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Wuon-Gean Ho : Printmaker - A Small Seed Of Intention

The Unfinished Print : A Mokuhanga Podcast

Release Date: 03/31/2024

Jacek Machowski : Printmaker - On The Edge Of Abstraction show art Jacek Machowski : Printmaker - On The Edge Of Abstraction

The Unfinished Print : A Mokuhanga Podcast

When it comes to immersing oneself in the understanding of mokuhanga, Jacek Machowski is dedicated to constantly deepening his knowledge and practice of the art form. His exploration of mokuhanga is both inspiring and dynamic, as he continually shares, creates, and evolves his expertise and approach to this wonderful art form.   I speak with mokuhanga printmaker, educator, and mokuhanga explorer Jacek Machowski. Jacek’s work is a blend of experimentation, tradition, and excitement. We discuss his journey into mokuhanga, his deep dive into its history, techniques, and...

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For those who are regular listeners of The Unfinished Print, you will know that I had the privilege of visiting the city of Echizen in Fukui Prefecture, Japan, where I attended the 2024 Mokuhanga Conference earlier this year. Echizen is renowned for its long history of paper production, supplying paper to the entire country. In this episode of The Unfinished Print, I speak with Nicholas Cladis, Assistant Professor of Instruction at the University of Iowa Center. Having lived and studied paper in Japan and around the world, Nicholas and I discuss the elements of Japanese paper, known as washi,...

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Mokuhanga can be approached in many ways. For some, a hands-on approach is the most appealing, as it places full responsibility on the artist to carefully craft each step—designing, carving by hand, and printing—to achieve the best possible result. However, other mokuhanga artists take a more experimental route, where the possibilities are limitless, and innovation leads to unique outcomes. On this episode of The Unfinished Print, I speak with printmaker Mike Lyon, who has been creating mokuhanga for nearly 30 years. We delve into his philosophy on mokuhanga, his innovative use of a CNC...

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When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European...

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The journey of an artist is a winding one. You make the decision to start, not knowing where it will take you. Over time, if you're fortunate, you build a career from your work while gaining the freedom to explore new forms of expression, with each project becoming an important and affirming part of that journey.   In this episode of The Unfinished Print, I speak with Mariko Jesse, a professional illustrator who has integrated mokuhanga into her artistic practice. Mariko draws inspiration from her life experiences, sharing insights on her family and travels. We discuss how living in San...

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When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world.   I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS () at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the...

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Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways.   On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill’s discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved,...

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Mokuhanga is an art form of the physical. It is the use of our hands which carve, brush, and print, ultimately creating the final product. Through the physical act of making, mokuhanga carvers and printmakers explore themselves through their work, while at the same time producing a philosophy on how they see their own mokuhanga and the mokuhanga community at large. On this episode of The Unfinished Print, I speak with printmaker Andy Farkas. Andy is an American mokuhanga printmaker, mentor, and teacher who has explored in great detail what it means to create, the philosophies and...

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Mokuhanga has the ability to take the artist or craftsperson anywhere they would like to be. From the subject matter in their studio to physical movement around the world, teaching, exploring, and discovering. Wonder and beauty is what makes mokuhanga so special.   In this episode of The Unfinished Print, I speak with printmaker Jacqueline Gribbin, who has spent years honing her craft in mokuhanga and other printmaking techniques across Japan, Southeast Asia, and Australia. We discuss her deep connection with Indigenous communities, collaborating with the late Ralph Kiggell, and exploring...

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Mokuhanga today can be made in so many ways. So many inspirations, so many people creating beautiful pieces from all over the world. Coming to you from Obihiro, Hokkaido, I have been traveling around Japan for over a month. Coming back to Japan is always an inspiring act and it is already like a second home to me. What brought me back to Japan this time around was the 2024 International Mokuhanga Conference held in Echizen City, Fukui, Japan. Meeting with so many mokuhanga artists, carvers, and printers inspired me and makes me want to be a better artist and to make a better podcast. On this...

