Smack My Pitch Up
NSFW Smack My Pitch Up 97 - Mad Max: Kronk's New Dystopia Transcript at the bottom of show notes Hobbit and Thandi strap in for a diesel-fueled ride through remakes and remixed of Mad Max! Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Forever Believe" "Bustin Loose" and "Hi Fi Brutality" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. ...
info_outline Freejack: Orphans of a Nihilistic GodSmack My Pitch Up
NSFW Smack My Pitch Up 96 - Freejack: Orphans of a Nihilistic God Transcript at the bottom of show notes Hobbit and Thandi enter the spiritual switchboard to remake and remix the 1992 dystopian sci-fi film Freejack starring Emilio Estevez, Anthony Hopkins, Rene Russo, and Mick Jagger Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "The Voyage" "Corporation Motivation" and "Assassins" by Jason...
info_outline Red Heat: Republican MustacheSmack My Pitch Up
NSFW Smack My Pitch Up 95 - Red Heat: Republican Mustache Transcript at the bottom of show notes Hobbit and Thandi start a new cold war as they fire of remakes and reimaginings of the 80's action classic Red Heat starring Jim Belushi and Arnold Schwarzenegger. Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Bustin Loose" and "Assassins" by Jason Shaw () These works are licensed under a...
info_outline Fatal Attraction: Stuck In CrazySmack My Pitch Up
NSFW Smack My Pitch Up 94 - Fatal Attraction: Stuck In Crazy Transcript at the bottom of show notes Hobbit and Thandi visit one of the greatest sexy thrillers of all time as they try to suppress their... Fatal Instinct Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" and "A Darker Heart" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. ...
info_outline The Rock: Jared Leto Ripped In HalfSmack My Pitch Up
NSFW Smack My Pitch Up 93 - The Rock: Jared Leto Ripped In Half Hobbit and Thandi are finally back! They head to Alcatraz Island to remake and reimagine the 1996 Michael Bay action extravaganza, The Rock Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Assasins" and "Bustin Loose" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. "Steve...
info_outline Beverly Hills Cop: Fatal InstinctSmack My Pitch Up
NSFW Smack My Pitch Up 92 - Beverly Hills Cop: Fatal Instinct Hobbit and Thandi head to Beverly Hills to stick bananas in tailpipes and solve some crimes! Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Opus One" and "Assassins" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. "Steve Combs Through" Theme by Steve Combs Attribution 4.0...
info_outline Condorman Fringe (Mash-Ups)Smack My Pitch Up
NSFW Ep. 91 - Condorman Fringe (Mash-Ups) Thandi and Hobbit put on matching outfits, and try to start a gang of street tuffs. Subscribe: A new mini-sode format on "off" weeks on the Smack My Pitch Up stream! Mike the Hobbit and Thandi pitch a mash-up story with the previous episode's film/show Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" by Jason Shaw () These works are licensed under a Creative Commons Attribution...
info_outline The Warriors: Practical Decisions (For My Thug Family)Smack My Pitch Up
NSFW Smack My Pitch Up 90 - The Warriors: Practical Decisions (For My Thug Family) Hobbit and Thandi click their heels together and wish for some actually good remakes of The Wizard of Oz Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" and "The Voyage" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. "Steve Combs Through" Theme by...
info_outline Mash-Up: Chubby Grandad MatineeSmack My Pitch Up
NSFW Ep. 89 - Mash-Up: Chubby Grandad Matinee Thandi and Hobbit follow the yellow brick road to a land of unspeakable horrors! Subscribe: A new mini-sode format on "off" weeks on the Smack My Pitch Up stream! Mike the Hobbit and Thandi pitch a mash-up story with the previous episode's film/show Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" by Jason Shaw () These works are licensed under a Creative Commons Attribution...
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NSFW Smack My Pitch Up 88 - The Wizard of Oz: Bleak Like Kansas Hobbit and Thandi click their heels together and wish for some actually good remakes of The Wizard of Oz Subscribe to Smack My Pitch UP! Check out tons of merch for the GUI Network on TeePublic: GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" and "The Voyage" by Jason Shaw () These works are licensed under a Creative Commons Attribution 3.0 Unported License. "Steve Combs Through" Theme by Steve Combs Attribution...
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Smack My Pitch Up 90 - The Warriors: Practical Decisions (For My Thug Family)
Hobbit and Thandi click their heels together and wish for some actually good remakes of The Wizard of Oz
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Auto-Transcript:
0:05
the views and opinions expressed on smack my pitch up are those of the panelists and not that of the gui media
0:11
network or associated brands and sponsors listener discretion is advised this
0:17
podcast is rated r for violence language and nudity because clothing is a prison
0:23
and society will not cage me
0:34
in a world with too many reboots and remakes two men will stop at nothing
0:39
to make it even worse this is smack my picture
0:47
[Music]
0:59
hello geeks and welcome to another episode of smack my pitch up the podcast that reboots remakes reimagine sequel
1:05
cycles and adapt some of your favorite and least favorite properties from film and television and what have you and as
1:10
always i got my co-host here dandy
1:21
that line is so iconic there are people that have never even heard of this movie that know that line
1:27
yeah it is it's crazy it was been parodied a lot of places too you know like several generations of parody
1:34
without context so somebody saw the parody and then the person who grew up with the parody not
1:40
the original was parodying the parody so i i feel like it's old enough and cult classic enough that people know
1:47
it from that like kind of like soylent green as people yeah exactly people know the line without the context and that's a feeling
1:54
that i'm starting to get with a lot of movies that i grew up with where we were making a direct reference from the movie but then movies have now made references
2:00
from the movies you grew up with and the younger generation are making references from the references and it's so removed
2:07
that they're like what what do you mean batteries not included i don't know what that movie is you know there's
2:12
there's this disconnect and yeah i guess it's pop culture hurting our feelings yeah exactly
2:18
and this was one of those movies that it didn't quite hit the uh the popular culture of things but it
2:25
absolutely did uh find its way into the the zeitgeist a little bit
2:30
uh yeah very very cult classic very cold classic we're of course talking about the warriors from uh oh god when did
2:37
this come out like 78 81 81 oh wait it's like well maybe it was because i did i did
2:43
see something saying it was released in the late 70s but i also saw something that said it was released in 81 so it
2:49
could have been 78 i think there's a re-release it's not a huge release so some of those movies the technical
2:54
release date depends on where you were and uh what what you call official but
3:00
it hit oklahoma in 81 exactly right yeah the midwest finally got to see what it was like on the tough streets
3:07
[Laughter] yeah the the interesting conception of the tough streets uh
3:13
walter hill the director of this did a lot of interesting tough streets conceptions uh he was the director of
3:19
streets of fire which if you have not had the chance to see streets of fire it's
3:24
criminally unknown like it the movie nerds know it but that's about it and it is
3:30
incredible it's it is interesting it is interesting uh the warriors also has just some some
3:37
things that uh borderline exploitation like crime gritty movies weren't really doing at
3:43
the time uh like matching outfits that wasn't really yeah it's it's conception of of what
3:50
street toughs are is uh is interesting the whole thing is very village people if you take
3:57
every scene in an 80s movie like a popular 80s movie uh where there's like a punk on a bus or
4:04
the subway that's like he mean give me them groceries man and he has like a
4:09
switchblade and everybody's got a switchblade i always got a switchblade and he's like you're interested in the switchblade with your outfit and he's
4:15
like tough punk uh that is what this movie is basically it's just a bunch of
4:21
switchblade fighting movie and it's it's gang warfare but all the gangs are
4:26
various theater kids right it's like if the jets and sharks invited all their other animal friends over
4:33
to have a dance party um panthers wow yeah right
4:39
so there's a number of different gangs in this now the basic set up this movie if you're not familiar and it's not a complicated plot so i would say that
