Acting Business Boot Camp
Today I'm going to talk to you about the hazard of making excuses as an actor. And I'm going to start with perhaps something that if you were like me, or you are like how I used to be the idea of it's only me. So it's only me and therefore it doesn't count or, I'm tough, I can handle it. One of the things that making excuses as an actor does is it stalls personal growth. And anything that would affect me in a negative way, I used to be like, “Hey, I'm young. I can take it. Hey, no worries. I can overcome it.” Until I couldn't. And so the first thing I'm going...
info_outline Episode 311: Interview with Tim PhillipsActing Business Boot Camp
About Tim: With more than 60,000 coaching sessions and 40+ years in the business, audition coach and premiere acting teacher Tim Phillips knows what works. was written after 30 years of teaching and designed as a practical manual for the working actor. What Phillips is after are moment-by-moment, clear, specific, human truths that make you unavoidable on stage and screen, from character. Tim Phillips ignited the careers of Emmy award-winning Richard Schiff, Golden Globe nominee Wendy Malick, Nancy Travis, the excellent Robert Wisdom, James DuMont, Bruce...
info_outline Episode 310: Unsupportive Family & FriendsActing Business Boot Camp
Today I'm going to talk about what I find a sad subject, and it is about unsupportive friends and unsupportive family members. And I'm gonna give you a few points and things to think about. So that you can have the support, at least from me, and I'll talk about getting more support in a moment, that helps you when you're dealing with this. Now, the first thing, and I know because, man, I hated this word when I first learned it, was boundaries. Learning to set boundaries, clearly communicate your goals and values to others, and establish boundaries when necessary. This helps you to...
info_outline Episode 309: Interview with Risa Bramon GarciaActing Business Boot Camp
About Risa: For the past 4 decades Risa has worked consistently as a director, producer, casting director, writer, and teacher, and is a founder of The BGB Studio, a training space and artistic home for actors. She’s had the great fortune to have collaborated with some of the most talented, passionate, and groundbreaking artists in the world. She’s continued to move successfully from one arena to another – from theatre to film to television and back. With two feature films in her directorial body of work – the cult classic, 200 CIGARETTES, and more recently, THE CON ARTIST, made in...
info_outline Episode 308: Don't Quit 5 Minutes Before the MiracleActing Business Boot Camp
A subject that has come up with private clients of mine and in my weekly group class has been the subject of discussion of quitting. And the phrase that I have been coaching on, is don't quit five minutes before the miracle. Don't quit five minutes before the miracle. And I get it. Especially for those of us in the U. S. who have been struggling with the industry this year. Let's just be blunt. It's a bitch, okay? It's just been awful. I have a friend of mine who's a producer and he says the word he keeps using is brutal. It's been a brutal year. But here's the thing. We're...
info_outline Episode 307: Making a Pivot In Your Acting CareerActing Business Boot Camp
So today's podcast is going to be about making a pivot in your acting career. The first thing you want to do when you are making a pivot is you want to clarify your new career goal. I understand that the goal may be to be a working actor, but what exactly does that mean to you? And when you've made a goal, asking yourself that follow up question, that empowering question, what does that mean to you? What does that look like? How will it feel when you achieve it? You want to take time to identify exactly where you want to pivot, and I think those questions can really, truly...
info_outline Episode 306: Reframing Disappointment as an ActorActing Business Boot Camp
Today I'm going to talk about reframing disappointment. One of my favorite quotes. It's from Dr. Wayne Dyer, he says “Change the way you look at things, and the things you look at change.” And in reframing disappointment, we need to look at it in a different way. So I'm going to give you a few tips. I'm going to give you some Action steps to do when you face disappointment and hopefully that will help you to move through it because again, another one of my favorite quotes, again, a top five is Robert Frost, which is the “best way out is always through.” So this...
info_outline Episode 305: Quantum Manifestation with Jocelyn SandstromActing Business Boot Camp
Today I am talking with Jocelyn Sandstrom about quantum manifestation. About Jocelyn: Growing up in Hawaii, Jocelyn has lived and worked in 12 different countries. This experience has allowed her to realize that even though we may speak different languages or have different traditions, at our core, we are all the same. She has used this knowledge to help and support clients around the world in creating next-level success not just in their careers but in their personal lives as well. Since 2010, she has been providing Quantum Energy Sessions and teaching Neuro-Linguistic...
info_outline Episode 304: Nepotism & Keeping The Focus on YourselfActing Business Boot Camp
Okay, so today's podcast is motivated by someone writing to me, wanting to me to talk a little bit about nepo babies, nepotism. Of course, I'm going to say that nepotism and keeping the focus on yourself is the key. The focus because there's nothing you can do about somebody else is, birthrights or relatives, but you can do something about keeping the focus on yourself because that is your birthright. So my wonderful listener gave me this topic and she asked what my take on nepo babies and their advantages and disadvantages are in booking roles or projects. Again, what I...
info_outline Episode 303: Staying Tenacious as an ActorActing Business Boot Camp
Okay, so let's talk about being tenacious. The number one thing about being tenacious is actually embracing it. And I talk about this in terms of my own experience, which is that my biggest mistakes have been my best teachers. My biggest mistakes have been my best teachers. And really understanding, when you make a mistake or you have a roadblock, you don't get a role that you really thought you were going to, is looking at the situation and asking yourself, what can I learn from this? And if what you can learn from it is what my mom always told me when I was a little...
info_outlineI have a very special offer for you. If you are interested in working with me, but you would like to talk to me first, click on the link in the show notes. And we'll get in touch and we'll set something up.
