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Architecture as a Society-Making Tool, Told From a War Zone

Women in AEC: Wine After Work

Release Date: 09/16/2026

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Women in AEC: Wine After Work

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Women in AEC: Wine After Work

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More Episodes

Architecture is usually discussed as a service. A client has a need, a firm delivers a building, everyone moves on to the next project. Dr. Marwa Al-Sabouni makes a harder argument. She says the built environment is one of the strongest forces shaping whether people in a place trust each other, and that the consequences of getting it wrong can take generations to show up.

She would know. Marwa is an architect based in Homs, Syria, who stayed through the war and wrote about what she was watching in real time. In this episode she and Bryce talk about how decades of zoning and redevelopment separated communities that had lived together, what she believes reconstruction actually requires, why identity and beauty are structural concerns rather than decorative ones, and what it means to keep practicing architecture in a place where the profession's stakes are impossible to ignore.

This one is for architects, engineers, and firm leaders who want a bigger frame on what their work does after the ribbon is cut. It's also for anyone in AEC who has started to wonder whether the profession they trained for still means what they thought it meant.

About Dr. Marwa Al-Sabouni

Dr. Marwa Al-Sabouni is an architect, urban thinker, author, and international speaker based in Syria. She holds a PhD in architectural design and Islamic architecture, and her work brings together sociology, contextual and psychological analysis, and aesthetics to make the case for architecture as a society-making tool. She is the author of The Battle for Home (2016), Building for Hope (2020), and Mosque (2026), published internationally by Thames & Hudson, and a chapter-author in the Getty publication Cultural Heritage and Mass Atrocities (2022).

Her writing has appeared in RIBA Journal, Architectural Review, Standpoint Magazine, the Victoria & Albert Museum, the ICRC Journal, Renovatio, Middle East Eye, and others. She received the Prince Claus Award in 2018, was named to the BBC 100 Women list in 2019, and won the World Monuments Fund Watch Award in 2023. The Battle for Home was named one of the Guardian's best architecture books of 2016, Prospect Magazine named her one of the top 50 thinkers in the world, and Architectural Digest listed her among the top contenders for the 2018 Pritzker Prize. Her TED talk has been viewed over a million times.

  • Instagram: https://www.instagram.com/marwaalsabouni/?hl=en

  • LinkedIn: https://www.linkedin.com/in/marwa-al-sabouni-44a07b21/

What We Cover

  • Introduction and Marwa's background as an architect in Homs

  • How the built environment shapes trust between neighbors

  • What happened to Homs before the war, and what the design decisions had to do with it

  • Writing The Battle for Home from inside the conflict

  • Why identity, beauty, and belonging are structural concerns and not decorative ones

  • What real reconstruction requires, and how most rebuilding efforts get it wrong

  • Mosque (2026) and what a single building type reveals about a whole society

  • Practicing architecture when the stakes are impossible to ignore

  • Advice for architects and engineers who want their work to matter more

  • Where to find Marwa and closing thoughts

Key Takeaways

  • The built environment is not a neutral backdrop to social life. Zoning, density, and material choices change how likely people are to know and trust the people around them.

  • Beauty and identity are not budget line items to cut first. They are part of what makes people willing to stay somewhere and take care of it.

  • Reconstruction that ignores what a place meant to the people who lived there rebuilds the buildings and loses the community.

  • Architects have more influence over social outcomes than the typical scope of work suggests, and that influence operates whether or not anyone claims it.

  • A career in this industry gets more durable, not less, when you can name what your work is actually for.