4:46
even if you haven't seen this i'd say check it out if you can before this recording but it's not there's no heavy twists
4:52
that happen here that uh that you're gonna be you're gonna be ruined for you by no it's it's
4:58
very straightforward pretty straightforward there's all these rival gangs that have been fighting in the
5:03
streets of new york forever and there's one gang uh with one leader who is
5:09
trying to unite the gangs they're like we are more powerful than the cops if we work together and a lot of these gangs
5:16
are on board they're like you know what that's fair um as long as we get our cut we're good they all meet in what central park to
5:24
have this conversation something like that something like central park have this conversation that's uh the line can you dig it comes from
5:33
that moment it's brilliant it's it's incredible it's kind of awesome yeah yeah
5:38
and i'm getting like revved up in those scenes whenever i watch it like even re-watching it for this episode i was
5:44
just like oh yeah let's take on the cops [Laughter] um
5:50
but then yeah there's there's a gang that decides that they're gonna [ __ ] with [ __ ] and they they killed dude they
5:56
killed the the the can you dig it guys cyrus take a guy yeah he has a name i know he does uh
6:02
it's cyrus cyrus that's right the murder immediately gets blamed on the warriors
6:07
which are from coney island which if you are familiar with new york is very far away from
6:12
central park it's on the other side of the city it's uh that's how you can have a
6:18
gauntlet yeah exactly you can't have a gauntlet if it's like the next two stops over that they go that'd be like the short
6:24
film version of the warriors where they get off like two stops down the subway they fight like one gang
6:30
and that's it boring movie uh so yeah yeah there's there are 25
6:35
gangs in this movie that are mentioned by name i did not go through the 25 for
6:42
the uh yeah it's so ridiculous it is so like i know it's supposed to be gritty and
6:49
maybe it it represents the grim and gritty of the era but it's so it's a
6:54
silly ass it's really a silly ass movie it's silly yes it's very very silly
7:01
it's one of those movies that somebody saw like a clockwork orange in the 70s and they're like
7:06
gangs with costumes that's brilliant let me make it gritty so that it fits into new york city and then there's either
7:13
the better they watched batman 66. right they're like oh look at the henchman that's great yeah imagine just a bunch
7:19
of henchmen gangs running running around and it's just people like face paint and like matching outfits and it's very
7:26
wonderful and it's silliness but it's not gritty really it's got a couple moments but for the most part
7:33
so the warriors are on their way to coney island they're trying to make it home where they see it as safety and in
7:38
the meantime uh the gramercy riffs who are the gang that are kind of organizing all the other gangs who has cyrus who
7:45
who gets killed uh there they believe that it was the warrior's fault there's a dj that's speaking on
7:52
the radio letting people know where the warriors might be and there's like a price on their head and everybody's trying to get the
7:57
warriors where in reality the rogues are the gang that uh
8:03
that killed cyrus and are responsible for it the rogues are trying to kill the warriors before the warriors can rat out
8:10
the rogues remember because intrigue because did the
8:16
warriors know directly before the end of the movie like other people did the the the warriors know that the rogues were
8:22
the ones who killed sorry i don't think they did if i remember i think they did see them
8:28
kill yeah because they were right next to the rogues that's why the rogues blamed the warriors is because the warriors saw them do it
8:34
if i remember yeah but they never mentioned that they never mentioned that the rogues are the ones who did it until
8:40
the end of the movie where the rogues show up and they're like they're like why'd you do it man and and i thought it was context that
8:47
yeah no it was not mentioned before then i don't think but uh i i love the greatest excuse ever i actually do like
8:52
this because it's like people just do dumb [ __ ] sometimes he's like we just we just felt like it like it
8:58
wasn't politically motivated it wasn't because they disagreed with cyrus they were like we just like doing stuff like
9:04
that yeah he's he's the i like to do bad things kid yeah great yeah he's he's the
9:09
kid that likes to burn stuff and you're like burning stuff he was like because it's fun you're like okay cool
9:15
yeah that dude was ridiculous that actor was ridiculous he was having so much fun in that role and i think it's part of
9:22
the reason why this movie is a classic but with this i mean this is such a irresponsible film to try to remake
9:29
because of the number of people that are in this it's such an ensemble piece yeah i hated that i hated that so much uh so
9:36
much i had to take a totally different approach to my normal style of casting which then also changed kind of my ideas
9:43
on what to do with this film so i have two [ __ ] weird choices here uh for my
9:48
re remaking or reima definitely a reimagining of the warriors here did you
9:53
kind of stick to i don't know like nice costumes and and grit or what
10:00
is it a 70s period piece or did you modernize this uh so
10:05
my film is modernized it still moves in the same way like
10:11
if the script were beat for beat it would basically be the same movie but it's modern and the context of everything is
10:17
completely different okay uh my context is definitely different as well uh i think
10:24
the the like gangs thing is i don't know how that really translates to 2022
10:30
really had to try problems with the the whole conception as well like um the big thing for me was and i don't know even
10:37
what it's like in the modern time but there was a switchover from and this was before the warriors
10:43
before the warriors period of time there's a switch over from street gangs being uh just a group that
10:49
either protected their turf or their neighborhood and then might have done like stick ups and like petty larceny or
10:56
whatever to being the protection arm of the drug trade is what street gangs
11:01
became became more organized and more like more martial basically
11:09
they're not the same thing like the fact that there's only one or maybe two guns in the whole movie
11:15
just super odd to me and the fact that these gangs aren't
11:21
organized around anything like gangs are organized around yeah turf or territory or whatever but it's around acquisition
11:28
in the modern time it's about protecting the money coming in from the drug trade so yeah it felt like nonsense to me it
11:34
felt like it was probably people remembering the new york of a different time
11:40
like in new york city in the city proper i'm sure that there were like housing developments and projects and stuff
11:45
where people of various races were kind of crowded together poor people but i feel like a lot of the white folks moved
11:52
out of those areas way before the warriors period of time sure so you
11:58
have gangs that are very racially centralized um like i was
12:03
talking to my girlfriend she's from new york about what street gangs look like in her era and she's like no it was as far as is
12:10
white people coming together to do a thing gang wise it was mostly like we hate
12:17
the other people that live in the other areas that's what their gangs came around yeah came together around so
12:23
yeah the white gangs were the ones that had like surprisingly short haircuts
12:28
yeah they're like like italians or skinheads yeah yeah pretty much uh yeah that was kind of a challenge to
12:34
figure out how to do that i think i found my lead in is that they don't i guess gangs but not like street gangs i
12:41
is that the difference there that i did is um i'm sure yes there are still uh gangs
12:47
there are groups of people that commit crime uh but it's not the same as it was like
12:52
this movie portrays like it was in the 70s or the 80s it's it's a survival tactic and also like not
12:59
something that i really want to sensationalize in that way and well you know the book was written in the mid 60s and it's probably based off
13:06
of a conception of gangs from like the fifth from the fonzier because you know fonzie was basically in a street gang a
13:13
so it is it's based on a conception that is rooted in even an even older
13:18
conception of what street gangs and gang crime is sure when you're looking
13:24
at post-world war ii there were a lot of uh soldiers that came back from the war that felt kind of directionless and
13:30
also had that taste of like normal life just didn't really fit into their experience anymore and so that's when
