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3 Body Problem

The Rough Cut

Release Date: 05/06/2024

Rez Ball show art Rez Ball

The Rough Cut

Editor - Jessica Baclesse REZ BALL editor, Jessica Baclesse says she got the job for the film through a chance encounter with a not-so-stranger across a crowded room.  Random or not, Jess already had plenty of editing experience under her belt, including time logged cutting a big sports movie with Michael B. Jordan's directorial debut, CREED III (2023). REZ BALL was directed by Sydney Freeland and co-written by Freeland and Sterlin Harjo (RESERVATION DOGS).  It tells the story of the Chuska Warriors, a Native American high school basketball team from New Mexico who, after losing...

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TRC Book Club - The Documentarian show art TRC Book Club - The Documentarian

The Rough Cut

The Documentarian - Roger Nygard, ACE Roger Nygard's The Documentarian is the ultimate go-to source for making and selling documentaries, answering every question and containing crucial strategies every filmmaker needs to know to succeed as a documentarian. Included are insights from experts and award-winning documentary filmmakers such as Davis Guggenheim (An Inconvenient Truth), Liz Garbus (Ghosts of Abu Ghraib), Rachel Grady (Jesus Camp), Freida Lee Mock (Maya Lin: A Strong Clear Vision), Errol Morris (The Fog of War), Sam Pollard (4 Little Girls), Michael Tollin (The Last Dance), Frederick...

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TRC Book Club - Art of the Cut: Vol II show art TRC Book Club - Art of the Cut: Vol II

The Rough Cut

Editor and Author - Steve Hullfish, ACE This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book...

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Alien: Romulus show art Alien: Romulus

The Rough Cut

Jake Roberts ACE, Will Files, Polly McKinnon and Lee Gilmore Although the ALIEN: ROMULUS postproduction team of Jake Roberts ACE, Will Files, Polly McKinnon and Lee Gilmore came into this project with a wealth of knowledge and experience amongst them, they still learned a thing or two from director Fede Álvarez, including Fede's not-so-secret formula for jump scares, as well as the notion that clear dialogue isn't always as important as gripping action.  Plus, they reveal the hidden intent of Álvarez to split ALIEN and ALIENS into the two sides of the REMUS/ROMULUS space station. ALIEN:...

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Furiosa show art Furiosa

The Rough Cut

Editor - Eliot Knapman FURIOSA editor Eliot Knapman is no stranger to the post-apocalyptic postproduction of a Mad Max movie, having previously worked as ACE editor Margaret "Margie" Sixel's second assistant on MAD MAX: FURY ROAD.  For director George Miller's latest film in the franchise, not only was Eliot tapped to be co-editor with Sixel, but was there on set with Miller throughout production doing the first assembly under what had to be fun, but arduous, conditions. FURIOSA is the fifth installment in Miller's Mad Max franchise, and the first not focused on series...

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Deadpool & Wolverine show art Deadpool & Wolverine

The Rough Cut

Editors Dean Zimmerman ACE and Shane Reid DEADPOOL & WOLVERINE editors, Dean Zimmerman ACE and Shane Reid are the "buddies" in the cutting room of what is shaping up to be the biggest, R-rated buddy movie of all time.  Zimmerman joined this film with two other Shawn Levy / Ryan Reynolds films to his credit, but it would be Mrs. Pool (Blake Lively) who would be Shane Reid's connection into the "Merc With a Mouth" franchise. Deadpool's peaceful existence comes crashing down in DEADPOOL & WOLVERINE when the Time Variance Authority recruits him to help safeguard the multiverse. ...

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Twisters show art Twisters

The Rough Cut

Editor - Terilyn A. Shropshire, ACE TWISTERS editor Terilyn Shropshire has more than a few action movies under her belt, but those films mostly featured action in the style of man (or woman) vs. man; films like THE OLD GUARD and THE WOMAN KING.  This time Teri takes on Mother Nature in a film where the visual effects are front and center in the set pieces. A standalone "spiritual" sequel to TWISTER (1996), TWISTERS tells the story of scientist and storm chaser, Kate Cooper.  Haunted by a devastating encounter with a tornado, Kate gets lured back to the open plains by her friend,...

