273: Paula Cole
The Third Story Podcast with Leo Sidran
Paula Cole on her early success, dreaming big, her life and career, the power of “the beginner’s mind”, the distinction between being an artist and an entertainer, the feeling of being pregnant with song, speaking for those who cannot speak, navigating a life in the music business, learning from young people, and her new album, Lo.
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272: Ben Sidran on Rainmaker
The Third Story Podcast with Leo Sidran
In a career spanning over fifty years and thirty five records, Ben Sidran has established himself as a philosopher poet. Equally celebrated for his precise, probing writing style as he is for his improvised spoken word jazz raps, he has carved out a truly unique space for himself. The Times of London aptly described Ben as “the world’s first existential jazz rapper,” and The Chicago Sun Times once referred to him as “a renaissance man cast adrift in the modern world.” He is one of a kind. And he is, of course, also my dad. There is no one else like Ben so it’s not...
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271: Shabaka
The Third Story Podcast with Leo Sidran
Shabaka Hutchings grew up between the UK and Barbados. He started playing clarinet as a young boy in Barbados and eventually moved back to England to go to music school in the early 2000s. After college he began a period of working furiously on a kaleidoscopic range of projects and became an icon of the new sound of London jazz, which integrated African rhythms and modes, Caribbean and Middle eastern sounds and was largely danceable. Shabaka himself has never fully embraced the jazz label. While the music is highly improvised, and it owes much to the American jazz tradition,...
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270: Jose James
The Third Story Podcast with Leo Sidran
Singer Jose James on his new record 1978, his professional and personal journey, the unique demands of being a jazz singer today, why he believes good art should be transformative, how he stays healthy, the creative challenges brought on by happiness and whether or not one needs to suffer in order to make good art. This episode is dedicated to the late saxophonist and vocoder master who passed away on March 30th at the age of 45. Casey, a brilliant and influential musician, spent much of his career at the crossroads of jazz and hip hop. I never knew him but I was always very aware...
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269: säje
The Third Story Podcast with Leo Sidran
säje, the vocal group made up of singers Sara Gazarek, Amanda Taylor, Johnaye Kendrick, and Erin Bentlage won their first Grammy on Sunday for their arrangement of “In The Wee Small Hours of the Morning”. They recorded it with one of the most admired musical minds today, Jacob Collier. And like much of what has happened with so far, that recording was both unintended and totally right, somewhere between the reward for the hard work of talented artists, and magic. The story plays like a dream. One day Jacob Collier stopped by the LA recording studio (Lucy’s Meat...
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268: Ten Years of The Third Story - with Will Lee and Amanda Sidran
The Third Story Podcast with Leo Sidran
Ten years ago, on a bit of a whim, I invited bassist Will Lee to come over to my home studio in Brooklyn to do an interview with me for a new project I was starting: a podcast. A year or two earlier, my friend Michael Fusco-Straub had turned me on to Marc Maron’s WTF podcast, and I was totally hooked on the concept of casual long form interviews among peers. At the time Maron spoke almost exclusively to comics, and I thought there might be a space for something similar but focused on music. Although I didn’t have any real experience as a journalist or a broadcaster, I knew I could do it....
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267: Keyon Harrold
The Third Story Podcast with Leo Sidran
Trumpeter/composer Keyon Harrold was born and raised in Ferguson, MO to a musical family. He is the son of pastors and one of 16 children. As a boy, a trumpet was placed in his hands, and the rest is history. He moved to New York to study at The New School in the 1990s and became part of a legendary generation of musicians associated with the neo soul movement, including Common, Bilal, Roy Hargrove, The Roots, and Robert Glasper. Harrold is a reliable and sought after player among big acts, and he’s worked with Jay-Z, Beyonce, Rihanna, Eminem, Maxwell, Mac Miller and Snoop...
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266: Lau Noah
The Third Story Podcast with Leo Sidran
Singer-songwriter Lau Noah grew up in the small Catalan city of Reus. She left Spain for America a decade ago, at age 19 and never really looked back. She makes celestial, dreamy music evocative of another era, yet influenced by her own very modern story. Lau Noah is both a realist and a magical realist. She is an uncompromising and determined indie artist. She books her own shows, produces her own recordings, and advocates on her own behalf. She has a practical understanding of how to make compelling content, and how to communicate with her fans and her fellow artists. But she also...
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265: Ani DiFranco
The Third Story Podcast with Leo Sidran
Ani DiFranco began recording and self-releasing her music as a 20 year old in Buffalo, New York in 1990. 34 years later she is widely considered to be a feminist icon. But in many ways she emerged iconic, fully formed and fearless. A facile lyricist with a biting honesty, she played guitar with a virtuosic, rhythmic style. And she was ahead of her time as an independent artist who owned all her own masters and controlled most of the major aspects of her career. She’s sometimes called the mother of the DIY movement. DiFranco has released all of her albums (over twenty) on her Righteous...
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264: brad allen williams
The Third Story Podcast with Leo Sidran
brad allen williams is not only a great guitar player but also a serious recording engineer, and someone who understands both the technical and emotional sides to record making. Known for his work with Jose James, Nate Smith and Brittany Howard, he released his album œconomy on Pete Min’s Colorfield label earlier this year. Like all Colorfield releases, œconomy was born from an improvisatory spirit that reflects the label’s mission. Artists show up to the recording sessions with nothing written. They create spontaneously in the studio and then edit, arrange, and develop...
info_outlineRon Sexsmith likes to take walks. “I was a courier for a number of years and I wrote most of the songs on my first couple albums on the job,” he says “Whenever you’re doing something that’s kind of mindless, then your mind is free to roam. For me it’s a good way to zero in on what I’m trying to say.”
Very few songwriters develop the kind of skill and status that Ron Sexsmith has. He’s a songwriter’s songwriter. He writes the songs that the rest of us wish we were writing. He does it consistently, carefully, quietly. If you know who he is, then you know what a deceptively brilliant songwriter he is, and you recognize his singing (at times sweet, other times plaintive or plainspoken).
As Ron tells it, he’s a “cred-artist” - someone the labels keep around to make themselves look good, to keep the authenticity quotient high. He has released nearly 20 solo albums in 35 years, and his songs have been covered by a number of well-known musicians, including Elvis Costello, Feist, Rod Stewart, Emmylou Harris, and Michael Bublé.
Ron’s new album, Hermitage, was released last week. In a departure from his well worn habit of working in great studios with great studio bands, he made this one mainly in his house, and played most of the instruments himself. It’s an intimate record, and one that he thinks of as cheerier than usual. This is a collection of songs that Ron was inspired to write when he left Toronto - the city where he lived for years - and moved to a smaller town in Ontario. It’s a personal album about living a quiet, more insular life, but it also feels very connected to this moment.
Here he talks about his process, his career, and how he finally came to own a house.