Kathy Fang, Part 2 (S8E10)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1. Kathy left her hometown of San Francisco for the first time to go to college at USC. Originally, she wanted to major in science. There was and perhaps still is a prevailing expectation in her culture to go into some sort of lucrative career. Surely, no one would want to go into the food business intentionally, so the trope goes. So Kathy set out to make her parents proud. Soon enough, though, she realized she doesn’t like science, and switched to becoming a business major. She earned a bachelor’s in entrepreneurship and operations and soon...
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Kathy Fang, Part 1 (S8E10)
Storied: San Francisco
Kathy Fang was born in the Chinese Hospital in Chinatown in San Francisco. In this episode, meet and get to know Kathy. These days, she’s the co-owner (with her dad) and chef at in South of Market. She’s also joined her parents in running their restaurant, the legendary . But her story starts with Lily and Peter (her mom and dad). We’ll get to Lily and Peter’s story, of course. But Kathy begins by talking about her unique position being born just up the hill from her parents’ restaurant, and essentially growing up at House of Nanking. She sees herself as perfectly positioned not...
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Jake Rosenberg’s “Epicenter” (S8 bonus)
Storied: San Francisco
Listen in as I chat with return guest about his latest book, Epicenter. The photobook beautifully captures the skateboarding scene at the Embarcadero from 1990 to 1993. The accompanying IRL photo exhibit for Epicenter has been extended through Sunday, Jan. 25, at 201 Jackson St. More info . Here’s the last episode we did with Jake, all about his previous book, Right Before My Eyes: We recorded this podcast over Zoom in December 2025. Photo of Jovantae Turner by Jacob Rosenberg
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Artist Hollis Callas, Part 2 (S8E9)
Storied: San Francisco
In Part 2, we pick up where we left off in Part 1. The “bootcamp” post-college and early career experience Hollis had at Creative Circus was interesting—she found herself seemingly taking it more seriously than many who’d come right out of a four-year program. She also balanced getting engaged and married in this time. Every year, Hollis’s grad school organized portfolio reviews with advertising agencies in either New York or San Francisco. Luckily for all of us, the year it was her turn, Creative Circus took students to The City. Once here, they met folks from big firms, including...
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Artist Hollis Callas, Part 1 (S8E9)
Storied: San Francisco
We’re baaaaaaack! Happy New Year, y’all! In this first episode of 2026, meet and get to know San Francisco artist . Hollis first came across my radar a few years ago when she won a contest to design our city’s new “I voted” stickers. I soon learned that she’s something of an artistic fixture in one of my adopted neighborhoods—The Inner Richmond. So I sat down with her one afternoon in November to learn more about her life. In Part 1, Hollis, an artist, illustrator, and designer, begins sharing her life story, which started in Atlanta. She grew up in the same Georgia house where...
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A Year-End Chat with Friend-of-the-Show Vandor Hill of Whack Donuts (S8 bonus)
Storied: San Francisco
Listen in as my friend Vandor Hill and I wrap up his second year of Whack Donuts’ brick-and-mortar location. This is Vandor’s third appearance on Storied: SF. Here are the other two episode’s we’ve done with him: We recorded this podcast at in Embarcadero 4 in December 2025. Photo by Jeff Hunt
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 2 (S8E8)
Storied: San Francisco
In Part 2, we pick up right where we left off in Part 1. Continuing her history of 3117 16th Street, Lex notes that “The Roxie has lived many lifetimes.” She describes the Eighties and Nineties as busy times for the theater. They ran a series of Werner Hertzog films in that era. Akira Kurisawa visited for some of his movies. Many local films and film festivals took place at The Roxie. Frameline was set there. San Francisco and the greater Bay Area were becoming something of a cinema mecca. The aforementioned Roxie Releasing ended up helping the business in times when ticket sales weren’t...
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Lex Sloan, Henry S. Rosenthal, and The Roxie, Part 1 (S8E8)
Storied: San Francisco
When you tell friends you’re going to see a movie at The Roxie, there’s an almost palpable envy that sets in for them. In this episode, meet Lex Sloan and Henry S. Rosenthal. Lex is ’s executive director and Henry is on its Board of Directors and the chair of the theater’s capital campaign, which we’ll get to. In the meantime, if you’d like to help keep a bona fide San Francisco landmark in its rightful home until the end of time (they’d sure love you to, and so would I), donate to the Forever Roxie fund . We start with Henry, who lets us know that the “S” in his name stands...
