), The Lovebirds (Showalter), Shortcomings (Randall Park), Somewhere in Queens (Ray Romano) and Wanderlust (Wain). Television series include “Children’s Hospital” (Adult Swim), “Dash and Lily”(Netflix),“The Last O.G.”(Comedy Central),“The Other Two”(Max), and“Wet Hot American Summer” (Netflix). For two summers in high school, he worked at the National Zoo. He is a graduate of the Rhode Island School of Design.
Editing A REAL PAIN
In our discussion with A REAL PAIN editor Robert Nassau, we talk about:
- Chopin up the score
- Not coming to a resolution with music
- Following the St. Crispin's Day rule for monologues
- Finding the line between annoying and outgoing
- Sometimes all a scene really needs is a cricket
The Credits
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