13:36
the birth of like biker culture bikers yeah and you're seeing a lot of people like um
13:42
picking up all the what they have and going on the road and joining other bikers and getting by
13:48
through yeah drug trade was a big part of it um arms dealing was a big part of it
13:54
and uh that fed into gangs in general to have some sort of like affiliation
14:00
uh but yeah that that was by the 70s and 80s that level of like having a brand
14:07
uh got to at best having like a common color that was like to represent who you
14:13
affiliate with but besides that it was not some you know stenciling logos on backs of jackets and [ __ ] like that was
14:19
not unless you were a hell's angel but by then it was like an incorporated brand
14:24
sure the hell's angels by the 70s the hells angels were literally but literally did security for
14:30
a rolling stones concert so that's uh it's different animal uh not
14:36
to say that they there weren't still and still are some things probably going on in that
14:42
realm that are uh not not exactly above board but oh they controlled the meth trade back then um but yeah they i mean
14:49
the the guys in the gang got older it became no longer just a street gang you got to make practical decisions for your
14:55
thug family yeah exactly practical decisions for my thug family yes um
15:01
so for mine i i'm just gonna dive into mine because uh it shouldn't take too long there's a lot
15:07
a lot of names to list but uh i decided instead of casting in the way that i normally do where it's the main
15:13
characters going through and just hitting seven of the you know most important
15:19
characters it was the different groups that were kind of important in this like swan is important he's the leader of the
15:24
warriors and all that but like he's he's not that important you know like the the the gang is the important
15:31
part their their affiliation together how they fight together and so i thought yeah how can i incorporate
15:37
groups of people that i we know that are familiar with one another in a way that
15:42
they're the different gangs and then i started thinking about anchorman uh and the famous uh anchorman fight
15:49
between all the different news channels and i'm like there's something there brilliant there's something there
15:54
uh and so i decided that the the bringing in swinging will smith too yeah exactly right
16:00
he's mysteriously absent from this adaptation um so my idea is that we said it in modern
16:06
day new york where the splinter factions that we deal with aren't street gangs at this point but political affiliations
16:13
and more so than any other uh overarching politic
16:19
group is like democrats and then left-leaning tend to have very specific
16:24
things that they're fighting for whether it be legalization of marijuana or or are gay rights or uh the green new deal
16:32
and all of these are very important but they're so fractured from one another that there's not a lot of chance for
16:37
them to get along and actually like join together and do something um there's a lot of a lot of infighting that's
16:43
happening so i'm taking the inspiration from the original warriors and applying it to a fractured um and broken
16:50
political system and uh infighting that happens uh within a singular party and
16:56
uh so these are all different groups that um are supporting
17:03
different like lobbies that are fighting in new york city there's a big protest happening uh to fight against like an
17:10
oncoming war that should be happening you know that we're about to go into and whether or not to go into war and whether or not uh to
17:18
take money out of certain budgets and lobbyists are going crazy and it's kind of like seattle uh back when the
17:25
wto was doing stuff and there was like oh yeah the other the no go zone or whatever yeah so it's got that kind of
17:32
energy going on for it and it's just these like politicos it's lobbyists it's uh it's politically motivated people
17:38
reporters that are all kind of part of these different groups and so the warriors are actually just like the
17:44
seasoned um like activists and uh and lobbyists that are like
17:50
trying to do like the green new deal they're trying to like protect the environment they've been through it
17:55
they've they've been ridden hard and put away wet they're uh but they're still like in the game
18:01
they're they're not burned out yet they're still believing what they believe in the gramercy riffs are like the old head near retirement they're
18:08
trying to get the new big hitters in town to like rally together to try to actually stand up together and get stuff
18:14
done uh the rogues are just the like i would say wall street bro type uh
18:21
lobby contingency uh-huh that yeah just very kind of woeful wall street uh you
18:28
just like really uh alpha male energy you know toxic male kind of vibe to them
18:34
then there's the turnbull acs which the only thing that they had going for them in the original
18:40
i think it was the bus right yeah they were like bald the slow moving bus the slowing boss of bald dudes i think was
18:46
the only thing um so sure we'll just make them we'll make
18:51
them all balding but prematurely balding not like shaved head balding but like
18:56
horseshoe balding yeah like me yeah yeah and then we've got the
19:02
orphans um which are just like a kind of a gaggle of the leftovers that get thrown
19:07
together of just all the the forgotten ones and then the baseball furies these are the the big badasses the billy
19:14
badasses of uh the groups that are coming after the the warriors uh they're
19:20
uh big tobacco they're big firearms they're the big heavy duty lobbies that
19:27
are coming after them then we've got the lizzie's and that is [ __ ] hats that is women's rights uh
19:35
body autonomy like stuff that you know what's that like uh second wave feminism
19:40
i think so yeah yeah something that's what's funny is a lot of the stuff is stuff i actually like do care about and
19:46
do believe in but tone is to be this like absurdist lens on
19:53
extreme micro advocacy where it's this one one issue and that's the only
19:59
issue that i'm going to focus on and no other issue and then everything else becomes almost a a challenge to you your
20:05
voice being heard um is kind of the point of this film so just to go through so it's a political
20:10
film it's making some political points about like sometimes you've got to be able to compromise with people to get anything done
20:16
and sometimes it's with people that you actually agree with you just have to like give just enough and but it's also going to be very funny
20:23
uh for the warriors i am getting the a few of the regular hitters from the
20:29
jud apatow crew to show up for this uh we've got seth rogen jonah hill jay barachel
20:36
martin starr jason siegel and christopher mintz ploss as the warriors
20:41
yeah that's that sounds about right yeah yeah i could see that
20:47
and they're they're they're like the the new hot kids in town uh they still they haven't burned out quite yet but they're
20:53
seasoned enough that people know not to mess with them you know they got that green new deal energy you know um
20:58
[Laughter] and then the gramercy riffs the old heads the ones that you know
21:04
can tell them young whipper snappers a thing or two uh about what it's like in the in the uh trenches we've got
21:10
the adam mckay crowd uh we've got will ferrell paul rudd steve carell tim meadows vince vaughn
21:18
and john c riley i'm loving it so these are you know comedic actors that i've
21:23
loved for decades that are you know in their 50s or 60s and
21:28
have served their time for sure but still keep coming out and just killing it killing the game so i feel like this
21:34
movie got made a decade ago and i missed it i just missed it uh then we've got the the rogues and
21:41
that's the uh wall street energy douchebro kind of vibe and i thought it
21:48
would be really fun to see what broken lizard could do with that so we've got uh jay chandisekar kevin heffernan paul
21:55
stoder steve lemmy eric still uh stalansky and and then threw in brian
22:01
cox for good measure uh since he was in in super troopers just to be the like douchebag
22:08
slick back hair like lobby for wall street kind of deal with the jp morgan and uh lobbyist
22:15
people in the uh in the movie gordon gekko american psycho energy yeah
22:20
and just let him just let him go big let him just do [ __ ] all of that and i
22:25
think it would be they would have so much fun with it and i'm here for it
22:30
uh then we've got the turnbill acs these are the balding ones and uh they're gonna be awkward and weird um and
22:39
not in a lot of the movies so i wanted a contingency that can do a lot with a little uh so i decided to do mike judges
22:46
