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What the Pro Public Speakers Do

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Release Date: 11/05/2023

384 Japan’s Ageing Workforce: Why “Recruit and Retain” Must Include Seniors show art 384 Japan’s Ageing Workforce: Why “Recruit and Retain” Must Include Seniors

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

What problem is Japan actually facing with its ageing population? Japan is ageing rapidly, and most of the attention goes to welfare, health, and pension systems. The less-discussed problem is what to do with the “young” oldies—people reaching 60, the retirement age, while still having decades of life ahead of them. Because many are healthy, active, relatively digital, and well-connected, therefore they do not fit the old model of “retire and disappear”. They also believe the government pension system will break down under the weight of their cohort’s numbers, therefore they do not...

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383 Screen-Based Strong Messaging: How to Sound Credible on Remote Calls show art 383 Screen-Based Strong Messaging: How to Sound Credible on Remote Calls

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

What makes screen-based messaging harder than in-person presenting? Most people already struggle to get their message across in a room, and the screen makes that challenge harder. Because remote delivery removes many of the natural cues we rely on in person, a mediocre presenter can quickly become a shambles on camera. The danger is that people imagine the medium excuses weak messaging or amateur delivery, but it does not. If you have a message to deliver, you need to do better than normal, not worse. The screen also pushes you into a close-up. The audience sees your face more than your...

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382 Consensus Selling: The Invisible Decision-Makers Behind The Meeting Room Wall show art 382 Consensus Selling: The Invisible Decision-Makers Behind The Meeting Room Wall

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Why does a request for a proposal in Japan not always mean you are winning? In Japan, reaching “please send a proposal” can feel like major progress, because it sounds like interest. But the request can also be a polite way to avoid a direct “no”. Because Japan is a very polite society, a blunt refusal is often uncomfortable, so people use indirect ways to close a conversation without confrontation. Therefore, if you automatically treat the request as a buying signal, you can waste hours producing a proposal that was never going to be acted on. The practical takeaway is to treat the...

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381 Why Japan’s Talent Crunch Makes Retention a Core Strategy show art 381 Why Japan’s Talent Crunch Makes Retention a Core Strategy

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Why is “recruit and retain” becoming the central talent strategy in Japan? Japan faces a demographic crunch: too few young people can meet employer demand, and this shortage has persisted for years. Since 2015, the shrinking youth population has pushed competition for early-career talent higher. With a smaller talent pool, every hiring decision carries more risk, and every resignation hits harder. Turnover among new recruits has started climbing again. A few years ago, more than 40% of new recruits left after training; the figure now sits around 34%, and it may rise further. Companies...

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380 Control the Narrative: What Buyers See Before You Meet show art 380 Control the Narrative: What Buyers See Before You Meet

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Why do clients “check you out” online before the first sales meeting? Buyers now assume that everything about us is only a few mouse clicks away, so online “checking you out” happens before the calendar invite becomes real. Because this scrutiny is routine and increasing, therefore your credibility is being scored before you speak a word in the meeting. The script frames this as a certainty for salespeople: prospects will look at your social media and search results to decide who you are and whether you are worth their time. Because the check happens before the conversation, therefore...

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379 Why Your Posture Is Important When Presenting show art 379 Why Your Posture Is Important When Presenting

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Why does posture matter for presenters on stage and on camera? Answer: Posture shapes both breathing and perception. A straighter posture aids airflow and spinal alignment, while signalling confidence and credibility. Because audiences often equate height and upright stance with leadership, slouching erodes trust before you say a word. Mini-summary: Straight posture helps you breathe better and look more credible. What posture choices project confidence in the room? Answer: Stand tall with your chin up so your gaze is level. Use intentional forward lean and chin drop only when...

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378 The Foreign Leader In Japan show art 378 The Foreign Leader In Japan

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

  Why do “crash-through” leadership styles fail in Japan?  Force does not embed change. Employees hold a social contract with their firms, and client relationships are prized. Attempts to push damaging directives meet stiff resistance, and status alone cannot compel people whose careers outlast the expatriate’s assignment. Mini-summary: Pressure triggers pushback; relationships and continuity beat status. What happens when a foreign boss vents or shows anger? Answer: It backfires. Losing one’s temper is seen as childish and out of control. Credible leaders stay...

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377 Curiosity, Then Context: The Smart Short Pitch show art 377 Curiosity, Then Context: The Smart Short Pitch

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

Why use a one-minute pitch when you dislike pitching? Answer: In settings with almost no face-to-face time—especially networking—you cannot ask deep questions to uncover needs. A one-minute pitch becomes a bridge to a follow-up meeting rather than a full sales push, avoiding the “bludgeon with data” approach. Mini-summary: Use a short bridge pitch when time is scarce; aim for the meeting, not the sale. When is a one-minute pitch most useful? Answer: At events where you are filtering many brief conversations to find prospects worth a longer office meeting. You do not want...

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376 In Japan, Should Presenters Recycle Content Between Talks? show art 376 In Japan, Should Presenters Recycle Content Between Talks?

