loader from loading.io

How To Question Your Audience

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Release Date: 04/14/2025

Presenting During The Time Of Cancel Culture show art Presenting During The Time Of Cancel Culture

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

“That has to come out”.  “Why?”.  “It might offend women in the audience”.  “But this example is totally in context with what I am saying”.  And so it went on.  This was my first bruising encounter with cancel culture.  Living in Japan this third time since 1992, I have been outside the cancel culture debates sweeping America.  Until now.  The speech I was going to give would be videoed and go global, including to America.  Perplexed, confused, insulted – these were the emotions I was confronting upon hearing I had to make that...

info_outline
Gold Medal Winning Mistakes When Presenting show art Gold Medal Winning Mistakes When Presenting

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Our event speaker was a well-coiffed and well appointed senior executive in one of the world’s biggest corporations.  The topic was on building your personal brand. A good crowd had turned out to pick up some pointers.  Anticipation gradually turned to disappointment though, as the talk unfolded.  The slant taken was how to project your brand “within” this gargantuan monster. How to climb their thousand foot high greasy pole.  As with other luncheon speaker events, you had a chance to meet people beforehand and then engage with your table mates over the meal.  I...

info_outline
Ineffective Persuasion Techniques For Presenters show art Ineffective Persuasion Techniques For Presenters

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

This is horrible.  Man, this is so bad, what were they thinking?  I am watching a video of a leader asking for some major changes to the organisation’s finances and he is doing a woeful job of it.  They have a dedicated Coms team, there are talented people in the leadership group, so I am asking myself how could this train wreck come to pass?  I was also thinking, “you should have called me, I could have saved you a lot of wasted opportunity with your messaging”.  Too late now, the video is out there for all to ignore.  This is a classic case of people who...

info_outline
When To Fake It When Presenting show art When To Fake It When Presenting

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

It makes sense to be authentic when presenting, because this is the easiest state to maintain.  As someone wise once noted, “if you are going to be a liar you need a stupendous memory to keep up with who you told what”.  Presenting is something similar.  Maintaining a fiction in front of an audience takes a lot of skill.  In fact, if you have that much skill, why worry about faking it in the first place?  Well, there is a place for fakery when presenting, but we need to know when is appropriate. We know that the way we think about things influences how we well we...

info_outline
When Using Storytelling In Business Don’t Lead With Your Insights show art When Using Storytelling In Business Don’t Lead With Your Insights

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

When I read this quote from Nobel Laureate Herbert Simon from 1971 that “ a wealth of information would create a poverty of attention” I thought about its ramifications for presenters.  Today, we are firmly swimming against a King tide of information overload, so Simon’s dystopian prophecy has come to fruition.  This is the Age of Distraction for audiences.  They are gold medal winning poor listeners and yet we have to present to them.  We know that storytelling is one sure fire way to snaffle their attention and yet that path is littered with landmines. Very few...

info_outline
Presenting When Your Organisation’s Leaders are Struggling show art Presenting When Your Organisation’s Leaders are Struggling

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

The largest meeting venue in the office complex was big enough to handle hundreds of people and it was packed. This presentation involved all the senior heads of the Department going through their strategies for the coming year. One after another, we took to the stage and spoke about our areas of responsibility. I was one of the five who spoke. My turn came after a particular colleague who was a numbers wiz, a brainy technical expert. He didn't like the way I presented. He went around telling other colleagues I was all style and no substance. I just laughed when I heard that flat earth...

info_outline
Business Storytelling For Fun And Profit show art Business Storytelling For Fun And Profit

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

I listen to some podcasts on writing, trying to better educate myself on the craft.  I was hopeless at English at school, so the rest of my life has been a remedial fix in that department. Fundamentally, these podcast authors are aimed at fiction writers, rather than non-fiction scribblers like me.  A lot of what we do in business on our dog down days may seem like we are living a fiction, when the numbers are not there or the results are dragging their sorry backside along the ground.  Despite these self-recriminations about our situation, we are in the non-fiction storytelling...

info_outline
How To Question Your Audience show art How To Question Your Audience

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Presentations have become tediously monochrome.  The speaker speaks, the audience sit there passively taking it all in.  After the speaker’s peroration, they get to offer up a few questions for about 10 to 15 minutes or so and then that is the end of it. With the pivot to online presentations, the fabric of the presentation methodology hasn’t changed much.  We sit there peering at the little boxes on screen, hearing a monotone voice droning on. We listen to enquiries from others submitted beforehand or we may actually get an open mic opportunity to ask our questions...

info_outline
Breaking The Rules By Choice, When Presenting show art Breaking The Rules By Choice, When Presenting

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Many people break the rules of presenting, usually unknowingly.  They have Johari Window style blind spots, where others know they are making mistakes, but they themselves are oblivious and just don’t know.  This is extremely dangerous, because when you don’t know, you keep hardening the arteries of your habit formation. It is diabolically difficult to break out of those habit patterns once formed because you become comfortable with sub-standard performance.  On the other hand, breaking them for effect, is very powerful and can be a tremendous differentiator in a world of...

