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David Stones - Printmaker: Until The Colour Is Right, I Don't Start

The Unfinished Print

Release Date: 01/31/2023

Wuon-Gean Ho - Printmaker : A Small Seed Of Intention show art Wuon-Gean Ho - Printmaker : A Small Seed Of Intention

The Unfinished Print

When creating mokuhanga, one requires time – time to prepare, time to plan, and time to explore. The essence of the work emerges from this delicate balance of managing one's time and integrating life within mokuhanga.   In this episode of 'The Unfinished Print,' I have the pleasure of speaking with printmaker Wuon-Gean Ho. Wuon-Gean approaches her mokuhanga with a keen focus on work-life balance, emphasizing creation not at the expense of life but as a means to enrich and enhance it. Join me as we delve into Wuon Gean's unique perspective on mokuhanga, how it skillfully blends with her...

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David Barker of The Muban Educational Trust show art David Barker of The Muban Educational Trust

The Unfinished Print

Several years ago, a book caught my eye, called "Lu Xun’s Legacy". Published by the Muban Educational Trust, a non-profit dedicated to the preservation of woodblock art in China and located in London, England, it opened my eyes to Chinese woodblock prints. Reading the book, I realized how little I knew about printmaking, woodblock or otherwise, from China. All I really knew was that Japanese woodblock has roots within Chinese printmaking and I was curious as to how that transpired. Today, I speak with Senior Research Fellow at the Muban Educational Trust, David Barker. David’s interests...

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Jack Moranetz - Printmaker : Evolve Next show art Jack Moranetz - Printmaker : Evolve Next

The Unfinished Print

Embarking on the journey into the world of mokuhanga, each of us starts with a unique desire. It begins with early prints, guided by exploration, and the innate desire to create something—anything—all viewed through the prism of mokuhanga, shaping our voices in this captivating journey. In this episode of the Unfinished Print, I speak with the burgeoning mokuhanga printmaker Jack Moranetz. We discuss how he got involved in the art form, his early prints, his visit to Japan and meeting David Bull, collaborations, and how he approaches his printmaking.   ...

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Hiroki Morinoue - Printmaker: The Philosophy of The Past show art Hiroki Morinoue - Printmaker: The Philosophy of The Past

The Unfinished Print

On this episode I have the pleasure of speaking with Hiroki Morinoue, an artist who resides and creates on the Big Island in Hawai'i. Together, we delve into his personal journey with mokuhanga, reflecting on his experiences at MI Lab, exploring his unique color palette, and gaining insights into his meticulous process in crafting mokuhanga prints. Additionally, we uncover Hiroki’s life in Hawai'i, his ventures, and his relationships with prominent galleries such as Studio 7 Fine Arts, print studio’s like Shark’s Ink, and the arts center at Anderson Ranch. Please follow The Unfinished...

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Henry Smith PhD - Physical Chemistry show art Henry Smith PhD - Physical Chemistry

The Unfinished Print

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese...

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Tuula Moilanen - Printmaker : Life Is An Experiment show art Tuula Moilanen - Printmaker : Life Is An Experiment

The Unfinished Print

When it comes to the idea of longevity, my guest on this episode of The Unfinished Print has just that: the hard work and sacrifice to make a career in making mokuhanga, bringing the art form to people worldwide.    Today I speak with mokuhanga printmaker, graphic designer, and writer, Tuula Moilanen. Currently living in Finland, Tuula has made mokuhanga for almost 40 years and has been an essential part of the worldwide mokuhanga community, teaching, instructing and overseeing the art form’s growth.   Tuula speaks about her twenty years in Japan, her teachers, and how she...

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Hellory - Printmaker: Each Line Will Have Its Own Life show art Hellory - Printmaker: Each Line Will Have Its Own Life

The Unfinished Print

It’s been said before, yet I feel it’s worth repeating that when making mokuhanga, you don’t make it alone. So many people influence us that it may be difficult to pinpoint who or what impacts our creative lives the most.    In this episode of the Unfinished Print I speak with mokuhanga printmaker Hellory. Based in Italy, Hellory makes multi-colour mokuhanga with luxury techniques. She learned these techniques from her mentor, Giovanni Berio Ligustro.  We discuss the intertwined artistic lives of Hellory and Ligustro. What learning from a mentor was like, what studying...

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Darrel C. Karl - Collector : A Responsibility of Stewardship show art Darrel C. Karl - Collector : A Responsibility of Stewardship

The Unfinished Print

As a collector of mokuhanga, I am constantly exploring the reasons behind my love of collecting mokuhanga and why I make it and educate myself about it; it seems to be layered, even for my modest collection. So it is always fascinating to speak to someone who has been collecting for many years, with a deep understanding of why they collect and how they do.    I speak with mokuhanga collector Darrel C. Karl about his collection of prints, paintings and scrolls. It's one to admire. Collecting for years now, Darrel was kind enough to speak to me about his collection, how he began it,...

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Gaston Petit - Printmaker/Author : The Most Important Thing Is To Do Something show art Gaston Petit - Printmaker/Author : The Most Important Thing Is To Do Something

The Unfinished Print

A few years ago, I was recommended a book called Evolving Techniques in Japanese Woodblock Prints. Written by Gaston Petit, it was a new book for me. Going through it, I realized how forward-thinking it was; even though it had been published in 1977, its instruction is still relevant today. It was fascinating how it approached woodblock printmaking, taking it into the future.    On this episode of the Unfinished Print, I speak with printmaker and author of Evolving Techniques In Japanese Woodblock Prints, Gaston Petit. We discuss how he got to write the book, interviewing some...

