The Rough Cut
Editor, Myron Kerstein ACE WICKED: PART ONE editor, Myron Kerstein ACE finds himself in the familiar positions of both cutting a musical and also collaborating with director Jon M. Chu. This is Myron's third musical in a row, following Lin-Manuel Miranda's tick, tick Boom! (2021) and Chu's IN THE HEIGHTS (2021). Prior to IN THE HEIGHTS, Myron first cut for Chu on his film, CRAZY RICH ASIANS (2018). Adapted from the venerable Broadway smash, WICKED: PART ONE follows the journey of a young woman named Elphaba. Misunderstood and often outcast because of her green skin, Elphaba forges...
info_outline Emilia PérezThe Rough Cut
Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job. For better or worse, neither did writer/director Jacques Audiard, himself new to the world of making a musical. It turns out, experience might be overrated, as the Netflix Oscar-hopeful has won over critics since its premiere at the 2024 Cannes Film Festival. Written and directed by Jacques Audiard, EMILIA PÉREZ is based on Audiard's opera libretto of the same name. Audiard's opera was...
info_outline A Real PainThe Rough Cut
Editor - Robert Nassau A REAL PAIN editor Robert Nassau might be Brooklyn's secret cinematic weapon when it comes to finding an editor who knows how to cut not-too-dark dramedies. And the seems to be what writer/director/actor Jesse Eisenberg was looking for when it came time to turn over the cutting room keys to his latest project. Premiering to much fanfare at Sundance 2024, A Real Pain is now delighting critics and audiences alike in its theatrical run. A REAL PAIN follows mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin) as they reunite for a tour...
info_outline Super/Man: The Christopher Reeve StoryThe Rough Cut
Editor - Otto Burnham Editor Otto Burnham took on the job for SUPER/MAN: THE CHRISTOPHER REEVE STORY knowing that he wouldn't be lacking for source material on his subject. Rather, the challenge would lie in processing the countless hours of material from Reeve's work and his life to find the real superhero within. Directed by Ian Bonhôte and Peter Ettedgui, who co-wrote the script with Otto, SUPER/MAN: THE CHRISTOPHER REEVE STORY is an intimate view into the life of actor Christopher Reeve. The film chronicles his rise to stardom upon landing the role of Superman in the 1970's,...
info_outline Joker: Folie à DeuxThe Rough Cut
Editor, Jeff Groth ACE JOKER: FOLIE À DEUX editor, Jeff Groth ACE had a tough act of his own to follow, coming off of his ACE Eddie and Oscar nominated work on Todd Phillips' JOKER (2019), but follow it he did. Directed by Todd Phillips from a screenplay he co-wrote with Scott Silver, the sequel follows failed comedian Arthur Fleck as he struggles with his dual identity. While incarcerated at Arkham State Hospital as he awaits his trial, Arthur meets the love of his life, Harley Quinn. JEFF GROTH, ACE Having worked previously with Phillips on such films as THE HANGOVER III...
info_outline ChallengersThe Rough Cut
Editor - Marco Costa CHALLENGERS editor Marco Costa knew one thing going into Luca Guadagnino's recent tennis movie, and that's that Luca didn't know anything about tennis. Luca would explain to Marco that this film isn't about tennis. The incredibly kinetic action in the tennis sequences that Marco cut say otherwise. CHALLNEGERS stars ZENDAYA as Tashi Duncan, a former tennis prodigy turned coach and a force of nature who makes no apologies for her game on and off the court. Tashi is married to Art, a champion on a losing streak. Tashi’s strategy for her husband’s redemption...
info_outline Saturday NightThe Rough Cut
Editors Nathan Orloff and Shane Reid SATURDAY NIGHT editors Nathan Orloff and Shane Reid team up for the second time in 2024 with their latest Jason Reitman / Gil Keenan project about NBC's long-running sketch comedy show. Having previously cut GHOSTBUSTERS: FROZEN EMPIRE together, the pair developed a strong working relationship that certainly came in handy when Shane had to do double duty between this project and DEADPOOL & WOLVERINE (2024). SATURDAY NIGHT is a frenetic dramatization of what happened behind the scenes during the ninety minutes leading up to the first broadcast of...
info_outline MegalopolisThe Rough Cut
Editor - Cam McLauchlin MEGALOPOLIS editor Cam McLauchlin had no idea what was waiting for him on the other side when he knocked on Francis Ford Coppola's door. Now that Coppola's decades-in-the-making passion project has become a "surreality", McLauchlin still can't quite explain everything that took place in the making of this film. One thing is clear to Cam however, this was Francis's vision and Francis IS "Cesar Catalina". MEGALOPOLIS takes place in a somewhat alternate universe, where New York City is New Rome, and stars Adam Driver as Caesar Catalina, a brilliant artist, who...