info_outline
The Incredible Leverage Of Speaking show art The Incredible Leverage Of Speaking

THE Presentations Japan Series by Dale Carnegie Training Tokyo Japan

Bonseki is a Japanese art creating miniature landscapes, on a black tray using white sand, pebbles and small rocks.  They are exquisite but temporary.  The bonseki can’t be preserved and are an original, throw away art form. Speaking to audiences is like that, temporary.  Once we down tools and go home, that is the end of it.  Our reach can be transient like the bonseki art piece, that gets tossed away upon completed admiration, the lightest of touches that doesn’t linger long.  Of course we hope that our sparkling witticisms, deeply pondered points and clear...

info_outline
 
More Episodes

Presentations have become tediously monochrome.  The speaker speaks, the audience sit there passively taking it all in.  After the speaker’s peroration, they get to offer up a few questions for about 10 to 15 minutes or so and then that is the end of it. With the pivot to online presentations, the fabric of the presentation methodology hasn’t changed much.  We sit there peering at the little boxes on screen, hearing a monotone voice droning on. We listen to enquiries from others submitted beforehand or we may actually get an open mic opportunity to ask our questions directly, although that has been rather rare.  We may be directed to the chat to make our question known to the organisers.  The formula is basically the same and has been the same since our antediluvian origins.

Why can’t speakers vary their presentations to sometimes include more interaction?  Why does it always have to be the same format?  Obviously, we have to pick our moment to go off piste.  The audience composition, the topic of the talk and the organiser’s latitude for doing something different, will be factors for consideration.  One of the tricky aspects of asking questions of your audience is getting people to contribute and to do so in a way that they can be heard by everyone.  The obvious answer is to have a team of your people armed with handheld mics, which they can ferry at warp speed to the individual asking the question.  Here is a word to the wise.  You should choose who you want to question, but also allow some free styling as well. Events where the guests are seated at round tables are great for this and long rows of schoolroom type seating are not.

We are not switching the presentation to a continuous dialogue with the audience – that is a different type of presentation altogether.  I am talking about livening up a standard presentation with more interaction with the audience.  The reason you select the people is because it allows you to control the affair more closely.  It is also more surgical.  You know who is in the room and there may be some people who are very well informed, articulate and confident.  That type of individual would be a prime target.

We have five arrows in our question quiver.  If we want a yes or no answer then the Closed Question is ideal.  It might be regarding a fairly macro question, that would have relevancy for everyone in the audience.  “Should Tokyo continue to pursue the holding of the Olympic Games this year?”, would be an example. In this case, we can ask the entire audience the question.  We can ask for a show of hands as to whether they agree with the point or not?  I have been to some events where two sided paddles have been distributed to each seat beforehand, with one side saying “Yes” and the other “No”.   A simpler method is just ask those who agree to raise their hands, then after that, ask those who disagree to raise theirs. Everyone can clearly see the survey results immediately in real time. 

The Open Question cannot be answered by a “Yes” or a “No” and requires an actual answer. “What do you think about ….”, “How do you feel about …?”. This is why selecting your interlocutor is a good idea.  If you select one of the punters at random, you may be putting someone on the spot. Next thing they are spluttering away lost and wholly embarrassed. They will hate you for it forever.

If only you are selecting the people, then there is the suspicion you are using sakura or stooges in the audience, whom you have cunningly planted beforehand.  So it is also wise to open the floor up as well to those brave and informed enough to offer their opinion.  Don’t worry if no one goes for it, you have at least demonstrated your embrace of true democratic ideals of free speech.

If the opportunity presents itself, we can ask a Follow-Up Question to take the discussion down a few more layers for deeper insight.  Often people will give a high level answer and it is more interesting to get them to go further with their thinking, experience or detail.  We have to be careful this doesn’t become a dialogue though between some person in the audience and the presenter. The danger is everyone else is sitting there bored out of their minds and feeling excluded.   Probably one of those follow-up questions per talk is about the right distribution.

From within these dialogues, we can take a person’s viewpoint and Floodlight it to the entire audience.  We can ask those who have had a similar experience to raise their hands.  Now we have switched from the micro discussion between two people to a macro level of involvement of the whole audience.  This is a good way of overcoming the feeling of exclusion by those listening.

We can also go the other way and Spotlight a question.  Someone made a point and we can then call out someone else in the audience for their experiences.  We have to be careful we don’t ignite a war of words between the members of the audience.  Rather than call for their opinion or views or evaluation of the previous speaker’s comment, we should ask what has been their experience.  This will keep the potential fireworks contained for the most part.

One thing to note is when we ask people for their comment please have patience.  Once we ask the question, don’t expect an immediate answer.  People process these issues at different speeds and so if there is a silence, let it hang there for at least 15 seconds. Don’t jump in unless you have to, in order to allow that person to gather their thoughts and respond.  If they are obviously lost, then rescue them and give them a question which they can easily answer to save face.  We need to select people carefully and if it is not the best selection, then we have to have a Plan B.

Questions have potential to engage with our audience and create more interaction.  We must plan it carefully though, because it could lurch into a train wreck.  Planning and good preparation are the keys.