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

 Yes—recycling is iteration, not repetition. Each audience, venue and timing change what lands, so a second delivery becomes an upgrade: trim what dragged, expand what sparked questions, and replace weaker examples. The result is safer and stronger than untested, wholly new content. Mini-summary: Recycle to refine—familiar structure, higher quality. How can you create opportunities to repeat a talk? Answer: Negotiate for tailoring rather than exclusivity. Many hosts want “unique” content; offer contextualised examples, revised emphasis and organisation-specific language...

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375 Mentoring Under Pressure: How Bosses in Japan Make Change Work show art 375 Mentoring Under Pressure: How Bosses in Japan Make Change Work

The Cutting Edge Japan Business Show By Dale Carnegie Training Tokyo Japan

In Japan, why is “capable and loyal” no longer enough? Answer: Technology, the post-1990 restructuring of management layers, and globalisation have reshaped how work moves in Japan. Because hierarchies compressed and expectations widened, teams now face faster cycles and more frequent transitions. AI will add further disruption, so stability must be created by leadership rather than assumed from tenure. Mini-summary: Hierarchy compression + globalisation + AI = persistent change; leadership provides the rhythm that tenure used to provide. In Japan, what should managers do first...

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   When you see someone do a very good presentation, your faith in public speaking humanity is restored.  There are so many poor examples of people killing their personal and professional brands with poor public speaking skills, it is refreshing to see talks done well.  It is not that hard really, if you know what you are doing and if you rehearse and practice.  This is where the majority of lousy, boring and uninspiring speakers trip up.  They don’t rehearse or practice. Instead, they just unload on their poor unsuspecting audience.  Here is a pro hint.  Never practice on your audience!

 The global CEO of a major pharma company jetted into town recently and spoke at a chamber of commerce event.  The presentation was well structured and flowed in a way that was easy to follow.  The slides were professional and clear.  He spoke fluently, wasn’t reading from any script and instead was talking about the key points up on screen.  When we got to Q&A, he repeated the question, so that everyone could hear it and then answered it.  He did that while addressing the entire audience, rather than just speaking to the inquirer.  When he did not have the information referred to in a question, he admitted it straight up, without trying to fudge it.  This is not an admission of weakness, rather it builds trust and credibility.

 I doubt he did any rehearsal for that audience, because it was a stump speech he has given so many times he was entirely comfortable with the content.  Could he have done better?  Yes, he could have added more stories into the presentation.  A few vignettes from the exciting world of white lab coats, where they were developing new medicines to save humanity, would have been good.  He could have delivered it with a bit more passion.  It was professional, but it came across as a stump speech.  He was supremely comfortable delivering it and that is one issue we have to be alert to.  When we are too comfortable, we can sometimes slip ourselves into cruise control mode.  We should keep upping the ante each occasion, to try and see how much further we can push ourselves as presenters.

Another function I attended was an industry awards event and the main VIP guest made some remarks before announcing the winners.  Humour is very, very hard to get right.  For every professional comedian we see on television, there are thousands waiting tables and trying to break into the industry. When you see humour done well by a public speaker, you are impressed. 

You need to have material that is funny for a start.  Then you have to be able to deliver it so that people laugh.  This sounds easy, but as professional comedians know, the timing of the delivery is key.  So are the pauses and the weighting of certain key words.  It has to be delivered fluently, so no ums and ahs, no hesitations, no mangling of words.  Getting the facial expressions to match what is being said is also tricky. 

Our humorous VIP was delivering some lines that he had used a number of times before, so he knew his material worked.  It is always good when big shots are self depreciating.  We can more easily identify with them, when they don’t come across as taking themselves too seriously.  “I am good and I know it”, doesn't work so well with the rest of us.  How do you become humorous as a speaker?

Where do we acquire our humorous material?  We steal it.  Our speaker had probably heard those jokes somewhere else and just topped and tailed them for this event.  Very cleverly, he made them sound personal, as if these incidents had really happened to him.  This is important in order to build a connection with the punters in the audience. 

So, when you attend an event and you hear someone make a good joke or tell a humorous story, don’t just laugh and reach for another chardonnay.  Quickly write it down and later start using it yourself.  The secret though is to practice that humourous telling on small audiences, to test you have the delivery just right.  The cadence is important and that takes practice.  I would guess our speaker had told those jokes many times before.  It is fresh for us, but for him it was well within his range of capability.  This is what comedians do.  They introduce new material in small venues, filter out what doesn’t work and then they bring the best gags to the big stage.  We should do the same. 

Another place where we can find humour is in what we say that makes an audience laugh.  When I returned to Japan in 1992 as a diplomat and Trade Commissioner, I was called upon to do a lot of public speaking in Japanese.  I began with constructing jokes that I thought were humourous.  This was a pretty bold step, because I had no track record in being funny in English, let alone in Japanese.  These jokes of my own crafting all bombed completely.  However, I would say something, not meaning to be funny and the Japanese audience would laugh.  I took note of that reaction and realised that was a joke.  I would incorporate that into my other talks. Over a long period of time and a lot of speeches, I built up a stock of these humorous sprinklings of pixy dust that worked with Japanese audiences.

It was refreshing to see two competent speakers in action recently and it is certainly a skill that all of us can improve in.  There are some simple basics of speaking we need to concentrate on - prepare, rehearse, learn – repeat!