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Neighborhood Basic Bitch: The Mission District, w/H.P. Mendoza and Bitch Talk (S8 bonus)
Storied: San Francisco
Listen in as I join and of to chat with about all things Mission District. We wax poetic about H.P.’s home hood, spinning yarns about the infamous neighborhoo'd’s past, present, and future. We recorded this podcast at in (duh) The Mission in November 2025. Photo by
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Randall Ann Homan and Al Barna of SF Neon, Part 2 (S8E7)
Storied: San Francisco
In Part 2, we pick up more or less where we left off in Part 1, hearing the story of how Randall and Al came to love all things neon. Their enthusiasm kicked into high gear when they started noticing neon signs coming down, and they decided to try to do something about it. That something started with documenting the signs. And with that came a bit of a learning curve, especially around photographing artificial lights at night. Over the next five years, they captured and captured and captured, getting as many extant signs as they could find. Randall had some book design experience under her...
info_outlineIn Part 2, we pick up where we left off in Part 1.
To get us caught up to what Lisa is doing these days, we go back to her arrival in The Bay. Her work at the prop shop led to some other jobs, but competition was fierce and she sought a way to integrate art into the labor she undertook. She found it when the production of James and the Giant Peach hired her to do puppet fabrication. The work took place in a warehouse in South of Market and it wasn’t quite as glamorous as people think. In fact, it was grueling, but rewarding.
Her boss on that job was a woman named Kat. That was 30 years ago, and the two are good friends today. In fact, Kat is shooting a documentary about Lisa’s incredible life called Made of Iron. More on that below.
Lisa wanted to stick with animation, but was never able to get an art director job. She considered moving to LA, but shut that down pretty quickly. And so she decided to learn a trade—something her dad did back in the day. She went to a job fair and asked what the hardest trade represented there that day was. Lisa’s trade became ironwork.
Her introduction to the folks who did ironwork was a little rough. She was required to visit job sites and get an ironworker to sponsor her. It took her six months to get hired. She met a guy named Danny Prince who helped her get work in The City making precasts (think parking garages). She’d work during the week and go to classes for ironworking on Saturdays.
Ironwork has, quite possibly since its inception, been very much a “man’s” world. Lisa ran head-first into bigotry, prejudice, and discrimination from the get-go. But a combination of her own drive and the advice of a few mentors helped her get through it. There might have even been some “Go fuck yourself”s along the way, too.
That said, the highs were high and the lows were low. “I never cried on the job,” Lisa told me. But the tears would come once she was home in the evenings. Still, she persevered, and things got better and better for her.
One of her early favorite jobs was on the then-new California Academy of Sciences. Besides it just being a really cool building, Lisa got to do many different jobs all around the place. She says it was incredible watching it all come together.
Another job highlight was Lisa’s work on the arena that came to be known as Chase Center (and for Valkyries fans, “Ballhalla”). Photos of Lisa helping build Chase can be seen in the gallery to the left here. Another was Marin General Hospital. And then there was the Golden Gate Bridge.
After Chase Center and another, lesser job (and a divorce), Lisa got offered a job working on the Suicide Deterrent Net on my favorite bridge. But it wasn’t just any job. She would be foreperson. She didn’t think she could do it because she didn’t know bridge work (despite working a little on the new Bay Bridge). After being told it was foreperson or nothing, she decided to take the job.
Of course the crew she would oversee comprised all bridge-work veterans. Her approach was to be respectful of that. And her crew respected her back for it. The job entails taking out old pieces and beefing up the infrastructure of the bridge, which was finished back in 1933.
Lisa talks at some length about a societal need for us all to have more respect for labor. I’m with her 100 percent. There’s a lot that we take for granted every day, all over the place. Many people worked and still do work hard as hell so that we can have shit like roads and sidewalks, transit tunnels, housing, and so much more. We should recognize and respect that work.
We end the episode with Lisa’s thoughts about life, her work, and what she loves about San Francisco and the Bay Area.
You can donate to help fund Kat’s documentary at the Made of Iron website. And follow that adventure on Instagram @madeofirondocumentary.