uh regular hitters from some of his movies so we've got ron livingston
22:51
jason bateman tj miller thomas middle ditch kumail nanjiani and jimmy yo yang as the
22:59
uh as the turnbull ac's that's awesome i think your movie just got cancelled just
23:04
got cancelled because of tj miller
23:10
damn dude well trust me like this is a budget they wouldn't be able to afford anyway with all these
23:16
are you kidding me um you can shoot the movie then you have to go back and replace uh tj miller with
23:22
tig notaro after the movie's already shot you have the green screen take notaro in
23:27
i would make the accidental choice of just replacing uh tj miller with all the footage they took out of aquaman two of
23:33
amber heard and then they have to replace that
23:39
she's a monster uh then she should she should have been on the uh on the the rogues team i think
23:45
uh with all the wall street dudes if if uh we're talking monsters here but uh oh yeah yeah so that's the
23:52
turbulencies the orphans i wanted the weird ones that they're they're funny they're uh they're
23:58
respected but they're definitely not playing in the same spaces of comedy as
24:04
the uh as the other people like apatow and mckay they can kind of like intermingle broken lizard can jump into
24:09
some stuff but uh wes anderson's tribe is doing a totally different type of comedy uh than
24:15
the rest of them it's like affluent quiet white humor and uh
24:21
so for for that of course wes sanderson's regular hitters jason schwartzman bill murray luke and owen
24:26
wilson angelica houston and willem dafoe as the orphans uh gang
24:32
[Laughter] the geriatric or the geriatric performance
24:39
we're looking for mummies and daddy i just want to see like bill murray sitting there just like eating a bag of
24:44
popcorn and then jason schwartzman just like we just need to be taken seriously and it was like you're not you're not
24:51
i'm sorry [Laughter] uh then the baseball fury's this was very fun to cast
24:58
because there are a few comedic actors that uh are also like built like a brick
25:05
[ __ ] house um or actors that can do comedy really well that are very
25:10
very muscular and so i just like it was just all carrot top infinite carrot top just one carrot top
25:16
actually i did add him to this so good good on you
25:21
[Laughter] it's carrot top terry crews uh chris hemsworth
25:28
dave bautista john cena and the rock yeah how perfect can you get i mean and
25:34
i think i even listed them from like small to big [Laughter]
25:40
yeah i think it would be just really funny that they've got that like badass energy where they're just
25:45
they're coming after them with baseball bats and they've got their faces half painted and they're coming after the uh the warriors uh during this whole like
25:53
standoff thing that's happening yeah it's just the the biggest action stars that and carrot top that you could
25:59
hope for [Laughter] and then finally that's too scary for this fun movie yeah no [ __ ] right could
26:05
you imagine being like the [ __ ] mike judge crew and then and then
26:11
the the baseball furies show up uh like all like 18 feet tall like brick [ __ ]
26:17
house having jason bateman trying to talk him down right and and ended up ending up looking like
26:24
the dave chappelle attacker oh [ __ ] like he comes off as condescending even when he doesn't
26:30
intend to be so yeah yeah that's not well that's his bag that's his uh his acting bag that's nice niche you're
26:37
you're uh your group's bard uh that's not who you send out to negotiate
26:42
uh finally we got the lizzie's and so i just i picked some like amazing uh comedic actresses to be in the lizzie's
26:49
gang uh so of course tina fey and amy pola are in there that seemed like a no-brainer we also got kristen wiig
26:56
rashida jones leslie jones and christian stahl and nice i think for even as smaller role as the
27:03
lizzie's role is that powder keg of funny would probably be the scene stealer in a [ __ ] half
27:09
against all these other ones that are like trying to individually smirk at the screen those ladies would just [ __ ] blow it
27:15
out of the park i think um yeah at this because this is really interesting are you imagining this as a
27:21
series of comedic encounters with each one individually or does the overarching
27:27
plot have them all come together and be like um part of the whole story
27:32
um i was thinking that the barest of chances of this being made uh having
27:37
individual encounters is a better choice because there's a lot of favors that can be called in for this kind of movie that people would be like okay so it's only
27:43
like four days of shooting yeah i can i can block off four days to come in there and just do like you know a 10-minute
27:50
scene and then call it a day uh and you've got enough people that i mean imagine two hours of this i mean if this
27:57
was all on the screen at the same time for even a ten minute portion of this movie it's
28:02
too much it's too many [ __ ] people it's it's the most expensive movie ever made with
28:07
no cgi exactly so individual individual experiences a
28:12
little bit of overlap just like in the original movie that i think it's what the orphans and the lizzies i think
28:18
are around each other at the same time there's some back and forth of course the gramercy riffs and the rogues and the warriors
28:24
are all there at the same time so there's some of that but um also you're seeing like broken lizard
28:30
the adam mckay crowd and the judd apatow crowd all on the screen at the same time just doing their thing would be [ __ ]
28:36
amazing oh definitely it would be interesting to kind of play up what was so
28:43
funny about the anchorman fight scene who uh adam mckay is the
28:48
director that seemed like a no-brainer it's political it's funny um he did anchorman as well
28:54
and you play up the political angle you play up the the silliness that was in the anchorman fight scene but then with
29:01
these little individual dips in between the fights where you have these actors being able to just have their like spotlight moment
29:08
where they just do like a riff they do a thing they have like a smaller not group ensemble moment and just let them cut
29:14
[ __ ] fly and i think you're gonna get some magic out of it um you're gonna have some actors for sure that are like worth way
29:21
more than they're getting on screen where they're on there and they have like one line and that's it and the joke
29:26
is that they're there and they have one line yeah so but but with uh with an adam mckay movie where
29:34
i think he does a lot of even though it's scripted letting people just do their thing
29:40
and so people are that are very experienced as actors tend to bring out their natural charm
29:47
if they know they make them under their money off of doing their natural charm thing so yeah i think that would work out and i
29:53
was extraordinarily well you're getting these improvisational actors they're all good at improving on set
29:59
and you get them to face each other in like a standoff fight uh so they're gonna be doing that same
30:06
thing with their wit as well and just bringing like just trying to outdo each other with the most ridiculous [ __ ] you
30:11
can think of um so i i could see this being just like almost too funny
30:18
with the just like there wouldn't be the breaks that you need in between laughter because everybody's just like going full
30:23
speed ahead with this so i don't know too many big guns trying to out shoot each other exactly yeah so
30:28
i kind of want to see what that looks like and it might be a train wreck but [ __ ] it will be a fun train wreck
30:34
yeah so so it's it's basically the warriors plot but instead of like gangs fighting over who killed the uh
30:43
the cyrus it was bringing all the gangs together it was a you know a politician that was shot and it being blamed on
30:50
the warriors contingency of like green new deal people and uh them trying to get away while
30:57
other people are trying to use them getting caught as like an angle for their own advocacy that they're doing so
31:03
they're everybody's trying to and of course instead of the radio dj person it's a it's a [ __ ] like
31:08
alex jones live streamer type that's out there just trying to like chase him down on live tv
31:14
so and you can even have yeah as jk simmons uh and he could do basically the same thing he's doing in
31:20
the spider-man universe right now uh that's who came to mind immediately yeah well you know that's how they did
31:26
politics in the gangs of new york era anyway so they're and even after that
31:32
there's a president for that kind of thing politics through the the bat
31:37
through this the stickball bat and there's still some countries that do that so
31:42
oh yeah yeah sometimes ours yeah uh well i mean the way things are going but that's a that's