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Clipped show art Clipped

The Rough Cut

Editors - Susy Benaim and Todd Downing, ACE CLIPPED editors Susy Benaim and Todd Downing are no strangers to telling true stories about real-life characters, compelling and complicated real-life characters.  Those storytelling skills were put to the test for CLIPPED, a sordid soap opera about the day of reckoning for one of the NBA's most notorious owners. Created by showrunner Gina Welch and based on the ESPN 30 for 30 podcast The Sterling Affairs, CLIPPED focuses on the downfall of Los Angeles Clippers owner Donald Sterling (Ed O'Neill), amid the team's drive to win a...

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Beverly Hills Cop: Axel F show art Beverly Hills Cop: Axel F

The Rough Cut

Editor - Dan Lebental ACE BEVERLY HILLS COP: AXEL F editor Dan Lebental not only took on the daunting task of bringing back a beloved character that audiences haven't seen in thirty years, but he did it with one hand.  The other was working simultaneously on another Bruckheimer blockbuster, BAD BOYS: RIDE OR DIE.  With the help of his long-time assistant, Dawn Michelle King, and his trusty "embedded sound design" workflow, Dan was able to pull off making both films in fine style. BEVERLY HILLS COP: AXEL F sees the titular hero return to Beverly Hills to aid his adult daughter after...

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The Sympathizer show art The Sympathizer

The Rough Cut

Editor - Viks Patel THE SYMPATHIZER editor Viks Patel was a fan of director Park Chan-wook long before they ever teamed up to work on their new MAX series.  But unbeknownst to Viks, the pair had actually worked together previously, in a sense, on SNOWPIERCER (2020). Viks edited the pilot for the series which Director Park exec produced.  Back together again on THE SYMPATHIZER, the two joined creative forces to bring Viet Thanh Nguyen's book to the small screen in a big way. Based on Viet Thanh Nguyen’s Pulitzer Prize-winning novel, The Sympathizer is an espionage thriller and...

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Editor Michael Ruscio, ACE and assistant editor Josh Carley

The 3 BODY PROBLEM editing team of editor Michael Ruscio, ACE and assistant editor Josh Carley collaborated for the first time to take on arguably the biggest episode of the Netflix adaptation of the Chinese sci-fi novel.  Helmed by former GAME OF THRONES showrunners David Benioff and D.B. Wiess, 3 BODY PROBLEM masterfully blends multiple genres, including action, fantasy and psychological thriller.

The wheels of 3 BODY PROBLEM are set in motion when Ye Wenjie, an astrophysicist who sees her father beaten to death during a struggle session in the Chinese Cultural Revolution, is conscripted by the military. Due to her scientific background, she is sent to a secret military base in a remote region. Her decision at the base to respond to contact from an alien planet implicates a group of scientists in the present day, forcing them to confront humanity's greatest threat.

MICHAEL RUSCIO, ACE

Michael Ruscio began his editing career making films with independent mavericks Alan Rudolph and Robert Altman.  He has enjoyed editing some of the top dramatic shows of the past twenty years, including The Sopranos, Homeland, Dexter, House of Cards and Six Feet Under, where he first met Rodrigo Garcia, for whom he edited the film Raymond & Ray.  Recent work featuring Michael's talents include Pieces of Her, Your Honor, Carnival Row, Ridley Scott's Raised by Wolves, and Hulu’s Catch-22.  Ruscio was nominated for an ACE Eddie Award for the finale of Six Feet Under and won the 2009 Eddie for the pilot of True Blood.  He created a workshop for the American Film Institute on the art of editing which he also taught at the Los Angeles Film School. Additionally, he has directed multiple episodes of the HBO series True Blood and his short film In Order of Appearance received ensemble and individual acting awards during its festival run.  He is currently editing the upcoming Amazon series Butterfly.

JOSH CARLEY

Josh Carley started his editing career in his home state of Louisiana, where he cut short films, trailers, EPKs, web pieces, local commercials, music videos, and a large array of other kinds of projects. His work led him to projects with other local filmmakers, and projects for SYFY, Lifetime, and Hallmark.  In 2018 Josh moved to Los Angeles where he still resides with his wife and kids. He’s had the privilege on working as Assistant Editor on such shows as Amazon’s Utopia and The Terminal List, FX’s The Old Man, and Apple TV’s Truth Be Told.  In addition to 3 Body Problem, his most recent work can be seen in the upcoming final season of The Umbrella Academy.

Editing 3 BODY PROBLEM

In our discussion with the 3 BODY PROBLEM editing team of Michael Ruscio and Josh Carley, we talk about:

  • Doubling down on dialogue to deliver the action
  • Slicing through the VFX work
  • Taking a different angle on the same scene
  • Sound advice for assistants
  • Transcontinental cutting rooms

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