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More Episodes
When creating mokuhanga, one requires time – time to prepare, time to plan, and time to explore. The essence of the work emerges from this delicate balance of managing one's time and integrating life within mokuhanga.
 
In this episode of 'The Unfinished Print,' I have the pleasure of speaking with printmaker Wuon-Gean Ho. Wuon-Gean approaches her mokuhanga with a keen focus on work-life balance, emphasizing creation not at the expense of life but as a means to enrich and enhance it. Join me as we delve into Wuon Gean's unique perspective on mokuhanga, how it skillfully blends with her other printmaking endeavors,  learning under Akira Kurosaki,  her educational experiences and we delve into her philosophies on living a life infused with art.
 
 Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at [email protected] 

Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.

Wuon-Gean Ho - website

JET Programme - a teaching programme created in 1978, which is sponsored by the Japanese government, and various Japanese ministries. This organization brings people from around the world to teach English to Japanese students in grade school, junior high, and high schools throughout the country.  More info, here.

Tate Modern - located in London, UK, and stands as one of the world's largest and most renowned contemporary art museums. It houses an extensive collection of international modern and contemporary art from around the world. The museum is known for its innovative exhibitions that showcase works by both established and emerging artists. Additionally, Tate Modern offers a variety of educational programs, workshops, and events designed to engage visitors of all ages and backgrounds.

Kyoto Seika University - situated in Kyoto, Japan, is a leading private university specializing in art and design education. The university offers undergraduate and graduate programs in various fields of art and design, including painting, sculpture, graphic design, and manga. Known for its rigorous academic curriculum, Kyoto Seika University emphasizes practical skills and creative expression. The institution has a rich history and tradition of nurturing talented artists and designers, with a strong focus on fostering creativity and innovation among its students.

Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here.

bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. 

Katsushika Hokusai (1760-1849) - is one of the most, if not the most, famous Japanese artist ever known. He designed woodblock prints, as well as creating his own paintings, screens, scrolls, and commissioned art in Buddhist temples throughout Japan. More info, here. The British Museum has a lot of info, here

Devon - is a city located in the southwest of England, and is renowned for its stunning natural beauty, diverse landscapes, and rich cultural heritage. Rugged coastlines adorned with sandy and picturesque villages, Devon offers a wealth of attractions for visitors and locals alike. You can find more info on Devon tourism, here

Fabriano paper - is a high-quality paper produced by the Fabriano paper mill in Fabriano, Italy. It is renowned for its exceptional durability, texture, and archival quality, making it a favorite among artists, printmakers, and conservators worldwide. Fabriano paper comes in various weights, textures, and finishes. It is prized for its ability to withstand repeated erasing, scraping, and wet media applications while retaining its integrity and beauty.

Camellia oil - also known as tea seed oil, is a versatile vegetable oil extracted from the seeds of the Camellia oleifera or Camellia sinensis plant, which are the same species from which tea leaves are harvested. Originating in East Asia, particularly China and Japan, camellia oil has been used for centuries for culinary, cosmetic, and medicinal purposes. In mokuhanga it has been used to oil the baren when printing, making a smooth printing surface. 

Copperplate oil - is a substance used in the intaglio technique such as copperplate engraving or etching. This specialized oil, typically comprising linseed oil and resin, serves multiple purposes throughout the printmaking process. Initially applied to copper plates, it functions as a protective layer, guarding against oxidation while enhancing the quality of engraved or etched lines by promoting smoother, more consistent marks. Copperplate oil aids in achieving tonal effects and to the longevity of the final prints. It also serves as an effective agent for cleaning plates post-etching, ensuring the preservation of engraved details while removing excess ink.

Ian Phillips - is a woodblock printmaker based in the UK. He works in water based printing, with the landscape of the sea as his main inspiration. More info of Ian's work can be found, here

tabi hanga - is the collaborative printing method which Wuon-Gean describes in her episode. 

 

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opening and closing musical credit - Audrey by Dave Brubeck from the album Brubeck Time released in 1955 on Columbia Records.

logo designed and produced by Douglas Batchelor and André Zadorozny 

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***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***