Karen Kunc : Printmaker - Concepts of Distance
The Unfinished Print : A Mokuhanga Podcast
Release Date: 03/10/2025
The Unfinished Print : A Mokuhanga Podcast
Mokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more. We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
Toyohara Kunichika (1835-1900) is considered one of the last great ukiyo-e print designers of Japan. His evocative works helped shape some of the most significant prints from the latter era of ukiyo-e and burgeoning Meiji nishiki-e. I welcome back to the show Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS () at the University of London and an Academic Member of the Japan Research Centre where we explore Kunichika’s life and career. We discuss Kunichika's upbringing in Edo-period Japan (1603–1868), his training at the Utagawa School, and his evolution as an ukiyo-e artist. We...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
When it’s time to practice mokuhanga outside of your comfort zone, there are several places you can go. Seminars and workshops in your hometown are great options, but what if you want to experience something different—a new culture, a new space, a new environment? One such setting is the Mokuhanga Project Space (MPS) in Walla Walla, Washington, United States. This residency allows mokuhanga artists to explore their medium in new and challenging ways. In this episode of The Unfinished Print, I speak with Keiko Hara, mokuhanga artist and co-founder of Mokuhanga Project Space, and...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
When it comes to immersing oneself in the understanding of mokuhanga, Jacek Machowski is dedicated to constantly deepening his knowledge and practice of the art form. His exploration of mokuhanga is both inspiring and dynamic, as he continually shares, creates, and evolves his expertise and approach to this wonderful art form. I speak with mokuhanga printmaker, educator, and mokuhanga explorer Jacek Machowski. Jacek’s work is a blend of experimentation, tradition, and excitement. We discuss his journey into mokuhanga, his deep dive into its history, techniques, and...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
For those who are regular listeners of The Unfinished Print, you will know that I had the privilege of visiting the city of Echizen in Fukui Prefecture, Japan, where I attended the 2024 Mokuhanga Conference earlier this year. Echizen is renowned for its long history of paper production, supplying paper to the entire country. In this episode of The Unfinished Print, I speak with Nicholas Cladis, Assistant Professor of Instruction at the University of Iowa Center. Having lived and studied paper in Japan and around the world, Nicholas and I discuss the elements of Japanese paper, known as washi,...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
Mokuhanga can be approached in many ways. For some, a hands-on approach is the most appealing, as it places full responsibility on the artist to carefully craft each step—designing, carving by hand, and printing—to achieve the best possible result. However, other mokuhanga artists take a more experimental route, where the possibilities are limitless, and innovation leads to unique outcomes. On this episode of The Unfinished Print, I speak with printmaker Mike Lyon, who has been creating mokuhanga for nearly 30 years. We delve into his philosophy on mokuhanga, his innovative use of a CNC...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
The journey of an artist is a winding one. You make the decision to start, not knowing where it will take you. Over time, if you're fortunate, you build a career from your work while gaining the freedom to explore new forms of expression, with each project becoming an important and affirming part of that journey. In this episode of The Unfinished Print, I speak with Mariko Jesse, a professional illustrator who has integrated mokuhanga into her artistic practice. Mariko draws inspiration from her life experiences, sharing insights on her family and travels. We discuss how living in San...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world. I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS () at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the...
info_outlineThe Unfinished Print : A Mokuhanga Podcast
Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways. On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill’s discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved,...
info_outlineMokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration.
In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more.
We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences her work, the importance of taking creative risks, and her perspective on mokuhanga today. Plus, we talk about her own Constellation Studios and its role in her artistic journey.
Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at [email protected]
Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.
Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.
Karen Kunc - website, Instagram
Aqua Alta - 26" x 72", woodcut
Jocelyn Art Museum - is a fine arts museum located in Omaha, Nebraska, USA. The museum was opened in 1931. More info, here.
The Agony and The Ecstasy - is a biographical novel by the American author Irving Stone (1903-1989). It goes into detail of the life of Michelangelo Buonarroti (1475-1564). The novel was published in 1961.
Awaji Island - located in Japan’s Seto Inland Sea, has a rich history dating back to ancient times. According to the Kojiki(Records of Ancient Matters), it is considered the birthplace of Japan—the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji played a vital role as a strategic hub for maritime trade and travel, connecting the Kansai region with Shikoku and Kyushu. During the Edo period, it was governed as part of the Tokushima Domain under the Hachisuka clan. Today, Awaji is renowned for its natural beauty, traditional industries such as Awaji Ningyō Jōruri (puppet theater), and its connection to mainland Japan via the Akashi Kaikyō Bridge—the world’s longest suspension bridge.
Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth.
Akira Kurosaki (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here.
Aurora - 13" x 17" colour woodcut (1982)
ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.
Utagawa Kuniteru (1808-1876) Sumo Wrestler (1861)
Peter Max - is an American artist who is associated with the American Pop Art movement of the 1950's and 1960's. He used vibrant colours in his work. Max's art was seen on posters, paintings, even running shoes. More info, here.
Outer Spectrum - serigraph 8.75" x 12.5" (1978)
Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains. Mary's interview with The Unfinished Print can be found, here.
GAZE - 10" x 14"
Center For The Science of Human Endeavor - also known in Japanese as 一般社団法人産業人文学研究所 is a program to "research, study, design for a life style in the 21st Century," and is associated with MI Lab. There is a brick and mortar gallery located in Shinbashi, Tōkyō.
McClains Woodblock Print Supply Co. - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print: A Mokuhanga Podcast interview with Daniel Jasa of McClain's can be found here.
nishinouchi paper - is a Japanese washi which is produced in Nishinouchi Kami no Sato, located in Hitachiomiya City, Ibaraki, Japan. More info can be found, here.
The Japanese Paper Place- is a Toronto based Japanese paper store servicing the mokuhanga and arts community in Toronto and around the world for many years. Nancy Jacobi of The JPP and her interview with The Unfinished Print: A Mokuhanga Podcast can be found, here.
Constellation Studios - is the studio of Karen Kunc located in Lincoln, Nebraska, USA. More info can be found, here.
Penland School of Craft - is a school which welcomes students from all over the world. Located in North Carolina, the school offers eight-week workshops in many different types of mediums. More info, here.
Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here.
Virginia Center for the Creative Arts (VCCA) - founded in 1971, is located at Mt. San Angelo in Amherst, Virginia. It provides residency opportunities for artists and writers across various disciplines, offering a supportive environment for creative work. More info can be found, here.
Wayne Crothers - is an Australian mokuhanga printmaker, curator and artist who lives in Japan.
Patricia Olynyk - is a Canadian multimedia artist, photographer, who resides in The United States. Patricia's work explores the way " social systems and institutional structures shape our understanding of our place in the world." More information can be found, here.
Oculus - digital sculpture
Ralph Kiggell (1960-2022) - was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here.
Park Winter
Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here.
Daizuyama - 23cm x 34cm (2009)
Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999.
Dimensions VII - 48cm x 76cm (2017)
Venice Printmaking Studio - is a printmaking residency located in Murano, Italy.
Malaspina Printmakers - is a printmaking residency located in Vancouver, British Columbia, Canada. MNmore info, here.
Annu Vertanen - is a Finnish printmaker who has used mokuhanga in her work. Annu is currently a professor at the Academy of Fine Arts, University of the Arts Helsinki.
Aspect Guanlan I - 95cm x 65cm
logo designed and produced by Douglas Batchelor and André Zadorozny
Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)
Слава Українi
If you find any issue with something in the show notes please let me know.
***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***