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John Resig - Digital Humanities show art John Resig - Digital Humanities

The Unfinished Print

When making mokuhanga and producing The Unfinished Print, I have looked towards various online tools for research and inspiration. One of these tools is ukiyo-e.org. A Japanese woodblock print database which collects and archives woodblock print collections from around the world.  John Resig is the chief software architect at the who, in 2013, for his love of mokuhanga and the Japanese woodblock print, and through his own  collection, developed ukiyo-e.org.  Those researching, collecting, and making mokuhanga can explore some of the best Japanese print collections at the click...

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More Episodes

The spirit of mokuhanga can be found throughout the world. You may find mokuhanga anywhere, in one place, yet pursue it in another. On this episode I speak with long time mokuhanga printmaker David Stones. David has lived and worked in Japan for over forty years, all in the rural area around Okazaki City, in Aichi Prefecture. David has dedicated his life to making mokuhanga in Japan.

I speak with David about how he found his way to Japan from England, and how he began working with and studying under famous sōsaku hanga printmaker Tomikichirō Tokuriki (1902-2000) in Kyoto. We discuss what it's like to live and work in a rural part of Japan, how documenting a Japanese historical past affects his work and talk about his relationship with nature. 

Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at [email protected] 

Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

Artists works follow after the note. Pieces are mokuhanga unless otherwise noted.

David Stones  - website, video produced by Satomi Okane, here

Tiles Oshibuchi (date unknown)

Trans Siberian Railway - is a rail line that services Russian cities from Moscow to Vladisvostok. It is 9,289 km long. It has been in service since 1904. More information can be found, here. 

letterpress - is a type of relief printing by using a printing press. It was popular during Industrialization and the modernity of the West. By the mid twentieth century, letterpress began to become more of an art form, with artists using the medium for books, stationary, and greeting cards.

Tomikichirō Tokuriki (1902-2000) - was a Kyoto based mokuhanga printmaker and teacher. His work touched on many themes and styles. From “creative prints” or sōsaku hanga in Japanese, and his publisher/printer prints, or shin hanga prints of traditional Japanese landscapes. 

Hamaotsu (date unknown)

Wood Block Print Primer -  is a book first published by Hoikusha Publishers in the late 1960’s in soft cover and, strangely, published in 1970 in hardcover by Japan Publications Inc. If anybody has more information on this book, send me an email.

deshi (弟子) - is the Japanese word for pupil, or student.

Studying in Japan - going to Japan to study your field, your art, or your interests can be a complicated process. You can go and take short term courses and workshops without a special visa in Japan, but if you are looking for a long term option to study, I suggest checking out University websites, artist in residence programs etc in your chosen field as all will have their own application processes. 

shukubo (宿坊) - is a dormitory, or hostel, in a Buddhist temple in Japan. You can find some of those “temple-stays” in Kyoto, here.

Okazaki, Aichi - is a relatively large city of around 300,000 people. It is about 45 minutes outside of Nagoya City. It is known for its seasonal activities, reconstructed castle, Tokugawa history, and food. More info can be found, here

Richard Steiner - is a mokuhanga printmaker based in Kyoto, Japan. He has been producing mokuhanga for over 50 years. More information about his work can be found on his website, here. And his interview with The Unfinished Print, can be found here.

David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here
 
 
The River In Winter - From "My Solitudes" series (2007-9)
 

oban - is a print size in mokuhanga. The standard size is, generally speaking, 39 x 26.5 cm. The Japanese Gallery in London has a solid list on the variants of mokuhanga print sizing, here. 

gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints. An excellent description of this technique can be found at David Bull's woodblock.com, which posted Hiroshi Yoshida's entire book 'Encyclopedia of Woodblock Printmaking' (1939), here

Woodblock Diary - is a book self published by David Stones, and can be found on his website.

Tōkyō Tower - is a communications tower located in the Minato district of Tōkyō, Japan. It was built in 1958 and, before the construction of Tōkyō Skytree to compete, was one of the few views of Tōkyō open to the public. For many, including me, it is a nostalgic piece of Tōkyō architecture with a lot of affinity.  More info can be found, here.

Chubu Electric Power Mirai Tower -  is a communications tower locasted in the Japanese city of Nagoya. It was constructed in 1954 making it the oldest communications tower in Japan. More info, in Japanese, can be found, here.

Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.

Nagoya City and District Courthouse  - built in 1922, this courthouse was designated an Important Cultural Property in 1984. More information can be found here at Japan Travel, about the history of the courthouse.

Preservation of Historic Sites and Buildings - is a Parliamentary recognition in England which attempts to preserve historical buildings through various charitable organizations. English Heritage, established as a charity in 2015 preserves designated historic buildings and properties in England. And The National Trust, founded in 1895 is an independent charity which does the same as EH. 

Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925. 

The Cave Temple at Anjata (1931)

urushi  - is a type of lacquer used  in Japanese lacquerware for hundreds of years especially in maki-e lacquer decoration. A very good blog posting by Woodspirit Handcraft has great information about urushi, here.

Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous paper maker is Iwano Ichibei. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. More info can be found here in English, and here in Japanese

Satomi Okane - is a filmmaker,  director of video production for her production company, Penny Black Productions. She has worked on various videos dealing with the preservation of nature, and culture in Satoyama. Her work can be found at her Torikono Sekai website, here, and her YouTube channel, here.

Lynita Shimizu - is a mokuhanga printmaker based in Connecticut. She studied under Tomikichirō Tokuriki, and Yoshisuke Funasaka. Her work is colourful and powerful, dealing with nature. More info can be found, here, on her website. Her interview with The Unfinished Print, can be found, here

kura (蔵) - is a Japanese storehouse 

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opening and closing musical credit - Fugazi - Stacks. From the album, Steady Diet of Nothing. (Discord, 1991)

logo designed and produced by Douglas Batchelor and André Zadorozny 

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***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***