31:48
a different podcast [Laughter] uh so yeah that's my my [ __ ]
31:55
train wreck of a uh comedy take on the warriors what do you got for yours all
32:00
right so like i said i i really had some trouble uh latching onto this and it was
32:05
the whole gang thing just didn't work for me so i uh
32:10
i kind of called an audible and uh you know if you've never listened to our podcast before we do
32:17
some mashups as part of the uh the format so i just i just decided to start with the mashup okay
32:23
basically my movie is a sequel to the purge movies
32:29
it's okay the purge the warriors and
32:34
so you'll see some characters from some of the other one characters just particular but you'll see some characters from some of
32:40
the other purge movies come in and basically in in response to the purge day um and
32:48
the new founding fathers initiative to you know purge sin through excess
32:54
groups have sprung up in various communities that their whole thing is they train all year to protect their
33:00
community like gangs like gangs of old they're they they just gather together to
33:06
protect their community they're marshall they're well trained uh they're ready to to kill on purge night
33:12
because you can but in defense they're not going out and killing random people sure they're killing in defense of their
33:18
community and as this movement has grown to have like a community defense force basically
33:24
the community defense force is loosely organized in a specific area they have a community
33:30
meeting of the community defense forces under those circumstances
33:36
the leader of the community defense force in that area which is loosely around new york
33:41
gets murdered uh the leader gets murdered off-screen because the leader is uh the leader of what was
33:48
functionally that in the actual purge movies and that actor is dead um
33:53
it was michael kenneth williams was uh carmelo johns and in the purge anarchy
33:59
he was like the the quiet viral leader of an anti-purge movement okay yeah so uh he was the he's
34:08
the head of this this organizing principle he's murdered they think it's the warriors who were
34:14
just another community defense force it wasn't the warriors it was a plant
34:20
gang so somebody who else somebody else who looks like a community defense force but is not
34:27
they are placed there by the money and influence of the founding fathers to
34:32
shake up and destroy the organization of these uh community defenders i
34:38
i don't know that seems a little more complicated than i don't know we just like doing stuff like that [Laughter]
34:46
so they uh they spend the night trying to both fend off purgers
34:53
both individual and organized and other community defense forces that are coming after them for killing uh
35:00
carmelo johns um so as
35:05
uh my warriors as the leader of the g-riffs or that they're just called the geores
35:10
or not the gramercy riffs uh is um a character who was in was it called
35:16
the first purge he rose over the course of movie from being a gang leader to being like a
35:22
leader leader oh right okay putting him in a position that he was probably
35:27
doing something like this after that movie uh is ilan noel dimitri
35:33
uh i forget what his character's name is but he will be the leader of the gramercy riffs so everybody
35:38
you know the scenes that cut back to him as they're trying to find the warriors to the e through the evening that'll be
35:44
him nice and then for my warriors this is what made this project
35:50
difficult i already was having trouble latching on to it and then finding these appropriately young actors for like a
35:57
gang style thing uh it it hurt it broke me
36:03
but uh going through the characters uh first cast i cast rembrandt uh rembrandt is significant to me in the
36:12
original warriors movies because the actor that played rembrandt is one of the two actors that i actually
36:18
recognized from that movie uh and he played one of the members of the bloodhound gang on three two one
36:24
contact really like yeah he was one of the members of the bloodhound king so pbs guy
36:30
uh very gay unfortunately died of aids in like 86.
36:35
oh so he was taken way too soon but uh as rembrandt
36:41
we have jaden smith so he's the tagger guy jaden smith as vermin
36:48
who was a significant character he didn't do a specific thing he was just around for the the full movie uh we have
36:55
from cobra kai uh he plays robbie is tanner buchanan okay yeah
37:01
uh as ajax who is the rapist dude who got off really easy in the warriors
37:07
like when the police came and got him i was like wow you got off really easy because you could have easily been murdered by anybody in this
37:13
entire movie including your own guys and nobody would have batted an eyelash um
37:19
and actually james remar i believe is the actor who played him and that's the only other actor i recognized
37:25
in the warriors um he's played a bunch of stuff he was like raiden to
37:30
and um mortal kombat annihilation oh wow i think i blocked all of that movie out of
37:36
my brain at this point he was the uh he was the alfred like character in uh the black lightning on
37:42
the black lightning tv show he's been in a bunch of stuff throughout his career but uh as ajax i have cameron monahan
37:51
now you probably don't know that name because i only recognized him from one thing but he was
37:57
basically the joker on gotham he played a character called jeremiah and then later on he played jeremiah's twin
38:03
brother after jeremiah was murdered and they're both basically proto-jokers yep
38:08
so he's ajax as swann i have uh somebody a little bit more famous
38:14
one direction's harry styles is swan wow and you may know him as
38:22
uh star fox from the eternals if you were able to sit all the way through that boring ass movie uh he was in
38:28
dunkirk and i'm sure he's been in some other stuff but those are his big appearances uh dunkirk and and the eternals two
38:35
slow-ass movies although i will say though dunkirk was slow still very i like dunkirk a lot i liked it a little
38:41
bit it's beautiful it's very slow-paced but it's technically style over substance like like
38:47
uh what's his face um his clockwork movies that is like the uh the apotheosis of
38:55
of the the clockwork nature of the movies that he makes and i i love it i
39:00
think dunkirk is awesome um for cochise which was the black guy who got more
39:08
screen time than the other black guys uh we have [Laughter]
39:13
none of them had like a super significant role but cochise is the black guy who got the most screen time of out of all the black guys that's
39:19
what's funny is like this is like gangs in the like late 70s early 80s in new york city
39:25
and like cyrus is a black dude that's like bringing all the gangs together with like can you dig it and they're
39:30
like sure yeah no i can like four other black dudes
39:36
well the the the leader of the uh the initial leader of the warriors was black but they take him off they like just
39:41
take him out they take him out and he's taken out off screen yeah like you're like this guy's significant
39:47
give him at least a warrior's death or something no they just they just take him out and he's just gone from the
39:52
movie he demanded too much services so they just kicked him off the movie [Laughter]
39:59
you had two hot dogs you're only supposed to have one and a fruit cup he's like i want two fruit cups
40:05
you're out we got swan to do it you were supposed to leave pineapple for everybody else you took too much pineapple but as my
40:12
cochise uh ashton sanders uh ashton sanders played the middle age version of
40:20
uh sharon from moonlight so you have the the little kid version the high school version the adult
40:27
version he was the high school version okay okay i mean he's like 28 or something now but
40:32
at the time you know he was he was very young um as mercy and in my movie mercy is
40:38
actually a member of the warriors she's not like a prostitute that they kind of bring in or is fawning after one of
40:45
their warriors as mercy i have yara shahidi who is uh yeah
40:50
she's from blackish and uh what's her show grown-ish grown-ish yeah i think i've cast her in
40:56
a couple things great actress um yeah especially very pretty and uh yeah she's a good actress the
41:01
only other person i cast is the villain the main villain which is luther
41:07
and that is uh montana jordan and he's the older brother on young sheldon
41:13
i've not watched a single moment of young sheldon so i have no frame of reference
41:18
i've seen a little bit but uh at that point i was flat you know how hard it is to like just recognize actors as they're
41:25
growing like unless you watch tv because that's where these people start i don't watch any tv then you don't
41:32
