We're two dames talking about classic movies. Each episode we discuss a different movie - trivia, costumes, actor bios, gender and social justice, and more. New episodes every month!

From the nerds at Debate This!, this is your weekly roundup of the latest MCU series and/or whatever DC property we feel like covering. As the one and only podcast out there dedicated to comic book adaptation content, it's our civic duty to meticulously pick these apart and compose wild fan theories about them. Year 2 includes Moon Knight, Ms. Marvel, She-Hulk, The Batman, Morbius, and Dr. Strange: Multiverse of Madness.

We share our favorite movies and explain the story behind how it became our favorite. Plus, we talk about our current binges and hidden gems.

The east coast's premier underground horror podcast, where counterculture meets the macabre!

Four friends from Alabama and a pop culture podcast with a dash of Southern wit and charm. Follow @BamaGeeks on IG, Twitter, YouTube, and Facebook!

Trigger Warning - Explicit Complaining - 'Not For Everyone' is a podcast featuring two cynical man-children that primarily explore the deep cuts of schlock horror/sci-fi/fantasy films made in the 70s, 80s, and 90s as well as their flawed friendship. These fellas also spend the first 30 - 40 minutes of each episode just BSing about random adjacent topics such comics, heavy metal, bigfoot, death row meals and half-assed paranormal investigation adventures. Host Heroes: John Carpenter, Fred Dekker. Stan Winston, Kurt Russell, Bill Paxton, Glenn Danzig and Dracula.

We're a trio of movie lovers who choose two movies with at least one thing in common and discuss them.

Dad Movies, the podcast where a 30-something comedian talks movies with his 60-something-year-old socialist pastor Dad. You can’t watch Shawshank all the time, so come to us for your dad movie fix.

The Film Roast podcast features co-owner and host Craig Sorensen talking about movies and TV shows that have been roasted by the Front Row Film Roast either online or in-person. Guests comprise of recurring cast members, special 'resident experts', and guest comedians.

Dark and gothic reads for goths, lovers of the macabre, horror fans, and the morbidly inclined. We bring you news about creepy and unsettling reads every Wednesday.

Join Max Roberts and guests talk about games, creativity, and life. This is podcasting at Max's frequency.

Join hosts Caligula Q. Strawman, K-Slick, Incitatus, Miss Ellanea & others as we review games, watch movies, and talk of everything and nothing. Find all our different shows under The Dada Network header: • +10 XP: The only video game review cast with a sensible rating system. Join Caligula, K-Slick, Incitatus & others for hilarious and insightful reviews of the next game you're gonna want to play. • A Conversation with Everyone: Caligula attempts the Sisyphean task of interviewing every person in existence, join him & our guest of the week for their fascinating and often arcane discussions. • TRASHCAST: Irregular and disjointed tales of intrigue, adventure, and woe! Join our Dada hosts for some touching heart-to-hearts and knock-em-down-drag-em-outs! — Archival Shows (we don't produce these anymore): • It's Not Horror: Dada judges whether a movie is truly worthy if the mantle, “horror.” These were really fun, hopefully we can do some specials in the future. • Steaming Garbage: Our old video game review cast. • The Unwatchables: The only movie review cast with a sensible rating system. — Introductory 3¶ of “Dada Manifesto 1918,” Tristan Tzara The magic of a word—Dada—which has brought journalists to the gates of a world unforeseen, is of no importance to us. To put out a manifesto you must want: ABC to fulminate against 1, 2, 3 to fly into a rage and sharpen your wings to conquer and disseminate little abcs and big abcs, to sign, shout, swear, to organize prose into a form of absolute and irrefutable evidence, to prove your non plus ultra and maintain that novelty resembles life just as the latest-appearance of some whore proves the essence of God. His existence was previously proved by the accordion, the landscape, the wheedling word. To impose your ABC is a natural thing— hence deplorable. Everybody does it in the form of crystalbluffmadonna, monetary system, pharmaceutical product, or a bare leg advertising the ardent sterile spring. The love of novelty is the cross of sympathy, demonstrates a naive je m'enfoutisme, it is a transitory, positive sign without a cause. But this need itself is obsolete. In documenting art on the basis of the supreme simplicity: novelty, we are human and true for the sake of amusement, impulsive, vibrant to crucify boredom. At the crossroads of the lights, alert, attentively awaiting the years, in the forest. I write a manifesto and I want nothing, yet 1 say certain things, and in principle I am against manifestoes, as I am also against principles (half-pints to measure the moral value of every phrase too too convenient; approximation was invented by the impressionists). I write this manifesto to show that people can perform contrary actions together while taking one fresh gulp of air; I am against action; for continuous contradiction, for affirmation too, I am neither for nor against and I do not explain because I hate common sense. […]