info_outline IndustryThe Rough Cut
Editor - Kyle Traynor Although INDUSTRY editor Kyle Traynor joined the series already in progress in its sophomore season, by season three he would be given the cutting room keys to half of the season's episodes, including both the series premiere and its finale. Created by Mickey Down and Konrad Kay, INDUSTRY follows a group of young graduates competing for a limited number of available full-time employment opportunities at Pierpoint, a top investment bank in London. The graduates include Harper Stern, a Black upstate New York native who uproots her life in pursuit of success despite...
info_outline Rez BallThe Rough Cut
Editor - Jessica Baclesse REZ BALL editor, Jessica Baclesse says she got the job for the film through a chance encounter with a not-so-stranger across a crowded room. Random or not, Jess already had plenty of editing experience under her belt, including time logged cutting a big sports movie with Michael B. Jordan's directorial debut, CREED III (2023). REZ BALL was directed by Sydney Freeland and co-written by Freeland and Sterlin Harjo (RESERVATION DOGS). It tells the story of the Chuska Warriors, a Native American high school basketball team from New Mexico who, after losing...
info_outlineEditor - Terilyn A. Shropshire, ACE
TWISTERS editor Terilyn Shropshire has more than a few action movies under her belt, but those films mostly featured action in the style of man (or woman) vs. man; films like THE OLD GUARD and THE WOMAN KING. This time Teri takes on Mother Nature in a film where the visual effects are front and center in the set pieces.
A standalone "spiritual" sequel to TWISTER (1996), TWISTERS tells the story of scientist and storm chaser, Kate Cooper. Haunted by a devastating encounter with a tornado, Kate gets lured back to the open plains by her friend, Javi, to test a groundbreaking new tracking system. She soon crosses paths with Tyler Owens, a charming but reckless social-media superstar who thrives on posting his storm-chasing adventures. As storm season intensifies, Kate, Tyler and their competing teams find themselves in a fight for their lives as multiple systems converge over central Oklahoma.
TERILYN A. SHROPSHIRE, ACE
Award-winning editor Terilyn A. Shropshire has risen to the pinnacle of the editing world over the course of her long career, consistently working on a broad range of films with the industry’s foremost filmmakers. Shropshire’s success spans many forms and mediums, and always accumulates accolades from both the industry and critics alike.
Among Shropshire’s longtime collaborators is award-winning director/writer/producer Gina Prince-Bythewood, having worked with her closely since Bythewood’s classic debut, “Love & Basketball.” Shropshire most recently worked with Bythewood on “The Woman King,” for Sony’s Tristar Pictures. Among the many accolades Shropshire received for the film include an American Cinema Editors Eddie nomination for Best Edited Feature Film Drama Theatrical and winner for Outstanding Editing from the Black Reel Awards. Other collaborations with Prince-Bythewood include the influential features “The Old Guard,” “Beyond the Lights,” and “The Secret Life of Bees.”
Shropshire’s storied career also includes a number of films with long-time collaborator, Kasi Lemmons – the classic Southern drama “Eve’s Bayou,” along with “The Caveman’s Valentine,” “Talk to Me,” and “Black Nativity.”
In 2019, Shropshire received an American Cinema Editors Eddie nomination for her work on Part 1 of Netflix’s four-part miniseries “When They See Us,” directed by Ava DuVernay. Shropshire earned an Emmy nomination for her Lifetime Achievement Award Tribute to Sidney Poitier for the 74th Annual Academy Awards and an ACE Eddie Award for the Jamie Foxx-starring crime drama, “Redemption: The Stan Tookie Williams Story.”
Teri serves on the Board of Governors at the Academy of Motion Picture Arts and Sciences and the Board of American Cinema Editors. Shropshire is a member of the Academy of Television Arts and Sciences and the Diversity Committee of the Motion Picture Editor’s Guild. She is the recipient of the 2021 Sundance Institute/Adobe Mentorship Award for her commitment to supporting the future’s rising stars in the craft. She earned dual Bachelor of Arts degrees in Broadcast Journalism and Cinema at the University of Southern California.
Editing TWISTERS
In our discussion with TWISTERS editor Terilyn Shropshire, we talk about:
- Soundtracks for stormy weather
- Cyclonic oners
- A need for editorial amnesia
- "Teri-nadoes"
- The kiss that never came
The Credits
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