get to see these actors grow to the point where they get to take on movie roles and uh so
41:38
finding actors under 30 i was going to say like under 25 but now it's like fighting actors under 30 is hard as [ __ ]
41:46
yeah well especially uh the actors that under 30 that are you know worth their their salt uh you
41:53
don't want to keep reusing them and stuff you need a bigger cycle of and just younger
41:58
actors there's the ones that everybody pins their stuff to and then there's all the other actors that are in like one thing and you don't know the face and
42:05
it's it it takes time for somebody to uh to find their project that boom blows
42:11
them out across the landscape but basically uh in my movie
42:17
in my story the warriors do survive the night at the end of the movie uh
42:23
as the the purge end of the purge clackson is ringing
42:28
they find and kill not just the warriors but all of the community organizations find and kill the
42:35
infiltrators knowing that they were actually the ones who uh killed the cyrus character
42:41
carmelo johns nice the purge is over the traitors have been dealt with
42:47
happy ending no because the new founding fathers uh drone strike the area that all of the
42:54
community uh leaders are in and kill them because the purge must continue and they're the
42:59
people in power so sure that that's the end of the movie damn you nuked him
43:05
yeah did you just pull the end of the return of the living dead movie or just just nuke him that's fine
43:11
so i've got this thing where it and it's it's not healthy but i feel like just uh
43:18
a sad ending or an unhappy ending is more satisfying because it feels more genuine i get that so you notice with a
43:25
lot of my movies they they all end like oh we're gonna have a great time everything's oh no
43:31
oh no now that's that's bad everything's bad it's like there are as it should be there are two different types of people
43:36
and there's a different ending to the movie brazil for each one of them
43:43
the happy ending and the definitely not happy ending so yeah awesome i dig that i disappointed myself
43:50
on the fact that i didn't think of the purge at all when coming up with concepts for this because that's such a
43:56
that's such a obvious uh turn you know that you can yeah it's
44:02
it's a good modern fit in my mind but like i said i was just i was having trouble wrapping my mind around this
44:07
this ancient concept of what street gangs are and it just made it hard to
44:13
it made it hard to do this for me i'm like if we make a warriors movie about street gangs i don't know what street
44:18
gangs look like in 2022 like they sell drugs and make money but i
44:24
don't even know what the culture looks like that surrounds that because i don't listen to the kids music you know i've
44:30
seen some of their rappers they don't look tough but i'm sure that anybody can be tough with a gun and yeah so i don't
44:35
know we are not of the age to be able to write like really affecting uh stories about like gang violence in america in
44:42
2022. like we're yeah we yeah we don't have that uh we could maybe make a movie about gang violence in the 90s as it
44:50
translates to 2022 and then it'd be all wrong and people would come and see it and be like what are you talking about
44:55
old man it would be funny basically like they did with the warriors yeah how out of touch it is would be pretty [ __ ]
45:00
funny um okay so we've got our real takes out of uh out of the way here i think both are
45:07
really interesting um plays on the warriors and also further proof of like this was a hard one to adapt
45:14
it is really it's a very period specific movie and so yeah try to put that in a modern light either that or you're doing
45:21
it as a period piece that takes place in like late 70s early 80s and in which case what are you doing to uh
45:27
improve the story like what are what are you doing if you're making it a period piece is there something else that wasn't said this is a pretty simple film
45:34
it wasn't trying to say a lot it was uh yeah if you make it a period movie it's the warriors
45:40
exactly so i don't want to say it's a perfect movie but it does what it does very effectively yeah and i don't think it
45:46
needs to be remade to be the same kind of movie it would need to say something else so
45:52
my remix definitely says something else and that's the next part that we're going into is our remix remix
46:00
wiki wiki i need to wear jackets so i can just do the zipper thing for the remix
46:06
we'll remember that for next time yeah i'm sure that will only be a help uh or some corduroy so you can wipe your
46:11
sleeves together and you know i used to do that when i wore corduroy back in my youth
46:17
it's a shameful it's an example of my oldness because i had corduroy as well okay cool
46:24
i think it's it's a place in time so my remix uh we are going to the land
46:29
of fantasy a little bit and i wanted to imagine what happens when you take the premise of the
46:36
warriors and you don't do a whole lot of difference to it but you make it in a more uh post-apocalyptic dystopian
46:43
environment and let's say if you were to uh look at
46:48
as a blueprint on how to do this movie uh beyond thunderdome that there's just these little burrows
46:55
in new york that are controlled by powerful uh divas that are
47:00
maintaining different boroughs of new york and they're fighting amongst one another until one diva stands up above
47:05
all of them and says we can work together and we'll have more power until somebody kills that diva and then it's
47:13
such a tragedy that uh the basically the whole world turns on that gang uh to try
47:18
to get them because the diva is dead and so you need a diva that that's a believable response that
47:26
if that happened to them the world would burn um it would just burn down
47:31
and uh so oh they killed beyonce that's yeah uh grammar series
47:36
uh osiris in this version of of this uh film is uh beyonce because i mean really
47:44
i was thinking of doing like a classic diva like a diana ross or a madonna or something but i wanted it to stay
47:50
relatively modern um with the characters and who's a bigger
47:57
diva like queen than beyonce and like no one other oh your breadcrumb controlled my mind and made me choose the right
48:03
answer um yeah beyonce like other divas bow to
48:09
her so um it's made sense that and also beyonce though very talented not a
48:14
terrible actress but also not the most historically uh involved in film she did an austin
48:21
powers movie and i think that was about it yeah beyonce was never uh a good actress
48:28
she's i don't think she had the potential to be a good actress yeah that's that was just i think we talked about this before but that's just not
48:33
her particular bag yeah so giving her a smaller role that's still very important
48:39
it made sense to me but uh the gangs i just took kind of like the
48:44
leaders of the gangs are they uh are the pop divas and then you fill them in with their dancers
48:49
as uh as the rest of the gang uh so this is gonna be a musical oh yeah 100 it's gonna be
48:55
musical um and so for the warriors i wanted yeah a
49:03
modern but relative still relatively seasoned uh pop singer that can you know maybe take the helm of like leader of
49:10
pop um as so many are wanted to do so gaga is uh the warriors i knew it
49:18
yeah a surprisingly good actress uh so she can deal with the amount of screen time that swan has uh for the warriors
49:26
he is a good actress yep and of course gaga is going to be part of this conversation when you're talking pop divas
49:32
for the rogues for the uh for the the gang that pinned the murder of beyonce on poor lady gaga
49:40
uh that was all billy eilish's fault feeling the new kid on the block that just likes
49:46
to cause trouble um we've got bailey because she likes doing stuff like that
49:52
yeah and then she's actually not bad when she was on snl she was actually pretty decent i was surprised no i
49:57
honestly like everything i've seen from her i think she gets picked on just because she's not really problematic like she's
50:04
she makes music with her brother and like is pretty chill
50:10
probably smokes a vape pen plays video games you know uh so for the turnbull acs that's the the
50:16
the bus band of of of narrative wells um i not for any particular reason aside from
50:23
that she had to be in this film and uh there wasn't anything about her specifically that fit any particular
50:30
uh grouping but i think she would have a lot of fun just doing a song behind a bus chasing down uh lady gaga would be
50:37
very funny um lizzo is the leader you know what's funny like i'm saying these
50:42
in my head as you're going through the situations and i picked that one too that is
50:48
see what that means is this is meant to be made this uh this pop diva post-apocalyptic warriors