We're going to talk about the two energies of the actor.
We're going to be talking about anabolic energy and catabolic energy.
But first, what we're going to be talking about Is the term consciousness. So what is the term consciousness? The term consciousness is your awareness of who you really are, as opposed to the you that you believe you are, and we're taught that you are.
Now, here's the thing. Who you really are is pure anabolic energy.
Who you think you are or believe you are, or were taught that you are, or all of the above, has a bit of catabolic energy in it, which means it's energy that works against you.
So what we're gonna be talking about today is these two energies and how you can stay more in your catabolic energy than your anabolic energy.
Let's get into the definitions of catabolic energy. Catabolic energy is isolated. It's lonely. You need everything outside of you to validate yourself. The world is scary, and it's angry. And this is the biggest thing to know as an actor, you have a very low chance of success.
You're working unconsciously, and you have very little faith in yourself or in the Universe.
And then there is the wonderful energy of anabolic energy.
Now, anabolic energy is like mind over so-called reality.
It's when you're seeing that things around you at the moment, things aren't going well, but you know these truths.
One, this too shall pass.
And two, everything I'm seeing now is only preparation for more good to come.
In this energy, you have real energy.
You have a real awareness. You have, and this is so key, faith in yourself, but also a faith in the Universe.
This is where you live and where you have high potential.
You also have a high level of success.
You live more consciously and this is who you are, whether you believe it or not.
Ananias Nin says that “we do not see the world as it is, we see it as we are,” meaning that I see the world either with anabolic eyes or catabolic eyes.
And quantum physics has shown us that the world is a creation of our perceptions.
So if we want to create more enjoyable life experiences, we want to focus on that anabolic energy, and that's why gratitude is so important.
The more we point out what we are grateful for, the more we will bring into our lives again, like energy attracts like energy. I also want to mention that one of the ways we can move into more anabolic energy is to really change how we speak because changing our language changes our reality.
And I'm going to show you this in terms of anabolic and catabolic energy.
Language or words orient our thoughts and our feelings.
And I talk a lot about how we have a thought that then becomes an emotion and that emotion then dictates an action and then that action reiterates the thought.
So I am good enough, I feel good about me, I go to my auditions, I do a great job, see me, I am good enough.
Now, notice how I used a real anabolic example there.
Words and the intention or the emotion, which are truly the fuel behind them, are either catabolic or anabolic.
And they convey a lot. underlying messages to our energy.
And what that does is that creates a physical, an emotional, a mental and a spiritual response, not only in ourselves, but in others.
So what I'm going to do right now is I'm going to give you examples of anabolic and catabolic language choices.
And we're gonna look at that.
So if you are in catabolic, that lonely, isolating negative energy, the words you may use are, should, or might.
Now, the anabolic response or the anecdote to that would be I choose, I desire, I want.
Again, another example. The catabolic word choice would be, I need to.
The anabolic word choice would be, It's important to me. It's important to me that I do this thing. Not that I need to do this thing, but it's important to me.
The catabolic word choice on the next one is, I have to. I have to. I have to. I have to all over the place.
Like I should all over myself? I have to all over myself.
And the, again, the anecdote to that is I desire to. I desire to, I choose to, I desire to.
Another catabolic word choice is can't. Instead, maybe you're just not willing to. Or I'm choosing not to, but I can't is unconscious. I choose to is conscious and therefore anabolic.
I always, never, those are catabolic word choices.
The anecdote to those are, I sometimes, I often, I seldom.
The next one must. Ooh, catabolic word choice there. Must. As opposed to, I choose. I desire, again, making your words more conscious so they are in that anabolic energy.
Try. Oh my God. How many times have I said try?
What about saying the anabolic word choice of I intend to or I aim to?
And this one, this is such an improv actor one, which is the catabolic word choices, “but.” How about “and?” And is your anabolic word choice.
Maybe is catabolic, yes I will or no I won't is anabolic. For goodness sakes, make a decision.
And finally, I think. Oh, catabolic right there.
How about I know, or I don't know. Be decisive with your words.
Again, remember these words, whether you choose anabolic words or catabolic words have an effect on you, but also on other people, and that means agents, managers, casting directors, writers, directors, producers.
I want to be someone who an agent, a casting director, a director, a producer wants to have in a room, wants to have on set, because I give off that positive energy.
Finally, I want you to remember that catabolic energy is disempowering. It is taking away my power. It is me giving away my power. And ultimately, it tears me down.
It tears me down.
But anabolic energy is powerful. Anabolic language is centered. It is grounded. It is responsible. It is powerful. It is healthy. And I love this word. It is empowering. It builds us up. It heals us. And it helps us to believe in ourselves and in our power.
Remember, the only constant is change.
And I want to make sure that we are changing towards anabolic energy.