50:55
remake needs to be made then we've got the the orphans uh you want somebody that's a little bit tragic
51:02
that is gonna feel like you know leaning against a window while it's raining kind of vibe to it uh as as the
51:09
orphans so of course i had to go with adele for that one oh yeah yeah oh yeah yeah
51:14
yeah yeah and then uh to counter that the baseball furies you you got aggro you got some [ __ ]
51:21
edge um a force to be reckoned with so rihanna
51:27
is uh the leader of the baseball furies oh she does have the energy she does she had well when you sing songs about whips
51:33
and chains exciting you uh you should probably have a little bit of that aggro edge and then uh the lizzie's
51:40
girl power uh in the warriors and uh in a movie that is all about girl power you
51:45
need somebody that is ultimate like [ __ ] like girl pop diva power so i'm uh i'm
51:50
bringing her back from a lot of challenges she's run into in the last few years britney spears is
51:56
leading the list oh and i own her a bone i well and i thought about turnbull acs but
52:02
considering they were all bald in the original movie i didn't want to make that the joke
52:08
if the leader of the bald group would be just a little too insensitive so
52:14
uh the lizzie's made made plenty of sense too so yeah britney spears uh welcome you are clearly if you're
52:20
talking about iconic pop divas britney spears is absolutely part of the conversation try to remember uh britney
52:25
spears has actually acted in stuff i think i think she was on a few things in her era
52:30
she was in a movie called crossroads where she
52:36
did a karaoke cover of i love rock and roll in the movie and when she was asked if she
52:42
had a choice in what song to sing in the karaoke scene um
52:48
she said yes um and i picked i love rock and roll because i love pat benatar
52:53
and that broke my heart as a joan jet fan so she was a young person she didn't know yeah she she was
53:00
like probably like 17 when that movie came out so can't hold too much of a grudge but yeah
53:06
so that's that's my pop diva post-apocalyptic musical and i actually found an actor that has worked with most
53:13
of these uh women on music videos and is also a very comp accomplished uh
53:18
director that has dealt with a lot of dystopian and post-apocalyptic properties so talk about a perfect
53:24
[ __ ] match um the director of hunger games catching fire i am legend
53:29
constantine mockingjay also directed videos for amongst a plenty of others
53:34
but shakira janet jackson jennifer lopez pink alanis morissette britney spears
53:40
avril lavigne gwen stefani and plenty of others is uh francis lawrence is the
53:45
director oh my so it was kind of like the perfect combination of things you've got dystopian you've got
53:51
post-apocalyptic you've got girl power girl powers yeah
53:56
it's it's kind of a no-brainer uh slam dunk there and francis lawrence and company if you think that this is
54:03
something that is worth going for um i can't write any music that's not my that's not my angle but if you can just
54:09
throw story by on there and throw me a few bucks i'll uh i'll happily give you the right you know that movie
54:15
would make so much money it would make so much money so much money it would
54:21
make incredible amounts of money it would be like the pop diva movie of all time it would be incredible
54:28
and the and the costuming i mean there'd be wardrobe people from every corner of
54:33
the earth trying to work on this set for all the the tina turner beyond thunderdome post-apocalyptic pop diva
54:41
energy would be oh my god incredible yeah i mean even if if each artist only
54:46
used their own like uh cadre of stylists there'd still be like a hundred thousand
54:52
people employed by this this movie yep that costume changes oh my god
54:57
ridiculous breakaway skirts like there'd be all sorts of crazy amazing [ __ ] that would be going on with this so um a
55:04
spectacle a spectacled scene that would be the weirdest choice this like 200
55:09
million dollar movie with the biggest pop divas of all time uh based on a
55:14
little indie uh cult classic film from the late 70s early 80s yeah
55:21
yeah you get some k-pop stars in there you have like a movie that'd be bigger than avatar
55:26
right oh no [ __ ] you get the and fair enough i'm not ever gonna [ __ ] with the k-pop stands yeah cool but you put your
55:35
put your folks in there that's great um or you just have a remake of this
55:40
movie uh with just the k-pop bands and there you go cool everybody's happy
55:46
yeah my my girlfriend would make me definitely make me see that movie with herself
55:52
so for your remix what are we looking at are you is there's a pop diva centric like mine or
55:57
oh it's so close it's so close but it's so not at all not even a little bit um
56:02
so for my remake i wanted to once again around the concept of where
56:09
people gathered to form uh coalitions of common interest
56:14
my movie is it's about gamers okay
56:19
and a third of the movie takes place in the real world
56:24
and and two-thirds of the movie takes place in the game um
56:29
the in the game portion will be strictly like um pixar level cgi
56:36
uh the in the world of portion will be really intentionally static and plain
56:42
the actors who live in the end of the world in the world portion
56:47
don't do anything like i want the the in-game portion to be big and bombastic with orchestral
56:54
music and special effects everything and then periodically the movie cuts to the
57:00
person at their computer kind of just sitting there like a lump like a computer zombie like pressing the
57:06
keyboard and grunting or whatever nice so it's kind of an irreverent gamer
57:14
comedy like in the vein of free guy but it's it's more crass it's meaner
57:20
in how it makes fun of the people in the real world but i want i want the the game portion to be like
57:27
ridiculous in how serious it takes itself it i want it to take itself so seriously that that's
57:33
funny that it's taking itself like it thinks it's so important i want that to be
57:39
the funny part of the game portion so uh it's a
57:46
it's like a world of warcraft style game um so high fantasy setting
57:52
people have their plans in this case the warriors the ones we follow are people from all over the world and
57:58
they're all kinds of people they're kids and old people and shut-ins even
58:03
business dudes and there is uh kind of a massively
58:08
multiplayer uh dungeon um challenge aesthetic where these teams can fight each other in game
58:16
uh what was that old whatever the less offensive version of smear the queer i don't know if you
58:21
remember that oh yeah that wasn't uh a great title of a japanese game but i'm sure that there's
58:27
a new title for what that is i don't know what it is like the fumble on fred or something i don't know yeah
58:34
so the uh the the the games uh server managers have made the warriors the ones
58:40
they they're the ones that everybody else is coming after uh in the process of this uh this
58:45
campaign for this evening so it's tense it's the warriors this clan of nine
58:51
versus the entire game world uh your clan has to be at a certain level
58:56
to be in that position because you have to be powerful enough to make it a fun game for everybody but just through the process of
59:02
attrition they die out throughout the evening you see very melodramatic moments of losing
59:09
characters that are like uh sad and in game the characters like crying and being like you will be avenged and then
59:16
you just cut to the dude in his room just click click click click click uh just like a little little drool like
59:23
off the corner of his mouth eating chips code red mountain dew yeah yeah
59:28
um so for my directors and there's only one reason i chose these
59:34
guys it was because of one episode of their tv show but it's trey parker and matt stone oh wow okay yeah
59:41
they did a world of warcraft episode of south park that might be one of the best episodes of that kind of tv ever made it
59:48
is hilarious it was so spot on in the moment of its time which
59:54
cartoons never do they're always like years behind um yeah i love that episode and it's very
1:00:00
funny i don't know if south park is still funny but at that time it was still very funny so
1:00:05
uh trey parker and matt stoner the directors i'm actually not using
1:00:11
any big name actors in this all the actors are voice actors like you could have big
1:00:19
name actors as the people that don't do anything sure i hadn't really considered it but the the funny part there would be that
1:00:25
they're there but they don't do anything that's not really yeah
1:00:30
but in the game world i'm i'm using actual voice actors because that's something that that people complain about all the time hiring big stars from
1:00:38
the age of aladdin from uh robin williams blowing that up and them not
1:00:43
doing you know robin williams is the exception but them not generally doing as well as an actual voice actor what yeah fair
1:00:51
so uh in game as swan i have troy baker huge antique voice actor and these
1:00:57
people voice acting is a profession where you voice act in tv and in games
1:01:02
some people are known more for their game voice acting some people are known more for their
1:01:08
their animation voice acting but troy baker is uh he's joel from the last of us but
1:01:14
he's kind of a young guy so he's also like a bunch of other stuff as a young guy's got like a lot of range nice um as
1:01:21
ajax i have nolan north nolan north was drake from the uncharted games but also
1:01:27
has a lot of rain so if you ever played the uh the the arkham city or arkham asylum games
1:01:33
he was the penguin he was cockney penguin oh wow okay yeah just a lot of range
1:01:38
uh as mercy we have tara strong tara strong is the
1:01:44
probably the biggest of the lady voice actors um
1:01:49
she's done so many roles i think the one that comes to mind immediately is that she is so uh tara strong is a
1:01:57
famous voice actor she's probably the most famous voice actress she was on powerpuff girls i believe she was raven
1:02:04
on teen titans go any number of things so she's my mercy but yeah just a bunch
1:02:10
of voice actors um providing actual voices as luther we have patrick seats who is like an anime
1:02:18
villain guy his his career is voicing anime villains nice uh and as cyrus i want to get this in
1:02:25
specifically we have kevin michael richardson and kevin michael richardson is like the default black guy on like um uh
1:02:35
lots of stuff anytime you hear a deep voiced black guy in kids animation it's kevin michael richardson he's uh steve's
1:02:42
high school principal on american dad okay that's kevin michael richardson nice
1:02:49
so my concept is is around those two it's around the cgi game world which is most
1:02:56
the movie the people at home just just being video games zombies
1:03:02
the night ends climactic battle celebration most of the warriors have
1:03:08
survived the night there's tears and drinking and much praise is given
1:03:14
and then we just have a montage of people signing out of their computers and just kind of sitting there with
1:03:20
their mountain dew and cheetos and uh and the movie just ends with these
1:03:26
people like looking at this blank computer screen damn so yeah you do like a uh
1:03:32
a sad ending for sure nice but i like that point that's coming
1:03:39
across is that yeah like all this jubilation all this excitement this you know amazing thing that occurred but in
1:03:44
the end of the day that's just a video game it's not giving your life any of that you know besides that very
1:03:50
temporary feeling of success and community and community and community
1:03:56
sure all right so we've got one last little bit to do before we get out of here and
1:04:01
that's our uh trailers i think uh mashing up the warriors will be very much fun to do
1:04:08
on on a mini episode moving forward in the future there's already like three or four ideas that are circling around in my
1:04:15
brain that are oh definitely pretty easy to combine so that'll be a lot of fun
1:04:20
but for our trailers i'm definitely doing the adam mckay one because the francis
1:04:26
lawrence one would require me to sing in a lady songs and that is not my strong not that i
1:04:32
wouldn't i absolutely would there's no fear about me singing lady parts and songs it's that i don't want to
1:04:39
like not have any audience left after this episode so i'm going to adam mckay it
1:04:45
up um are you doing your which one are you doing man um
1:04:51
i don't know i think it might be easier to find music for the purged one so i think i'll do the purge one okay cool
1:04:57
let me get that cued up [Music]
1:05:08
from the director that brought you don't look up the other guys vice
1:05:13
and anchorman comes a story of the fight that it takes to find
1:05:19
togetherness join director adam mckay as he weaves a tapestry of political intrigue and
1:05:26
infighting as one politician that can change everything
1:05:32
falls from grace with a bullet and the warriors are blamed for it
1:05:39
warriors played by seth rogen jonah hill chief aeroshell martin starr tracy siegel christopher vince floss and i'm
1:05:45
not naming all the people in this movie they are played by the robes played by
1:05:52
broken lizard and everyone involved with broken lizard uh they have to make their way to coney
1:05:58
island where their offices are are held before the streaming universe uh finds a way at
1:06:06
an angle to make them look even worse this is over political intrigue and
1:06:13
the comedy elite joined forces in adam mckay's warriors
1:06:19
take my money great i'm gonna slick back my hair for that screening
1:06:25
or a pinstripe shirt with a white collar and yeah the whole nine yard do the whole nine yards the combo that i never
1:06:32
understood at all is though the blue shirt with the white collar and uh and
1:06:38
the cuffs as well are white yeah weird that's a weird look i don't know why that's a thing that people do but
1:06:45
okay um i i guess so yeah universal sign that you know i have
1:06:50
money and probably that i'm old yeah definitely if you rock that look there's no youths out there wearing the
1:06:57
blue shirt with a white collar all right so you are doing you're doing
1:07:03
the purge one right i am doing the purge one i don't if i didn't mention it in the show because i
1:07:08
don't remember if i did my director is james demonico who directed the purge
1:07:14
trilogy and almost nothing else so yeah nice putting that out there excellent
1:07:19
cool well i am ready when you are let's do it cool here we go
1:07:29
america is the body the new founding fathers are the infection
1:07:34
and the cure is the warriors in the fight against the purge the
1:07:40
warriors and other community groups have come together to protect americans from
1:07:46
the purgers and the philosophies of the new founding fathers but in a terrible turn of events
1:07:53
the organizer of the community protection groups has been murdered and it's up to the warriors to defend
1:07:59
their name from the accusation of crime director james demonicos
1:08:07
the purge the warriors as jaden smith has rembrandt because he
1:08:14
can't fight tanner buchanan cameron monahan
1:08:21
harry star fox styles ashton sanders and yara shahidi
1:08:26
set out to defend their name from the violence of the purge and the violence
1:08:32
of their brothers in arms will they survive the knights in james demonic goes the purge
1:08:39
the warriors coming with some of them yay
1:08:45
that is a kind of a no-brainer combo i love that that's great ooh i struggled with that one
1:08:50
yeah this is definitely this was a uh knock down drag out uh battle for a remake and reimagining on this episode
1:08:57
but i think considering the circumstances we pretty did a pretty decent job i mean this is one of those
1:09:03
like almost unadaptable like or unmodernizable movies uh without it coming off as like
1:09:09
either completely tone deaf or uh or yeah old dudes writing stuff that
1:09:14
they don't have any understanding of so well yeah fully agreed no i came into this thinking i got nothing and i'm
1:09:20
actually very satisfied with the uh the outcome that's kind of the fun on these episodes
1:09:25
when it's like [ __ ] i don't know let's throw it up stuff on the wall see what sticks and uh we we saw some
1:09:32
warriors stick on this episode so if you liked this one if you liked other episodes of
1:09:38
smack my pitch up make sure to rate review subscribe anywhere you can do that follow the other shows on the geeks
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and well-being i turned over the rain well not over the rains but i handed some of the rains over to tandy for our
1:10:01
uh twitter account so engage us engage us yes and uh also
1:10:07
tandy you have a other podcast that you do that people should check out my handle is jonathan
1:10:13
blade i actually just released an episode this week uh this week's conversation is tech not
1:10:19
really a conversation it's just me be bopping and skating about tech but it's very interesting to me so hit me up
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check me out excellent my handle is jonathan blade sweet make sure to rate and review and subscribe to that one as
1:10:33
well and we'll find you next time for another episode of smack my pitch up thank you so much for sticking around uh
1:10:39
we'll find you next time and uh you you you came out to play with smacks of
1:10:45
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